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Spider-Man 4 Scrapped, Franchise Reboot Planned
derGoldstein writes "Yesterday we discussed which sci-fi should get the reboot treatment next. If you consider Spider-Man as 'proper sci-fi,' then it would appear that's the answer. 'Sony Pictures decided today to reboot the Spider-Man franchise after Sam Raimi pulled out of Spider-Man 4 because he felt he couldn't make its summer release date and keep the film's creative integrity. This means that Raimi and the cast including star Tobey Maguire are out. There will be no Spider-Man 4. Instead, the studio will focus on a reboot script by Jamie Vanderbilt with a new director and a new cast.'"
Perhaps Raimi is too busy working on other projects.
Perhaps Raimi is too busy working on other projects.
Now, keep in mind that directors often have multiple projects that are in some form of production -- either stalled or pending development or in full swing -- but Raimi's up there with the busiest. If you consider him as both a producer and director (from IMDB):
In Development: 20,000 Leagues Under the Sea, The Shadow, The Familiars, Anguish, Untitled Sam Raimi Project, The Substitute, Sleeper, Evil Dead IV, Panic Attack, ArchEnemies, No Man's Land, The Transplants, Just Another Love Story, Burst 3D, Refuge, Monkey's Paw, The Given Day, The Dorm, Monster Zoo, The Wee Free Men and "The Taking"
And for what he's actually got in production includes The Evil Dead (2010), Dibbuk Box (2010), Warcraft (2011) and Priest (2010) where he's directing Warcraft and The Evil Dead -- two movies in sequential years. Yeah, I'd say he's staring down a rather full plate. I wish he would tackle some more original movies though like he did with Drag Me to Hell last year even though it wasn't the greatest, I'd rather see some originality and am happy he's washing his hands of a series that's run its course. But of course Sony wants to milk that cash cow ...
My work here is dung.
It's sad, but you're mostly right. It's like TV shows have transferred to the big screen. Movies are now pretty much episodic content.
"People who think they know everything are very annoying to those of us who do."-Mark Twain
If you went in with low expectations, there some sequences where you could have fun. However, I can't imagine wanting to watch it a second time.
What bothered me more than the way Venom was handled, and the odd jazz sequences was how Harry knew and wanted to kill Peter, but waited for no good reason. Then he picks a random moment to try and kill Peter. They fight, and Harry develops amensia. Then at the end of the film, with no reasoning at all, the amnesia disappears and Harry wants to fight Peter again. Then, at the end the family butler comes out and says "I happen to know your father died by his own hands, but I've waited all this years and allowed you to foster notions of revenge that tore apart your friendship. I hope you don't mind that I waited several years to speak up."
Kevin Smith talks about how Hollywood demands big fights and action sequences in certain portions of the script, whether they make sense or not. I'm pretty sure they screwed the entire Harry storyline just to try and keep the standard formula of action pacing.
Note, this is the same terrible writer that Sony is keeping instead of keeping Raimi, Macguire, etc.
http://blindscribblings.com - Tasty pop-culture in conceptual fashion.
Easily explained by the spider bite giving him some kind of insight that the scientists don't have.
Hey, if he can sense the immediate future and climb on walls why not?
Paying taxes to buy civilization is like paying a hooker to buy love.
I'm one of the few that rather liked the last Superman film. The major problem was a lack of action, and a ridiculous plot hole at the end (landing on the kryptonite land mass nearly killed him, but later he can lift a giant kryptonite continent with no problems).
I think Singer absolutely loves Superman, and did the character justice. He is a giant boy scout who feels ultimately alone. Superman's weaknesses extend past Kryptonite. Superman's powers can't help with Louis leaving him. But in having a kid, he suddenly doesn't feel as alone.
The Donner Superman films dealt with Marlon Brando saying goodbye to his son, who he sends to Earth. I thought Singer's Superman did a good job of integrating Brando's father/son arc.
People forget but Singer's first X-Men film didn't have good action. The second was CONSIDERABLY better. I would have liked to see Singer get a second shot at Superman.
http://blindscribblings.com - Tasty pop-culture in conceptual fashion.
If you read into these articles, Raimi walked because the studio wouldn't go along with the Vulture story, and specifically Raimi wanted John Malkovich to play the Vulture. And he wanted Anne Hathaway to be the Vultress. I am not making this up.
The studio told Raimi he didn't need an expensive star like Hathaway in that role, and they didn't want Malkovich and they didn't like the Vulture as the bad guy at all.
Now consider how Raimi has approached bad guys so far. Doc Ock? He was a good scientist, distraught over his wife's death, and the tenatcles took over his mind. Harry Osborn? Tormented by his father, instead of becoming the Hobgoblin he turns back to good. The Sandman? Just a father trying to redeem himself to his family.
Even Dafoe as the Green Goblin was obviously mentally ill. He was mad/evil, yes, but almost sympathetic. He really did get his company taken away by the corporate board, it really was all his genius, and the military was choosing an inferior technology due to politics. In some respects, he was kind of justified to get that pissed off.
Now imagine how Malkovich's Vulture would have come off? Probably just a sex freak with Anne Hathaway as the Vultress. Maybe he's bad because he was abused as a child. Maybe his mind was taken over by a Hippie played by John Cusack. So many possibilities.
In any case, it would have probably been the most way out there movie, really for the hardcore comic crowd and probably would have totally lost the under 21 crowd.
While it's true that, sometimes, a character idea needs a reboot, there is a *reason* I hate reboots. . .
I hate having to slog through essentially the same story again. I want *new* stories. Not the same basic Spiderman, Superman, or Batman story 'remixed'.
The recent Star Trek 'reboot' was nice in that, at least, they basically presented a brand new story. If companies insist on rebooting things, I hope they realize they don't have to take us back through the same 2 or 3 *tired* stories all over again. I really don't care if I never see another Batman movie which has The Catwoman, The Joker, or The Penguin, ever again. I want *other* Batman stories.
Don't forget that it threw in 300% more "edgy", and made Bond into a cheap action hero. They completely ditched the feel and spirit of the series. The only thing that made it a Bond film was the character names (and the fact it was loosely based on an Ian Flemming Bond novel).
The original Bond movies were fun, and fun is something that modern Hollywood cannot abide by. Same with Batman, they sucked all the fun out of them, and made them into straight action movies, and added around 500% more edgy.
I'm sick to death of edgy. I hate angst, I cannot stand dark brooding morons. I thought we moved beyond that since it was the trend du jour of the 90's. Also Hollywood forgot that you can make a violent action movie, and keep it fun.
A patriot must always be ready to defend his country against his government. -edward abbey
I vaguely remember reading that Sam Raimi did not want to include Venom in the movie at all, because he was more interested in the other aspects of Spiderman 3. However, the executives thought that Venom would make the movie more profitable, so they forced Raimi to include that plot.
Apparently, Spiderman 3 makes a lot more sense if you just cut out the parts with Venom. Not that that makes me want to watch it again.