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Once Again, US DoJ Opposes Google Book Search

angry tapir and several other readers passed along the news that the US Department of Justice has come out against the revised agreement to settle copyright lawsuits brought against Google by authors and publishers. This is a major blow to Google's efforts to build a massive digital-books marketplace and library. From the DoJ filing (PDF): "...the [Amended Settlement Agreement] suffers from the same core problem as the original agreement: it is an attempt to use the class action mechanism to implement forward-looking business arrangements that go far beyond the dispute before the Court in this litigation. As a consequence, the ASA purports to grant legal rights that are difficult to square with the core principle of the Copyright Act that copyright owners generally control whether and how to exploit their works during the term of copyright. Those rights, in turn, confer significant and possibly anticompetitive advantages on a single entity — Google."

218 comments

  1. Yay! by Pojut · · Score: 0, Troll

    Huzzah for delaying the inevitable future, fuckwads!

    1. Re:Yay! by Rockoon · · Score: 3, Insightful

      Its inevitable that google charges for other peoples still-under-copyright work without their permission?

      --
      "His name was James Damore."
    2. Re:Yay! by Anonymous Coward · · Score: 0

      Yeah I don't see how letting Google make money off of other people's work for which they are not compensated makes any sense whatsoever. Google has to play fair like everyone else with the copyright law.

    3. Re:Yay! by Richard_at_work · · Score: 5, Insightful

      The inevitable future being what? That of one where anyone can circumvent copyright (or indeed any other property law by extension) by making an agreement with a body that purports to represent an entire industry, but has no agreement with most of those supposedly represented?

    4. Re:Yay! by Pojut · · Score: 1

      No, it is inevitable that someone is going to eventually do this.

      While I fully understand where the copyright holders are coming from, why not work with Google and strike a deal instead of just saying no?

      I know, I know...it was a knee-jerk reaction. Still, I feel like this is a missed opportunity for the publishers and the public.

    5. Re:Yay! by Pojut · · Score: 4, Insightful

      The inevitable future where most if not all major (and likely minor) written works are available digitally.

      The book industry is acting just like the music industry was in the early 2000's. Publishers should try to work with google instead of against them. It's in their (and the public's) best interest.

    6. Re:Yay! by Anonymous Coward · · Score: 1, Interesting

      Because Google just took it upon themselves to violatie other people's copyrights without even consulting with the authors and publishers?

      To put it a way the slashtards might understand. Imagine if some company took a bunch of copyrighted GPL code and stripped it of it's original copyright and license because maybe the original author(s) couldn't be found and then slapped a brand new license. And then after getting caught doing this the company gets some bogus settlement where it's decided that other orphaned GPL code's authors only have some arbitrary short time to come forth otherwise this company will take their work and do the same. Then imagine there is a backlash against this from the OSS community. Would you be going on andd on about how the OSS community should be striking a deal instead of saying no? Would be you claiming they are "missing" some opportunity as well?

    7. Re:Yay! by Rockoon · · Score: 4, Interesting

      If Google wants to strike a deal with me, then why are they litigating with other people?

      No, Google does not want to strike a deal over my rights with me. Google wants to strike a deal over my rights with those other people.

      This is slashdot. We think that copyright terms are way too long and so forth. This isnt the solution.

      --
      "His name was James Damore."
    8. Re:Yay! by jedidiah · · Score: 1

      Why? They have periodical indexes. What's so different about Google?

      Oh these poor book publishers and authors. Oh woe is them. I can search for subjects or bits of text and have results sent back to me including links to Amazon and B&N.

      OH THE HUMANITY!

      Give us a f*cking break with this nonsense already.

      --
      A Pirate and a Puritan look the same on a balance sheet.
    9. Re:Yay! by Rockoon · · Score: 1

      What do the publishers have to do with my copyright?

      --
      "His name was James Damore."
    10. Re:Yay! by 2obvious4u · · Score: 3, Insightful

      Property laws and Copyright laws are mutually exclusive. We could completely nullify all copyrights without having any effect on property laws whatsoever.

      There is no need for intellectual property anymore. Information is moving and changing to fast. If you lock something up in a patent or have it copyrighted derivative works are set back half a generation or more. Intellectual property laws need a full overhaul to address the change in technology and how information is spread. Personally I don't believe we need any intellectual property restrictions at all; I believe they do more harm than good. I believe that people could fully share all knowledge with each other and that there would still be a market for using that knowledge as a service or to produce a good. I think we should still cite the original creators of the knowledge, but that it should be free to all. We should give credit to the authors of knowledge, but at the same time they shouldn't be able to horde and monopolize knowledge.

    11. Re:Yay! by Pojut · · Score: 1

      If you are independently published, absolutely nothing.

    12. Re:Yay! by petermgreen · · Score: 2, Interesting

      The problem is there are lots of books out there where it is not reasonably practical to get in touch with the copyright holder. Hell with some of them the copyright holder probablly doesn't even know they own it (BTW does anyone what happens legally to a copyright a company owns but doesn't know they own when said company goes bankrupt?).

      IIRC Google decided to make such books available anyway claiming that doing so was fair-use (a somewhat tenuous claim) and someone sued them over it, got the case made a class action and tried to settle the case in a very pro-Google way.

      I really wonder if they initiated the class action deliberately to let them get things settled in Googles' favour, if they did then it's a blatant abuse of the class action system.

      --
      note: i'm known as plugwash most places but i screwd up registering that here somehow in the past and now can't register
    13. Re:Yay! by Rockoon · · Score: 1

      Even if I used a publisher at one time, I can still hold the copyright. Thats between me and the publisher, not between me, the publisher, and google.

      --
      "His name was James Damore."
    14. Re:Yay! by Pojut · · Score: 2, Interesting

      It could be my ignorance of the way the industry works (which is most likely), but what I'm getting at is this could be used as another avenue for income. What Google did was wrong, yes...but there is still money to be made (not to mention the public gaining even more access to information.)

      I'm just curious why people want to shut it down instead of shaping it to work to their advantage. Right now, no one is benefiting...but everyone could be.

    15. Re:Yay! by maxwell+demon · · Score: 3, Insightful

      So the inevitable future is that Google gets certain rights which no one else has?

      Say someone (be it Yahoo, Microsoft, Apple, or some startup company) wants to become a competitor to Google books. He can't. He doesn't have the special rights Google would be given by this agreement. He would still have to hunt down every single copyright owner and get his permission for every single book, while Google can just publish it unless the copyright owner explicitly told them not to. That's a huge competitive advantage for Google, and it's an unfair and anti-competitive one.

      --
      The Tao of math: The numbers you can count are not the real numbers.
    16. Re:Yay! by GargamelSpaceman · · Score: 4, Insightful

      Yeah, bits of text, seems to me like excerpts. It's like google is generating an admittedly badly organized ( what do you want from ai? ) essay in response to a query. That essay is the search results and text excerpts. These are clearly referenced as being quoted and like you said, more than a bibliography is given, frikken links to buy the stuff is given. It would seem to me to clearly fall under fair use.

      --
      ...
    17. Re:Yay! by Anonymous Coward · · Score: 1, Informative

      Because Google is ignoring thousands upon thousands of people's copyrights who weren't part of the or reprensented by the publishing guild they made the deal with?

    18. Re:Yay! by insufflate10mg · · Score: 1

      First off, let me say that I agree with your post; however, for argument's sake, I'll play devil's advocate. How can putting my "hard work" online for anyone to view at their leisure benefit me financially?

    19. Re:Yay! by Pojut · · Score: 1

      So instead of striking a deal forcing google to not ignore those copyrights and let everyone make some money, you want to force google to not ignore those copyrights and let no one make money?

    20. Re:Yay! by insufflate10mg · · Score: 1

      If only the rest of the world believed what you do, it might work. The problem is that not even a majority of the world believes that; in fact, they believe quite the opposite. Care to elaborate on some real-world circumstances and applications, rather than spewing ideology?

      PS: I agree with you; once again, playing devil's advocate to learn a bit more from the people posting here.

    21. Re:Yay! by insufflate10mg · · Score: 2, Insightful

      Who said these rights must be exclusive to Google? Aside from the Slashdot community having a general pro-Google bias, I believe it doesn't matter whose company's name is in the story, it's about the freedom of information.

    22. Re:Yay! by Pojut · · Score: 1

      For the same reason I put some of my music online at no charge and with no DRM: Free exposure.

      Sure, a bunch of people will download it and not buy the album (when it becomes available)...but they still know my name and are aware of my work. That's as valuable as a sale, just in a less tangible way.

    23. Re:Yay! by maxwell+demon · · Score: 1

      Who said these rights must be exclusive to Google?

      The settlement, combined with the way U.S. law works for class-action lawsuits. At least that is my understanding. I'd love to be proven wrong.

      Aside from the Slashdot community having a general pro-Google bias, I believe it doesn't matter whose company's name is in the story, it's about the freedom of information.

      It doesn't matter whose companies name is in the story. It does matter that a single entity gets the extra rights, be it Google, Microsoft, the FSF, or whoever.

      --
      The Tao of math: The numbers you can count are not the real numbers.
    24. Re:Yay! by Anonymous Coward · · Score: 0

      So instead of striking a deal forcing google to not ignore those copyrights and let everyone make some money, you want to force google to not ignore those copyrights and let no one make money?

      Yes. I guess I missed the part where it was owed to Google to make money off of other people's copyrighted works.

    25. Re:Yay! by Pojut · · Score: 1

      I think you misunderstood what I was saying.

      Right now, they are trying to shut down Google's ability to do this. Instead of trying to shut it down, why not hammer out an agreement with Google that requires money up front or a portion of the money generated when someone views their content? Or, even better, with links to where someone can buy the thing.

      Google makes a little extra, publishers make a little extra and/or get more eyeballs on webpages where their stuff can be bought, and subsequently authors make a little extra. I fail to see what would be wrong with that.

    26. Re:Yay! by insufflate10mg · · Score: 1

      I specifically put the word financially in there knowing this would be the first response. This isn't about popularity, recognition, fame, fan-base, etc. This is about the money side of things, and I'm asking why any professional writer who lives by selling his written work would make a decision to give his work to the world for free.

    27. Re:Yay! by Aeros · · Score: 1

      But the authors and publishers should get paid for their work correct? I have several titles that I wrote years ago on there and I actually would have had no problem with having them add them for free (my publisher might differ on that). They are all computer books that I feel would be great to give back to the community. But for them to just go out and assume they can do it kind of pissed me off.

    28. Re:Yay! by Pojut · · Score: 1

      I specifically put the word financially in there knowing this would be the first response. This isn't about popularity, recognition, fame, fan-base, etc. This is about the money side of things, and I'm asking why any professional writer who lives by selling his written work would make a decision to give his work to the world for free.

      You are implying popularity, recognition, fame, fan-base, etc. have nothing to do with making more money as a professional writer.

      Do you really need me to point out what is wrong with that implication?

    29. Re:Yay! by ichthyoboy · · Score: 1

      Which sounds remarkably similar to Sound Exchange collecting streaming audio royalty payments for all musicians, and not just those associated with RIAA/ASCAP

    30. Re:Yay! by Lord+Ender · · Score: 1

      Copyright laws which rely on creating artificial scarcity need to die. Compulsory "mass media" licenses like this are a step down that inevitable path.

      --
      A slashdotter who didn't build his own computer is like a Jedi who didn't build his own lightsaber.
    31. Re:Yay! by insufflate10mg · · Score: 1

      Yes, please point out what is wrong with my implication.

      Write a book, keep tight control, make profit on its sales = $X.
      Write another book, put it online for free, make profit on its sales > $X.

      Is that really what you're saying? I'm genuinely curious, not trying to be an idiot.

    32. Re:Yay! by Anonymous Coward · · Score: 0

      Right now, they are trying to shut down Google's ability to do this.

      Boohoo.

      Instead of trying to shut it down, why not hammer out an agreement with Google that requires money up front or a portion of the money generated when someone views their content?

      Because for a vast number of the books they are going to scan and make money off of Google isn't going to pay them money? Google settle with the Author's Guild that doesn't represent any and all authors whose works Google wants to scan and make money off of. But Google still thinks they should have the right to ignore the copyrights on those books.

      Google makes a little extra, publishers make a little extra and/or get more eyeballs on webpages where their stuff can be bought, and subsequently authors make a little extra. I fail to see what would be wrong with that.

      What you fail to see wrong is not all authors whose works are going up WILL see money.

    33. Re:Yay! by VertigoAce · · Score: 4, Informative

      The objection that the DoJ and other companies have is that Google is being granted a wide license by way of a class action settlement. Normally a company can't make a licensing agreement with all copyright owners without contacting each and every one of them. But since this is a class action settlement, all members of the class are automatically opted in to the agreement. Interestingly, all the publishers who sued Google in the first place have opted out of this particular arrangement (they negotiated better deals with Google). So this settlement is being agreed to by a group of publishers who have nothing to lose.

      The only way a competitor could get a similar agreement is by being sued and hoping that a similar settlement is the end result.

      The proper way for something like this to occur is for Congress to modify copyright law to allow any company to set up a similar service (potentially with a single entity in charge of distributing royalties and managing any opt-in/opt-out process).

    34. Re:Yay! by insufflate10mg · · Score: 1

      I neglected to mention another thing I'm thinking. I understand where you're coming from -- give something out for free, get the recognition, and be able to sell more... IN THE FUTURE. Giving something away gives people no incentive to purchase that specific product. Giving something away would, perhaps, give people the incentive to purchase a product released by you for sale in the future. I agree with this, but to stand by this argument through hell and high water is to imply that every aspiring New York Times best selling author should release their first work for free, in full. Fundamentally, this theory is somewhat contrary to the structure of the IP industry and capitalism in general.

    35. Re:Yay! by Pojut · · Score: 1

      Yes, please point out what is wrong with my implication.

      Write a book, keep tight control, make profit on its sales = $X.
      Write another book, put it online for free, make profit on its sales > $X.

      Is that really what you're saying? I'm genuinely curious, not trying to be an idiot.

      Say you are either an obscure or not a top-shelf author. The publisher isn't going to spend a bunch of money on promoting you, so you are left to get your name out there. The hardest part about being a writer is getting people to recognize your name and read your work.

      Fans will buy what you write no matter what, but you have to get the fans before that can happen. Slashdot favorite Wil Wheaton is a great example of this. He makes the majority of his income from book and audio book sales...yet try to find his work on torrent sites. You will be suprised at how little of his work is pirated. This is because people love what he does and understand that their support enables him to care for his family. His books have gotten slightly more expensive over the years, because his fans are willing to pay for his work. He still gives away a TON of content at very little or no cost. His audio production diary from Criminal Minds is a good example of this. It was originally a free blog post, people enjoyed it, and now he can charge money for it.

      In summary:

      Write a book, sell it = sales
      Write another book, put it online for free = exposure
      Write another book after the increased exposure, sell it = more sales than your first book.

      Making a portion of your work available for free increases the number of people that it will reach, since people don't have to spend money to see if they like what you do. Exposure is basically free advertising. Given what it costs to properly and professionally promote your work, giving some of it away for free is the cheapest and most effective form of advertising you could possibly engage in.

    36. Re:Yay! by Pojut · · Score: 1

      I neglected to mention another thing I'm thinking. I understand where you're coming from -- give something out for free, get the recognition, and be able to sell more... IN THE FUTURE. Giving something away gives people no incentive to purchase that specific product. Giving something away would, perhaps, give people the incentive to purchase a product released by you for sale in the future. I agree with this, but to stand by this argument through hell and high water is to imply that every aspiring New York Times best selling author should release their first work for free, in full. Fundamentally, this theory is somewhat contrary to the structure of the IP industry and capitalism in general.

      Take a look at the New York Times best seller list. How many obscure, non-promoted authors do you see on there? Hardly any, if any. These are people that have the full force of a major publication house to advertise their book.

      Independent or smaller writers, even those on a major publisher, don't have that same luxury. All advertising costs something...what more effective advertising is there than giving people a portion of your work for free?

    37. Re:Yay! by Idiomatick · · Score: 1

      Google's original plan was to pay everyone. Basically they'd go ...

      "Hey, this book has been out of print for 45 years the author is dead and there are only a few hundred copies left on the planet. Lets scan it. Then let anyone who wants it dl it.... but it is copywritten, how about we charge people to dl it. With that we will pay the author money they certainly wouldn't be making otherwise. Hell, lets even throw in some extra money for when we put up each book as well.
      And we'll email/phone/mail/fax every person we can find that owns copyrights telling them this. If they are alive and give a shit then they can ask us to take it down. Or they can take our money. Everyone wins, tons of books available for all."

      Google books is likely to be a major loss leader, it is there to keep books from a near certain doom. Also in regards to copyright law, you are supposed to defend your copyright. If you don't defend it no one will do it for you. So if you are an author and your shit is up their without your permission. You can likely take Google to court. BUT! Because google has a very very easy opt out system in which they STILL pay you even then the initial 60$ or so. It will probably be hell to get a landslide victory. The courtcase protects Google a bit further, from people signed up to the writers guild or w/e.

    38. Re:Yay! by Idiomatick · · Score: 1

      They put orphan works up for a price. Google will then hunt you down and PAY YOU for the privilege, an initial sum and then money each sale.

    39. Re:Yay! by insufflate10mg · · Score: 1

      You began by seemingly advocating the unlimited distribution of copyrighted work for the sake of selling more products. You ended by advocating a powerful (but optional) path to popularity, a useful business model, and consequently increased sales. In my opinion, I would consider the debate ended due to mutual understanding finally peeking over the horizon.

      My problem was with someone saying, "oh no! This is good for the writers; give it out for free and they'll sell more," rather than, "it should be the artist/writer's choice whether to use a business model incorporating 'freebies' that is capable of increasing sales in the future, and this is a good avenue for them to do it." As a ghost writer by profession, I agree with the latter but disagree with the former. Feel me?

    40. Re:Yay! by Idiomatick · · Score: 1

      "Say someone (be it Yahoo, Microsoft, Apple, or some startup company) wants to become a competitor to Google books. He can't."

      Says who?

    41. Re:Yay! by Rockoon · · Score: 1

      What Google did was wrong, yes...but there is still money to be made (not to mention the public gaining even more access to information.)

      Here's an idea. Why doesnt Google make me an offer, either a blanket opt-in or personally to me, and then I can accept or reject said offer.

      This doesnt require changing any laws. If there is money to be made, then surely they can make an offer that will be beneficial to both of us.

      If Google was so concerned with preserving older works that arent being published, there would be an ad on all their services saying "Are you an author? Google would like to publish your old works. Click here to see our offer"

      But no.. thats exactly not what Google has done.. instead they started copying every book that they could get their hands on with complete disregard for anyones rights.

      --
      "His name was James Damore."
    42. Re:Yay! by Pojut · · Score: 1

      As a ghost writer by profession, I agree with the latter but disagree with the former. Feel me?

      As someone just getting into freelance writing as a way to earn a little extra money to pad my savings account, absolutely :-)

    43. Re:Yay! by Zerth · · Score: 1

      If the companies buying the assets of the failed company do their work, it transfers. Otherwise it falls into limbo and no-one can legally do anything with it until copyright expires.

    44. Re:Yay! by that+this+is+not+und · · Score: 1

      I'm just curious why people want to shut it down instead of shaping it to work to their advantage.

      'Working to their advantage' could include totally barring further distribution of a work. You might be a famous author, but you wrote some terrible drivel when you were younger. You might want there only to be 240 copies of that early work on acidic pulp paper and crumbling to dust. And it's your right to limit your work's distribution to 240 copies. The individual rights of the creator trump these purported 'collective rights' to the creators work. Nobody is a slave to society.

    45. Re:Yay! by Zerth · · Score: 1

      What google really wants is for books to have the equivalent of "mechanical licensing" that other IP works have.

      However, they can't create it by negotiating with a million people, they can only create it by being sued and having the decision go their way and the lawmakers finding this intolerably vague and deciding put it on paper.

      Same thing happened with radio royalties, rebroadcasting OTA on cable, and ring tones; and is currently happening with drug patents in poorer countries.

    46. Re:Yay! by AnotherUsername · · Score: 1
      What you wrote:

      Huzzah for delaying the inevitable future, fuckwads!

      How I read it:

      Google isn't being allowed to use other's people's stuff to make money! That isn't fair! I like Google, so they shouldn't have to follow the rules just like everyone else! They should be able to do anything and everything they want!

      --
      I don't like Linux. This doesn't make me a troll.
    47. Re:Yay! by that+this+is+not+und · · Score: 1

      But what if somebody makes an unauthorized recording of you on a particularly bad night and you sound horrible? Or you made a 'demo' album six years ago and sold a handful of cassette copies in the local record shop. It gets around and awhile later becomes viral and everybody starts sending it around to all their friends. "listen to the tard playing the shitty guitar" they would all caption it. And the name of your band is all over it.

      So a bunch of people are downloading it and your band's rep is ruined.

      No, you have the right to decide how it is further disseminated. There might be 40 crappy cassettes out there, but nobody can digitize it and spread copies around the net.

    48. Re:Yay! by that+this+is+not+und · · Score: 1

      In summary:

      Write a book, sell it = sales
      Write another book, put it online for free = exposure
      Write another book after the increased exposure, sell it = more sales than your first book.

      Fine, that can be your business plan.

      But it's your choice to make that your business plan. Not Random Redistributor X who comes along and republishes your work without permission.

    49. Re:Yay! by jecblackpepper · · Score: 1

      Google will then hunt you down ...

      For some values of "hunt".

      Want to bet it's the following process:

      • Is it published by a major publisher: no
      • Search in Google to see if they can find the publisher or author: Can't find a web site.
      • Oh well, we've tried to hunt down the author and can't find them - guess we'll just have to keep the money in trust in our bank account until they come forward.
    50. Re:Yay! by that+this+is+not+und · · Score: 1

      We should give credit to the authors of knowledge, but at the same time they shouldn't be able to horde and monopolize knowledge.

      First off, "knowledge" isn't held captive in any creative writer's depiction. It exists independent of any particular depiction, and can be re-expressed by somebody else without any form of copyright violation.

      So trumpet your diatribe about the 'horrible plight of knowledge held captive to the evil creator' somewhere that people don't think as clearly as we do here.

    51. Re:Yay! by Pojut · · Score: 1

      But what if somebody makes an unauthorized recording of you on a particularly bad night and you sound horrible? Or you made a 'demo' album six years ago and sold a handful of cassette copies in the local record shop. It gets around and awhile later becomes viral and everybody starts sending it around to all their friends. "listen to the tard playing the shitty guitar" they would all caption it. And the name of your band is all over it.

      This is a link to a super early concert given by Marilyn Manson. I could be wrong, but I believe it was one of the first concerts they ever did under the name "Marilyn Manson and the Spooky Kids". The production values are horrendous, the music quality is bad, and the whole thing is generally shitty.

      They could have chosen to let it go nowhere, but they decided to release it and make some money off it. And you know what? People who were big fans in the 90's and early 2000's (like myself) wanted it and even paid for it, despite knowing that it was horrible quality. I haven't even watched more than 10 minutes of the copy that I own, yet I am glad that I can own a piece of the band's history. There is even footage on there from Mrs. Scabtree!

      Early works shouldn't be ignored. They are an integral part of eventually becoming who you are as an artist.

      So a bunch of people are downloading it and your band's rep is ruined.

      If, as a band, your fans are so fickle that they will stop liking you because of something you did years ago which is currently irrelevant to what you are releasing, then you have the wrong kind of fans.

      No, you have the right to decide how it is further disseminated. There might be 40 crappy cassettes out there, but nobody can digitize it and spread copies around the net.

      Agreed, you do have that right.

    52. Re:Yay! by that+this+is+not+und · · Score: 1

      Copyright laws which rely on creating artificial scarcity need to die.

      Can you explain why, without it being an ideological diatribe?

      What's wrong with the creator controlling the dissemination of his/her work? Is he/she society's slave? Is the fact that he/she is gifted proof that society is owed the right to his/her creative output?

      Nope. If they want twenty signed and numbered copies of their poem to be the sole copies ever produced, it's their right to make that the limit.

    53. Re:Yay! by Pojut · · Score: 1

      Google isn't being allowed to use other's people's stuff to make money! That isn't fair! I like Google, so they shouldn't have to follow the rules just like everyone else! They should be able to do anything and everything they want!

      Honestly, I was just trying to kick up a conversation. Despite my flamebait post, it turned into something quite productive :-)

    54. Re:Yay! by AndersOSU · · Score: 1

      BTW does anyone what happens legally to a copyright a company owns but doesn't know they own when said company goes bankrupt?

      I believe they're part of the companies assets that gets liquidated in bankruptcy court. It's similar to what happens if the bank that holds your mortgage goes under.

      Good summation of the situation by the way.

    55. Re:Yay! by AnotherUsername · · Score: 1

      So you will start working to destroy the GPL, then, right? Because the GPL still protects intellectual property.

      --
      I don't like Linux. This doesn't make me a troll.
    56. Re:Yay! by AndersOSU · · Score: 1

      The issue isn't the publishers, the issue is the copyright holders who are difficult to contact. The publishers are actually on board.

      The problem is that google wants the courts to assign rights to them that belong to someone else - but no one knows exactly who that someone is. There was a class action that said, "Hey I could be that someone - give me some money." And google said ok, but only if this class represents all the someones. The court doesn't think that because a class sued google that they can assign rights to google of people who may not have known they were supposed to be part of that class.

    57. Re:Yay! by AndersOSU · · Score: 1

      more to the point, google is saying you don't have an option of only making $X if that's what you want. They want to force you into a situation where your material is online - regardless of whether you'll make more money that way or not.

    58. Re:Yay! by Idiomatick · · Score: 1

      Nah, it isn't Google's doing really. Big libraries try to keep track of these things. But the point was about how it benefits the author. GP asked: "How can putting my "hard work" online for anyone to view at their leisure benefit me financially?" Clearly they can get money for very very minimal effort, in many cases none.

    59. Re:Yay! by ClosedSource · · Score: 1

      "The problem is there are lots of books out there where it is not reasonably practical to get in touch with the copyright holder."

      But because there's no necessity for Google to do this, it's not really a problem for anyone but Google. Google wants to do it, but the law prevents them from doing it. Tough.

    60. Re:Yay! by ClosedSource · · Score: 1

      You still don't get it. It's not up to me, you, or Google to determine what's good or bad for a particular author or what sort of "deal" they might want to make.

    61. Re:Yay! by shutdown+-p+now · · Score: 1

      Interestingly, all the publishers who sued Google in the first place have opted out of this particular arrangement (they negotiated better deals with Google).

      How does this even work? So you can initiate a class action, and then all initiators opt out of it (for any reason) - and it still stands??

      That sounds extremely stupid.

    62. Re:Yay! by ClosedSource · · Score: 1

      If all of this is inevitable why argue for it? If it's inevitable it will happen no matter what.

    63. Re:Yay! by AndersOSU · · Score: 1

      For starters, there would be no drug research without intellectual property. No, drug companies aren't saints, but developing and testing a drug is phenomenally expensive, if they had to compete with the generics from the word go they'd just shut down. Medical breakthroughs are pretty important.

      Intellectual property encompass trademarks, if I'm at the grocery store and I want to buy some Glad (tm) trashbags, it's because I don't want the store brand ones. If the store could duplicate Glad's packaging I wouldn't know what I'm getting.

    64. Re:Yay! by AndersOSU · · Score: 1

      Almost everyone that google can find doesn't have any problem with this project (assuming the price is right). The question is whether google should be legally allowed to assume that the people they can't find don't have a problem with it.

    65. Re:Yay! by gumbi+west · · Score: 1
      This is a bit like saying this: I want to hike across the country from coast to coast. To do this I need to get right of way for the trip. It is difficult to find everyone to ask so I'm just going to walk the way I want and if anyone wants to, they can stop me--but the onus is on them. If I walk through their locked house (copyrighted material which says no other use is allowed) they can ask me to stop after I've entered if they notice me.

      The fact that something is difficult to do legally doesn't give you license to change the law.

    66. Re:Yay! by 2obvious4u · · Score: 1

      http://gamer.blorge.com/2010/01/03/nintendo-forces-fan-made-zelda-movie-to-be-taken-down/ - Fan film being held restricted.

      The entire 8 bit Nintendo catalog, now 30 years old.

      Prescription drugs.

      Forceps, which a private family kept secret for nearly a century when it could have been used to save 1000's of lives.

      Information is meant to be free. We use information gotten from others everyday. We are all standing on the shoulders of giants and without them we wouldn't be here today.

    67. Re:Yay! by 2obvious4u · · Score: 1

      We only need GPL to protect the open community from Copyright and Patent lawyers. If there was no longer Copyrights or Patents there would be no reason for the GPL. The GPL is a stopgap until intellectual property laws are reformed.

    68. Re:Yay! by 2obvious4u · · Score: 1

      Sure they would. Governments fund cancer research to the tune of Billions of dollars a year. Aids research is funded through charities and through donations.

      You will still have patients causing a demand for drugs. Universities and teaching hospitals will pick up the slack where the drug companies fail. Charities and donations will cover the research costs. Manufacturing costs will go down and drugs will be cheaper for everyone.

      I mentioned reform. Trademarks do have a purpose. They identify you with your product. That doesn't stop someone from copying your product, but they shouldn't be able to tarnish your name. I also say you should give credit to the inventors. Citations are very important. Fame has value and it lasts a lot longer than monetary gains. You can turn Fame into money, through speaking, teaching, lectures, and endorsements. You can make money on IP without hording it as long as it is required that you cite the author. Claiming someone else's idea as your own is still wrong.

    69. Re:Yay! by Lord+Ender · · Score: 1

      You are wrong from a legal, economic, and ethical standpoint. Legally, copyrights grant rights-holders only limited, temporary authority to limit what other people do with works. Economically, creating artificial scarcity is bad for an economy, whether we're talking about information or commodities. And ethically, the idea that anyone has a "natural" right to tell other people what they can and cannot do with information is fundamentally illiberal.

      Our society has decided to grant temporary monopoly rights in order to "promote science and the useful arts." We did so because scarcity was the only economic model we knew at the time.

      A far better model would be to allow free access to all information (that's the stuff golden ages are made of) and reward rights-holders proportionately to the popularity and investment expense in the works.

      I say such a system is inevitable because the benefits to society are fantastic, so as examples of these benefits become apparent on smaller scales, people will demand change.

      --
      A slashdotter who didn't build his own computer is like a Jedi who didn't build his own lightsaber.
    70. Re:Yay! by mcgrew · · Score: 1

      BTW does anyone what happens legally to a copyright a company owns but doesn't know they own when said company goes bankrupt?

      Yes and no. That is, yes I do and no I don't. After my divorce I declared bankrupcy, and my registered copyrights were part of the settlement. The judge saw that they had gained no revenue for me in over two decades, so I was able to keep them.

      Now, a business, particularly a corporation? One would think that the copyrights would go to creditors, but it may be that the judge would see that the particular work was out of print for 20 years and, like my copyrights, not worry about them. If a corporation goes bankrupt, it no longer exists.

      I would hope the judge would transfer ownership of the work, but I can see where he or she (the judge was a woman in my case) may not.

    71. Re:Yay! by mcgrew · · Score: 1

      There is no need for intellectual property anymore

      This "property" doesn't belong to the copyright holder, it belongs to the public. The copyright holder holds a limited time monopoly on its publication, but we retain ownership. It's like a rented house -- you have a limited time monopoly on its use, but you don't own it.

    72. Re:Yay! by DragonWriter · · Score: 1

      If Google wants to strike a deal with me, then why are they litigating with other people?

      If you are one of the people they are proposing a deal with (who are exactly coextensive with the members of the class litigating against them), they aren't litigating with other people. Its a class action suit against them, which means if you are a member of the defined class and haven't actively opted out of the action, they are (involuntarily, as they are the target of the suit) litigating against you (or, specifically, against your legal representatives in the matter at issue.)

      And if you have opted out of the class, of course, they aren't proposing a deal with you at all, since, by definition, the resolution of a class action suit (by settlement or otherwise) is not binding against people who are not parties to the suit, including potential class members who opted out of the class.

    73. Re:Yay! by DragonWriter · · Score: 1

      Property laws and Copyright laws are mutually exclusive.

      If that was true, you couldn't have both copyright laws and property laws, which is obviously untrue.

      You probably mean that property laws and copyright laws are disjoint sets, such that no copyright law is a property law and vice versa, but this is also untrue. Copyright laws are a subset of intellectual property laws (along with, e.g., patent laws), which are a subset of intangible personal property laws (along with, e.g., laws governing securities), which are in turn a subset of personal property laws (along with laws governing tangible personal property), which are in turn a subset of property laws (along with laws governing real property.)

      We could completely nullify all copyrights without having any effect on property laws whatsoever.

      This is quite clearly false, since all copyright laws are property laws (though not all property laws are copyright laws), so any change to any copyright law is also a change to a property law.

      There is no need for intellectual property anymore. Information is moving and changing to fast.

      One might make a coherent argument that we need different intellectual property laws for this reason, but I don't see a coherent argument that we don't need intellectual property stemming from the pace of information moving and changing.

    74. Re:Yay! by DragonWriter · · Score: 1

      The objection that the DoJ and other companies have is that Google is being granted a wide license by way of a class action settlement. Normally a company can't make a licensing agreement with all copyright owners without contacting each and every one of them. But since this is a class action settlement, all members of the class are automatically opted in to the agreement.

      Because it is a class action, all members of the class had notice and the opportunity to opt-out of the litigation; the notice was required to include a notice that failure to opt-out could result in permanent effects to their legal rights under the claim at issue as a result of whatever resolution was reached in the case.

    75. Re:Yay! by AndersOSU · · Score: 2, Informative

      The NIH has a not-insubstantial annual budget of ~$30 billion.

      Pfizer, by itself, had revenues of $48 billion last year.

      Academic medical research is good at lots of things - developing new marketable drugs isn't one of them - nor is the government prepared to spend that kind of money.

      We can't get the government to provide universal healthcare, what in the world makes you think that we can get the government to step up and cover pharma's R&D budget in the absence of patents?

    76. Re:Yay! by mcgrew · · Score: 1

      Oops,sorry, hit "submit" when I meant to hit "preview".

      If you lock something up in a patent or have it copyrighted derivative works are set back half a generation or more.

      Not patents; they only last twenty years. If patents lasted as long as copyright, technological progress would come to a standstill. Like technology, art is built on what has come before it.

      I believe that people could fully share all knowledge with each other and that there would still be a market for using that knowledge as a service or to produce a good. I think we should still cite the original creators of the knowledge, but that it should be free to all.

      The purpose of patents and copyrights is to encourage the creation of new works. I'm not likely to spend billions researching a new drug if anybody can sell that drug without royalties; I'd go broke in no time, as I'd have no way to recoup the cost of the research. There's a lot wrong with current patent law, but the need for it exists. The same with copyright law. IMO copyrights should last no longer than patents, and noncommercial use should be legal.

      We should give credit to the authors of knowledge, but at the same time they shouldn't be able to horde and monopolize knowledge.

      You can't copyright knowledge, only its expression. If you take a copyright work and put that knowledge down in your own words, you will hold copyright to the new expression of that knowledge.

    77. Re:Yay! by Darinbob · · Score: 1

      Another issue here is that this is Google - not a broad based generic group of information suppliers. Part of the DOJ's legal argument is that this can grant a huge boon to a single entity and a competitive advantage. If we need this sort of stuff (which I doubt), then it should be available to more than a single company.

      The other part of the argument, and the most important one I think, is that the whole agreement just circumvents existing copyright laws. If the laws are broken, then maybe it makes sense to fix the laws. But that is quite different from just having a wink and a handshake and then pretending the laws don't exist. Someone wants to make some money here, and unfortunately there are some laws standing in the way of their planned business model.

    78. Re:Yay! by Anonymous Coward · · Score: 0

      It's copyrighted, not copywritten. And you are wrong, you have to defend trademarks, not copyrighted work.

    79. Re:Yay! by 2obvious4u · · Score: 1

      1 of 2 things will happen. Either people with the disease that needs a cure will donate or the disease affects so few people that the cost to find a cure isn't worth it to society to find it.

      The new world is funded by micro donations and consumption taxes. We aren't there yet, but when we do get there people will look back at this generation as if we were uncivilized.

    80. Re:Yay! by innocent_white_lamb · · Score: 1

      Because it is a class action, all members of the class had notice and the opportunity to opt-out of the litigation;
       
      I live in a small town in Canada and I didn't receive any notice. I have the "big city" newspaper delivered every day and I get the local weekly paper in my mailbox too. Never saw any notice in either of those, or anywhere else (other than what's been posted on Slashdot and the like).

      --
      If you're a zombie and you know it, bite your friend!
    81. Re:Yay! by NorthernerWuwu · · Score: 1

      Hang on a minute now. Property Law and Copyright Law (and by extension Intellectual Property Law de jure) are entangled in many ways. Property has always been held as the highest function of law in Western society and with some cause but to pretend that Copyright laws are simply unrelated is disingenuous. If the only property I can hold is physical, modern society is in for a lot of hurt and apparently what I spend my days doing holds no value. I understand your position and to some degree can even sympathize but your initial premise is terribly flawed.

    82. Re:Yay! by AndersOSU · · Score: 1

      forgive me if I'm not willing to place my health in the invisible hand of the free market.

    83. Re:Yay! by PAStheLoD · · Score: 1

      Pfizer spent most of that $48 billion on premiums, marketing, direct marketing doctors and hospital managers to Hawaii, etc..

    84. Re:Yay! by AndersOSU · · Score: 1

      Let me start by reiterating that I am under no impression that big pharma are saints.

      However, academia isn't in the business of business. Even if I were to grant that educational institutions could do all the medical R&D we need, they are not capable of formulating, meeting regulatory requirements, manufacturing, marketing, distributing, and assuming liability for drugs.

      Generic's business model is to take the active ingredient AND formulation AND regulatory approval that the patent holder developed and manufacture the drug more cheaply. This is a very important part of the prescription drug economy, but in a world where pharmaceutical companies don't hold patents academia might be capable of turning out interesting and novel active ingredients, but there wouldn't be anyone there to turn it into a marketable drug.

      I'm not happy with the size of big pharma's marketing budget or tactics, but consider that a significant portion of the NIH's budget goes towards the paper writing portion of science, as opposed to the research itself. This is absolutely a necessary part of science, but communication of discoveries is, in essence, another form of marketing.

    85. Re:Yay! by AnotherUsername · · Score: 1

      All I am saying, is that if you truly believe that intellectual property should be completely free, for people to do with how they please, you will be all for taking the first step, and anything you create will instantly be free for everyone, with no strings attached. Enjoy making a living off of that.

      Believe it or not, but intellectual property rights are needed. If there were none, and people were free to take what they wanted from day one, nobody would ever be able to turn a profit. Businesses would collapse. Technology would be set back generations. Or do you have some kind of fund that will provide you billions every year for R&D, production, and distribution of products?

      --
      I don't like Linux. This doesn't make me a troll.
  2. Opposes? by eldavojohn · · Score: 4, Informative
    I read the official press release this morning and it sounded somewhat optimistic:

    The department continues to believe that a properly structured settlement agreement in this case offers the potential for important societal benefits. The department stated that it is committed to continuing to work with the parties and other stakeholders to help develop solutions through which copyright holders could allow for digital use of their works by Google and others, whether through legislative or market-based activities.

    Seemed to me they weren't happy with Google 'ownership' of orphaned works and the fact that it's "opt out" not "opt in" for authors. I guess you could see that as opposition but basically the amended contract failed to satisfy them. That's why they're having a hearing on Feb. 18, 2010.

    A deal this big is bound to have lengthy negotiations and investigations as it's truly game changing for everyone involved and the world at large.

    --
    My work here is dung.
    1. Re:Opposes? by Aladrin · · Score: 2, Insightful

      I agree with Google's aim: Prevent orphaned works from disappearing.

      I disagree with the way they are trying to do it because it tramples all over the law to do so, -and- guarantees a monopoly while it's doing it. I think the DOJ is saying the same.

      --
      "If you make people think they're thinking, they'll love you; But if you really make them think, they'll hate you." - DM
    2. Re:Opposes? by Anonymous Coward · · Score: 2, Insightful

      If an author could opt-in for orphaned works, it would not be an orphaned work. I fail to see how requiring orphaned works to sit in the dark until copyright expires benefits anybody. The problem people have with this is that Google is attempting to use what is essentially an unused, untapped resource.

    3. Re:Opposes? by insufflate10mg · · Score: 1

      So Google Books is only fighting over orphaned works?

    4. Re:Opposes? by tyrione · · Score: 1

      I agree with Google's aim: Prevent orphaned works from disappearing.

      I disagree with the way they are trying to do it because it tramples all over the law to do so, -and- guarantees a monopoly while it's doing it. I think the DOJ is saying the same.

      Leave that up to the US Copyright Office to manage, not a corporation.

    5. Re:Opposes? by jecblackpepper · · Score: 5, Insightful

      If your problem is orphaned works then there are two fair solutions I can see to fix the problems:

      • Shorten copyright terms, orphaned works are only a problem when copyright is significantly longer than the time a work a is in print for.
      • Have a public body rule on orphaned works and if found to be be truly orphaned, then put them in the public domain for anyone to use.
    6. Re:Opposes? by shutdown+-p+now · · Score: 1

      They're fighting over the ability to unilaterally declare books as orphaned and treat them as such, unless and until the book author tells them otherwise.

    7. Re:Opposes? by ClosedSource · · Score: 1

      "I fail to see how requiring orphaned works to sit in the dark until copyright expires benefits anybody."

      We can all make our own judgments on what best benefits society or individuals, but whose view should prevail?

      In the US and many other countries we create laws through our representative democracy that resolve some of these issues.

      So if you or Google believe that copyright law as it currently exists could be improved, work to have it changed.

    8. Re:Opposes? by Darinbob · · Score: 1

      No, Google's aim is to make money. They are not a non-profit association of concerned librarians. They don't care about orphaned works, they just care that they get everything indexed so that they stay on top of the game.

    9. Re:Opposes? by Darinbob · · Score: 1

      Then let's implement those suggestions, instead of having Google just pretending that the current laws don't exist.

    10. Re:Opposes? by martin-boundary · · Score: 2, Insightful

      The problem people have with this is that Google is attempting to exclusively use what is essentially an unused, untapped common resource.

      There, fixed that for you.

    11. Re:Opposes? by Aladrin · · Score: 1

      You seem to be confused. Organizations can have more than 1 goal at a time, and some will even be completely unrelated to money.

      --
      "If you make people think they're thinking, they'll love you; But if you really make them think, they'll hate you." - DM
  3. google content needs to be opt IN not opt OUT by Anonymous Coward · · Score: 4, Insightful

    Opt out is evil. It's evil when spammers do it and it's evil when google does it.

    If I create a work and hold the copyright on that work, google has no right to provide copies of that work without my permission, and they cannot say, "you can opt out!". That's backwards according to long established law.

    This applies to much of what google does - online books, news stories copied from the organizations which create them, and providing cached versions of web pages.

    Copyright law does not magically no longer matter if you add "on the internet" to it.

    1. Re:google content needs to be opt IN not opt OUT by Compholio · · Score: 1, Insightful

      If I create a work and hold the copyright on that work, google has no right to provide copies of that work without my permission, and they cannot say, "you can opt out!". That's backwards according to long established law.

      How would you feel if a library had to get permission from copyright holders before offering books? It seems to me that there are some circumstances where an opt-out makes more sense than an opt-in.

    2. Re:google content needs to be opt IN not opt OUT by Richard_at_work · · Score: 3, Insightful

      Libraries aren't producing extra copies of works, they are operating under the first sale doctrine and nothing more.

    3. Re:google content needs to be opt IN not opt OUT by ajs · · Score: 1
    4. Re:google content needs to be opt IN not opt OUT by ajs · · Score: 1

      Opt out is evil. It's evil when spammers do it and it's evil when google does it

      If spammers provided a single opt-out for all spam ever that they actually obeyed, no one would be unhappy.

      The reason opting out isn't workable is that you'd have to opt out of every spammers efforts and almost no spammers actually obey opt-out requests (some actually do, believe it or not, because they're not in the business of spamming, but rather of maintaining mailing lists of likely suckers, the value of which they increase by removing people who request it).

      The only concern I'd have, here is if Google did get this through and then failed to share their opt-out list with other organizations that did the same. Now, I realize that the word "evil" just magically works its way into any conversation about Google, but are you really saying that you're willing to devalue that word by suggesting that Google is doing "evil" by creating a situation which relies on their ability to share information?!

    5. Re:google content needs to be opt IN not opt OUT by Lunix+Nutcase · · Score: 2, Insightful

      How would you feel if a library had to get permission from copyright holders before offering books?

      It would be ridiculous. But I don't see how this has any bearing on the matter at hand. Libraries aren't out there scanning copyrighted works and trying to sell ads to make profit off of them.

    6. Re:google content needs to be opt IN not opt OUT by Idiomatick · · Score: 1

      Copyright law is ALWAYS opt out. Think... Youtube for godssake. (Being that Youtube is not a mailman, they don't have common-carrier laws for it) There is copyrighted stuff put up and then taken down at request, ie opt out. It is your job to protect your own copyright. And Google provides an opt out where not only will they try and hunt you down to start with, if they are unable to find you but you find them. You can opt out and they'll send you like 60$+ for your trouble. Sucky and all but you won't get much sympathy from me or a judge.

      Think if it were the otherway. Someone uses your photo on their website and you sue them plus damages for a few grand? Without emailing them first? Or trying to make a deal or agreement? Gooood fucking luck.

    7. Re:google content needs to be opt IN not opt OUT by Idiomatick · · Score: 1

      The orphaned book thing is supported by pushed by and coming from libraries.

    8. Re:google content needs to be opt IN not opt OUT by Zerth · · Score: 1

      Most libraries have copy machines. Some will even do the copying for you, as long as you don't ask for the whole book at the same time.

    9. Re:google content needs to be opt IN not opt OUT by Alistair+Hutton · · Score: 2, Insightful

      For the love of...
      Stop with the idiotic library analogies.
      Libraries are not producing new copies of a work. They're purchasing a work and loaning out that work.
      It is not remotely similar to what Google is doing. So please stop using library analogies in copyright arguments, it makes everyone just a little bit more stupid.

      --
      Puzzle Daze is now my job
    10. Re:google content needs to be opt IN not opt OUT by that+this+is+not+und · · Score: 1

      It's irrelevant what some particular body of librarians is in favor of. They operate under the first sale doctrine.

    11. Re:google content needs to be opt IN not opt OUT by jecblackpepper · · Score: 1

      You are right in the respect that anyone can publish anything and it's only if they get caught that they have to face consequences. In the YouTube case, Google aren't the ones specifically infringing copyright, it's the person who uploads the video. In this case, Google are explicitly the company that is infringing copyright and the difference here is a quantitative one. An individual or company that is caught infringing copyright in one incident would be sued and face the usual fines etc for that. A company that repeatedly and willingly infringes copyright will soon fine themselves facing bigger and bigger sanctions. Judges would start awarding punitively large damages and holding directors in contempt of court; it could even face a winding up order.

    12. Re:google content needs to be opt IN not opt OUT by Idiomatick · · Score: 1

      Good point. That's why all the opt out and $ for authors and attempt to track people down and so on. To reduce legal ass-rapeage. I think most courts would force a settlement fairly low due to google's attempt to do right by the author. The author is showing a CLEAR desire to just punish Google when there was clearly a much simpler solution than court available. Sorta like... google is technically wrong but trying to be good, the author would be technically right but being a total douche and wasting the courts time. (Avoiding settling issues outside the courtroom really hurts your case) Laws in practice are more flexible than they seem in books :P I imagine google would be getting off easy.

    13. Re:google content needs to be opt IN not opt OUT by jambarama · · Score: 1

      If I create a work and hold the copyright on that work, google has no right to provide copies of that work without my permission, and they cannot say, "you can opt out!". That's backwards according to long established law.

      Google isn't just copying books and distributing them wholesale. Without publisher consent, they'll only show very brief snippets, well within fair use. Publishers can, and have, authorized google to show a few pages or show the entire book, but default is just a few lines. You, holding a copyright, can't veto a particular fair use just because it is on the internet. Whether the initial copy google makes to generate the snippets is fair use or not, that's a different and much closer question. That's also what google's settlement addresses in part.

      Either way, opt out makes google books - and any large scanning project - dead in the water. You won't ever be able to include the massive number of orphaned works, you'll have huge publisher holdout problems, and only permitting google to scan a book once permission is received would destroy scale benefits and drive the costs so high we'd never see an online library.

    14. Re:google content needs to be opt IN not opt OUT by Richard_at_work · · Score: 1

      Partial copying for some uses is fine under fair use.

    15. Re:google content needs to be opt IN not opt OUT by ClosedSource · · Score: 2, Insightful

      "No Copyright is Evil. You have no right to tell me what I can and cannot do with the ones and zeros on my computer in my house."

      This is just rights according to you. The only reason I can't come in and take over your house (other than your weapons or fighting skills), is because there are laws that protect you.

      I could always say that nobody has the right to tell me where I can live and property rights are EVIL, but wouldn't you be glad that the police wouldn't give a shit about my personal philosophy, and would just haul my ass to jail?

    16. Re:google content needs to be opt IN not opt OUT by Lunix+Nutcase · · Score: 1

      Are those same libraries going to be asserting a copyright on those orphaned works like Google will get to under their settlement? If not, that's a pretty big difference.

    17. Re:google content needs to be opt IN not opt OUT by apoc.famine · · Score: 1

      But if it's opt-in, and you can't find the author, the work may be gone forever.
       
      I really don't know what the solution is. If I had the choice between losing a book forever, and google going opt-out, I'd go with google. Preserving the work of previous authors is important. We've seen it benefit society hundreds and thousands of years later.
       
      But an opt-out monopoly is a load of bullshit. I can't support that, with any good conscience. What's the answer?

      --
      Velociraptor = Distiraptor / Timeraptor
    18. Re:google content needs to be opt IN not opt OUT by selven · · Score: 1

      Copyright itself must be opt in, not opt out. Preventing people from copying works when no one benefits from it is what's evil and what this settlement, despite its drawbacks, was going to go toward solving.

    19. Re:google content needs to be opt IN not opt OUT by martin-boundary · · Score: 1

      The only concern I'd have, here is if Google did get this through and then failed to share their opt-out list with other organizations that did the same.

      What other opt-out lists? The proposed settlement only applies to Google. Nobody else would get the right to scan and publish orphaned works with impunity. Now do you understand why everybody is opposed to this? It's a naked power grab to corner the used book market.

    20. Re:google content needs to be opt IN not opt OUT by Anonymous Coward · · Score: 0

      And exactly what credibility does Google have left that it will do anything after the NSA deal? They still seem to believe that we have any reason to believe their intentions around "orphan" book?

  4. Google : "WE supported Obama for this?" by tjstork · · Score: 1, Funny

    Larry and Sergei : Guess the commander in chief's not getting any rides on Larry and Sergei's private party jet any time soon!
    Obama : My current private jet is actually much better.
    Larry and Sergei : We can play Call of Duty on a giant screen.
    Obama : I play Afghanistan and Iraq on mine

    --
    This is my sig.
  5. Good by metamatic · · Score: 5, Insightful

    The right solution is to fix the brokenness of copyright law, not to write in a special exemption for a particular company.

    For starters, we should have an orphan works provision, and the duration of copyright should be cut back down to reasonable levels.

    --
    GCHQ Quantum Insert installed. If only our tongues were made of glass, how much more careful we would be when we speak
    1. Re:Good by Richard_at_work · · Score: 2, Interesting

      IMHO the entire concept of an 'orphaned work' is a fiction designed to push this agenda - a copyright holder shouldn't have to make themselves known to anyone, regardless of the reason.

      I agree that shorter copyright durations should be granted, with a clearer expiration line for works, but the entire line of reasoning regarding 'orphaned works' should not be one enshrined in law anywhere.

    2. Re:Good by Bob9113 · · Score: 1

      not to write in a special exemption for a particular company. ... For starters, we should have an orphan works provision,

      Calling the Slashdot research department:

      Does anyone have a link to an article with the quotes from some Google exec saying that the reason this right should be conferred on Google, and not create a general orphan works provision, was because Google invested in the legal muscle to make the deal happen?

      I just poked around for it, but could not find it. I remember being moderately swayed at the time (must have been a Jedi mind trick, or my deep-set capitalism feuding with my equally deep-set belief in blind Lady Justice), but it seems ludicrous on reflection that they were basically saying legal entitlement belongs to those who can afford it.

    3. Re:Good by N0Man74 · · Score: 5, Informative

      You know, an 'Orphaned Work' isn't just works where the copyright holder doesn't make themselves known. There are examples of where an organization has spent a great deal of time and effort to just follow the trail of ownership of copyright where the ownership has changed hands several times, and apparently has been forgotten even by the other owner. Many times even with great effort to establish the owner, it simply can't be found.

    4. Re:Good by Anonymous Coward · · Score: 0

      You really have never paid attention, have you.

      Let's put this in a way that you can understand, shall we?

      I am a law-writer (legislator). I see that something needs to be regulated. There is no law to do this. I write a law. Other people agree that the law is a good idea. They make some changes to the law and then pass it. The law goes into action
      .
      Now I am a law enforcer. Now there is a law that needs enforcement. I enforce the law by making sure people who use the resource do not break the law. When someone breaks the law I take them to court. Alternately, if I am a resource-user and someone breaks the law in a way that harms me I bring them to court.

      Now I am a judge. I get to decide if the law was 1) broken, 2) enforced properly, and 3) what the penalty should be (this is what judges do, BTW). Both sides present their case. I make my ruling. No one is happy because either 1) I decide the law really wasn't broken or 2) I decide the law wasn't enforced the correct way or 3) I decide that the law was broken and enforced correctly and someone needs to pay.

      Now I am the law-writer again. If I am unhappy with the way the judges deal with cases involving the law. I try to amend it so it is fixed.

      And 'round and 'round. This is why EVERYONE wants the resource users/owners/creators/whatever to just make deals already and quit bugging them to fix the laws. It is a pain in the a$$.

    5. Re:Good by yar · · Score: 4, Insightful

      Orphaned works are most certainly not a fiction. As someone who regularly works with libraries, archives, & museums, I can say with some certainty that orphan works are huge problems for such entities, and copyright law as it's currently instantiated ensures that these works may disappear forever. Orphaned works are the majority of works in existence.

      See the Copyright Office comments (and the US Copyright Office favors strong copyright laws)
      http://www.copyright.gov/orphan/
      See the Association of Research Libraries comments to the Copyright Office
      http://www.arl.org/bm~doc/lcacomment0305.pdf
      See the Society of American Archivists Best Practices
      http://www.archivists.org/standards/OWBP-V4.pdf
      See some of Peter Hirtle's comments.
      http://blog.librarylaw.com/librarylaw/2009/09/orphan-works-and-the-google-book-settlement.html ...and so on.

      Orphaned works is a huge issue, and will become more of an issue as we attempt to work with and preserve digital works.

    6. Re:Good by Zerth · · Score: 1

      Google wants a compulsory license, like they have in Canada for orphan works, but they can't do that in the court system, the decision only applies to them. To get the same rights for everyone, the government has to actually make a law.

      On the other hand, they do want everybody to have to do the scanning work for themselves instead of sharing, so they are a little naughty.

    7. Re:Good by cpt+kangarooski · · Score: 2, Insightful

      a copyright holder shouldn't have to make themselves known to anyone, regardless of the reason.

      Then why should I support laws that grant them a copyright at all, permit a copyright to continue existing, or allow the copyright holder to enjoy legal remedies such as money damages and injunctions?

      Copyright is meant to serve the public interest, by incentivizing the creation and publication of works that otherwise would not be created and published, while encumbering the public with minimal (preferably no) restrictions as to those works, as measured in both the scope of the restrictions and their duration.

      The public doesn't benefit by granting copyrights to authors who didn't require them, or by granting copyrights which are broader or last longer than are absolutely necessary, or where the benefit to the public of having a work created and published is less than the harm caused by the restrictions imposed on the public as to that work, even if the work would not have been created and published but for those restrictions.

      It's impossible to read the mind of authors to determine whether a copyright would be necessary, but of anyone, authors are in the best position to make this judgment. If an author doesn't care about a copyright for a work, it probably isn't necessary to grant a copyright for that work. If an author does care about a copyright for a work, there's some chance it was necessary. Registration is how we have authors identify themselves so that we know who to grant copyrights to, and who not to. Frequently requiring renewals for short periods of time are also necessary so that as soon as an author loses interest in maintaining a copyright, the work can enter the public domain.

      Registration and renewal are also useful for allowing third parties to know whether the work is copyrighted, if so, who to contact in order to license or purchase rights, and whether or not a person claiming to be the copyright holder actually is.

      --
      -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
    8. Re:Good by metamatic · · Score: 3, Informative

      And then there are the situations where the copyright owner is known, but they have no interest in continuing to make the work available because there's insufficient profit in it.

      For example, the movies "Spartacus" and "Lawrence of Arabia" were almost lost because the copyright owners decided they weren't worth the expense of maintaining, so they didn't bother to keep copies. And those were both Oscar-winning movies released only 50 years ago. If Columbia and Universal had refused to fund the belated restoration efforts, both movies would have been irretrievable by the time the copyright ran out.

      --
      GCHQ Quantum Insert installed. If only our tongues were made of glass, how much more careful we would be when we speak
    9. Re:Good by Anonymous Coward · · Score: 0

      So, if nobody can find the copyright holder for a particular work, who exactly is going to sue you over making that work available if you do so despite the fact that it is not technically legal?

    10. Re:Good by Eighty7 · · Score: 1

      The right solution is to fix the brokenness of copyright law, not to write in a special exemption for a particular company.
      For starters, we should have an orphan works provision, and the duration of copyright should be cut back down to reasonable levels.

      Hahaha, good luck with that. You want to deal with disney & mickey mouse instead of google, be my guest. Besides google has said they'll open it up to other companies. It's a dirty hack, but as google sees it, fixing copyright is basically impossible now.

    11. Re:Good by Anonymous Coward · · Score: 0

      a copyright holder shouldn't have to make themselves known to anyone, regardless of the reason.

      I disagree, if they want anonymity, they either keep the work secret or forfeit copyright. If they want the copyright, they make themselves known as the author. An acceptable compromise on this would be that the author authorises an agent to handle the copyright for them, allowing the author to keep their identity a secret known only to the agent.

    12. Re:Good by yar · · Score: 1

      Check out the sources cited to find out why this is an issue. ^_^

  6. Boycott those authors/publishers then! by Anonymous Coward · · Score: 0

    As subject says. Put somewhere a list of those authors and publishers, then let we the people decide to punish them with the only legal and viable way we have.

  7. I agree with the DOJ by Adrian+Lopez · · Score: 4, Insightful

    I agree with the government's position on this one. What started out as a lawsuit over the scanning of books (to make them searchable, which I consider fair use) has now become an attempt by Google to gain rights they wouldn't have enjoyed without a contract with copyright holders. The idea of a class action lawsuit is to compensate plaintiffs for an alleged wrong, not to grant defendants new rights that could otherwise only be obtained through contract or legislation. In my opinion, the Author's Guild has sold out the class and acted against its best interests. Indeed, the proposed settlement affects even those authors who aren't members of the Author's Guild and does so in a way that is not in their best interests.

    If Google wants access to people's copyrighted works beyond what's allowed by the fair use doctrine, let them negotiate with authors or else let them petition the government for sensible laws on orphaned works. The courts are not the way to secure such broad rights as Google has attempted to do through its settlement with the Author's Guild.

    --
    "In prison you just have to shut your eyes and take it. Here you have to shut your eyes and give it."
    1. Re:I agree with the DOJ by SecurityGuy · · Score: 4, Interesting

      I agree with the government's position on this one. What started out as a lawsuit over the scanning of books (to make them searchable, which I consider fair use)

      Unfortunately, that you consider it fair use doesn't really matter. Fair use is defined, and it is not defined to include copying an entire work for your own commercial purposes, which is exactly what Google did.

      Google should be sued for a vast sum of money over this, just like you or I did if we copied all the works the RIAA or MPAA get so jumpy about "just to make them searchable".

      You don't get to abuse other people's property rights just because you're Google.

    2. Re:I agree with the DOJ by Adrian+Lopez · · Score: 3, Informative

      Fair use is defined, and it is not defined to include copying an entire work for your own commercial purposes ...

      This is how fair use is defined by copyright law:

      Notwithstanding the provisions of sections 17 U.S.C. 106 and 17 U.S.C. 106A, the fair use of a copyrighted work, including such use by reproduction in copies or phonorecords or by any other means specified by that section, for purposes such as criticism, comment, news reporting, teaching (including multiple copies for classroom use), scholarship, or research, is not an infringement of copyright. In determining whether the use made of a work in any particular case is a fair use the factors to be considered shall include:

      1. the purpose and character of the use, including whether such use is of a commercial nature or is for nonprofit educational purposes;
      2. the nature of the copyrighted work;
      3. the amount and substantiality of the portion used in relation to the copyrighted work as a whole; and
      4. the effect of the use upon the potential market for or value of the copyrighted work.

      The fact that a work is unpublished shall not itself bar a finding of fair use if such finding is made upon consideration of all the above factors.

      As you can see, the law leaves a lot of room for interpretation, and nothing in the above text rules out the possibility of a successful fair use defense when books are scanned for the purpose of making them searchable (not to be confused with making it viewable) online.

      --
      "In prison you just have to shut your eyes and take it. Here you have to shut your eyes and give it."
  8. Slashdot hypocrites by Anonymous Coward · · Score: 0, Insightful

    This is Slashdot, IP is "phony" property - unless it's someone violating the GPL, then IP is a good thing.

  9. A work lost versus a work preserved... by jedidiah · · Score: 3, Insightful

    Why is it that the copyright maximalists always have to resort to LYING to make a point?

    Companies engage in this nonsense all the time. All anyone ever asks of them is that they
    comply with the license as soon as someone steps up and tells them to. These companies
    don't just use "orphan" works, they use works very well knowning that they are actively
    maintained and "belong to someone else".

    Yet the all the community at large ever asks of them is to come into compliance.

    So from the GPL compliance point of view, there's nothing out of the ordinary with what Google's doing.

    Even from the point of view of "orphaned" works, the only entity that ever has standing to persue a
    GPL enforcement suit is the "actual owner" or author of the work. This is why the GPL asks for
    assignment over to them. Otherwise, they may be no one around that can legally complain when a GPL
    work is violated.

    On the one hand, Google could end up stealing a few pennies from someone that
    can't be bothered to keep their work available. On the other hand, Google is
    ensuring that the relevant work is kept around.

    What do friends and defenders of literature value more: a few pennies or the actual work?

    --
    A Pirate and a Puritan look the same on a balance sheet.
    1. Re:A work lost versus a work preserved... by that+this+is+not+und · · Score: 1

      On the one hand, Google could end up stealing a few pennies from someone that
      can't be bothered to keep their work available. On the other hand, Google is
      ensuring that the relevant work is kept around.

      It isn't a monetary issue. If the copyright holder wants their work to languish in obscurity, it's within their rights to require that of potential distributors. Until the copyright expires, they have the full right to control how it's disseminated. And it defaults to 'hands off.'

    2. Re:A work lost versus a work preserved... by Pojut · · Score: 1

      It isn't a monetary issue. If the copyright holder wants their work to languish in obscurity, it's within their rights to require that of potential distributors. Until the copyright expires, they have the full right to control how it's disseminated. And it defaults to 'hands off.'

      There is something you are forgetting about writing and music: in the abstract, it doesn't belong to the creator. Sure, by copyright and any other law you want to mention it belongs to them...but the cultural significance of it doesn't belong to them.

      People have chosen, on their own, to use a portion of their limited time and energy to incorporate my efforts into their existence. I am the creator of my music, and I control its distribution...but it isn't mine.

    3. Re:A work lost versus a work preserved... by ClosedSource · · Score: 1

      That's an interesting philosophy, but other philosophies may have a different view. That's why we have laws.

    4. Re:A work lost versus a work preserved... by shutdown+-p+now · · Score: 1

      On the one hand, Google could end up stealing a few pennies from someone that
      can't be bothered to keep their work available.

      Just because Google says that some work is "orphaned", doesn't mean that it actually is - especially when it's in their monetary interest to claim so.

      The entire problem with Google settlement is that the burden of proof is on author to prove to Google that work is not orphaned (by contacting them and claiming that it's not). Until then, Google can legally treat any works as orphaned. To that extent, it places a burden on authors to 1) know that Google arranged such a convenient scheme for themselves, and 2) know that their particular book is used by Google in such fashion. Not to mention that it does, in theory, set precedent for similar arrangements made by other companies, separately - and then what?

      It would have been okay, actually, if there were a single entity where you can go and register your book (not necessarily even free; copyright is not an intrinsic right, but a privilege bestowed by the society, so paying for it is perfectly reasonable) as not orphaned once, and have all companies engaged in such schemes respect that. Furthermore, in the interests of competition, such scheme should be open to all companies or individuals willing to participate as well, not just Google.

      In short if Book Rights Registry were to be government-run, and handling things not just for Google, but open to join for anyone willing to do so - then it would be fine.

      Of course, significantly reducing copyright terms would render the whole issue of "orphaned works" moot, while solving a slew of other problems associated with copyright, so it seems like a half-solution either way. The only one for whom it's probably as perfect as it gets is Google (because they gain a strong competitive advantage by virtue of being the sole party in the settlement - others still have to work by the traditional copyright rules).

    5. Re:A work lost versus a work preserved... by Low+Ranked+Craig · · Score: 2, Insightful

      It most certainly is yours. What isn't yours are the experiences of that people who listen to it, what importance the culture attaches to it, etc.

      What's the difference between a chair that I build in my workshop, a photograph that I take or an essay that I write? (assuming that I build good chairs, take good pictures and write good essays) There is no difference. I created them, I own them. I may choose to sell them, give them away, lock them in my home unused or run them through a wood chipper. I fail to see what the huge debate over copyright is. If someone creates something, it should be up to them what to do with it. Period. What people want or what is good for society should have no bearing on it. If my neighbor has a bad back and only my chair is will help him, should I be forced to sell it to them or even give it to them after an arbitrary period of time of sitting in my living room unused? I think not. Should I want to help and be a good neighbor? Yes. Should the law enable him to just come take it because his need is greater? No.

      I'm becoming increasingly concerned that individual's rights are being eroded. If I want to lock my works away I should be able to. I should have the right to be a douch bag.

      --
      I still cannot find the droids I am looking for...
    6. Re:A work lost versus a work preserved... by gumbi+west · · Score: 2, Insightful

      You are assuming that the author only wants rights for the purpose of profit. If a band only wanted their album to appear on vinyl then sellers could not sell the vinyl with a copy on CD (the end user might be able to do this, but for personal use)--the artist gets to control not just the money making from the art but also gets some control of the expression. There are i.e. albums that are not released and just a few people have hear them--the copyright holder can do this and nobody can stop them. If you made a copy of such a work (surreptitiously) you could not legally store it even if just for the purpose of searching for phrases in it--the owner can exclude you from doing that.

    7. Re:A work lost versus a work preserved... by hclewk · · Score: 1

      Your analogy is flawed. "Should your neighbor be able to build his own chair exactly like yours?" is the question you should be asking.

      The difference between your chair and a photograph/essay is that the chair is tangible property while the photograph/essay is intangible property. Now, if you write a book, the content of that book is yours and cannot be taken by someone else who claims it as their own. The individual copies of that book, however (if you choose to sell them) are not yours. If you don't want to distribute copies of your work, fine, but that's not what this is about. Once you start distribution, you can't say "Well, I take that back, I don't want the public to have this work after all."

  10. You must change both sides of the equation by RandomFactor · · Score: 5, Insightful

    > copyright owners generally control whether and how to exploit their works during the term of copyright

    Which would be much more reasonable if copyright wasn't permanent (by any reasonable measure) now.

    Copyright has been changed. As such, the rules governing it need to adjust to maintain the benefit of having it for society.

    --
    --- Mercutio was right.
  11. Do no evil by grapeape · · Score: 2, Interesting

    Somewhere along the way Google forgot one of its own rules. Their subtle yet ever encroaching methods of "helping" the world seem more of an attempt to ensure that google is firmly entrenched in every aspect of our daily lives. IMHO their approach is just wrong. We have lived for thousands of years without street level photos online of our homes and without navagable photos of the insides of public buildings and retail spaces, do we really need them? Many see them as an invasion of privacy.

    I'm already concerned about google wanting to control the storage and distribution of medical records, financial records and other areas they seem determined to control.

    It took being bitten by the hand that fed them to finally come out againt their own willingness to censor in China, but still show a willingness to cowtow to political and well connected interests.

    Their gmail, adsense, and cookie policies are well lets just say less than privacy friendly.

    As for books and other media, this should be a opt in system rather than an opt out. If spam was opt out many more would be protesting but its violation is the same. Many argue its to protect media that would be lost in the future, but the proper fix for that is to change laws not skirt around them because your some big coporation.

    I just dont see how "do no evil" and a great desire to become big brother can peacefully co-exist.

    1. Re:Do no evil by ObsessiveMathsFreak · · Score: 4, Insightful

      Somewhere along the way Google forgot one of its own rules.

      Wrong. Google is just abiding by it's Golden Rule:

      Make all of the world's data publicly available and searchable.

      Most people still haven't fully considered the implications of this; or just how single minded Google is going to be about this goal.

      --
      May the Maths Be with you!
    2. Re:Do no evil by Anonymous Coward · · Score: 0

      We have lived for thousands of years without street level photos online of our homes and without navagable photos of the insides of public buildings and retail spaces, do we really need them?

      We also lived for thousands of years without the Internet, telephone, electricity, and sanitary sewers. What's your point.

    3. Re:Do no evil by Idiomatick · · Score: 1

      "We have lived for thousands of years without street level photos online of our homes and without navagable photos of the insides of public buildings and retail spaces, do we really need them? Many see them as an invasion of privacy."
      And clean water and electricity and cars and computers and..... What a blatantly stupid argument!

      "It took being bitten by the hand that fed them to finally come out againt their own willingness to censor in China, but still show a willingness to cowtow to political and well connected interests."
      They did better than every single other competitor out there.

      "As for books and other media, this should be a opt in system rather than an opt out. If spam was opt out many more would be protesting but its violation is the same."
      This is IMPOSSIBLE to do with orphaned books, we don't know, no one know who the hell owns the rights, possibly no one. And spam IS opt-out.

      And do feel free to adblock and not use gmail.

    4. Re:Do no evil by RazorSharp · · Score: 1

      Perhaps their golden rule conflicts with their "do no evil" rule. I'm not a big fan of the way copyright law is set up, but it exists for a reason: so others can't copy your work and sell it and/or give it away for free. That's precisely what Google is doing. It's called theft, which is evil.

      --
      "From the depths of my skeptical and rationalist soul, I ask the Lord to protect me from California touchie-feeliedom."
    5. Re:Do no evil by couchslug · · Score: 1

      "We have lived for thousands of years without street level photos online of our homes and without navagable photos of the insides of public buildings and retail spaces, do we really need them?"

      We don't "need" anything past living a hunter-gatherer lifestyle (it worked for thousands of years!) but the convenience of easily accessing such already public information is tremendous.

      Street View is very handy for quickly finding my precise destination and for sending directions to others by screencap. I've even used it for going to pick up junk cars. (Pull up address, switch to satellite view, ask owner where car is sitting, refine location via Street View, print map and go get vehicle. It's fast, it's easy, and beats the shit out of driving around asking for directions!

      --
      "This post is an artistic work of fiction and falsehood. Only a fool would take anything posted here as fact."
    6. Re:Do no evil by mcgrew · · Score: 2, Interesting

      We have lived for thousands of years without street level photos online of our homes and without navagable photos of the insides of public buildings and retail spaces, do we really need them?

      Jesus H. Christ, you sound like my 78 year old dad. We lived thousands of years without computers, telephones, electricity, automobiles, airplanes, and indoor plumbing, do we really need them?

    7. Re:Do no evil by grapeape · · Score: 1

      Your assuming I disagree, my point is simply that many dont agree and dont want their home included, myself I dont care, I dont see what it will hurt..others see it as an invasion of privacy. There is a nutcase a couple miles from me on one of the major roads in town that has no trespassing signed posted at the edge of the sidewalk and a huge beware of dog sign (though I have seen no dog), the house is a dump, its probably a meth lab, but he is well within his rights to post his signs and look like a nut.

      We lived over 100 years without full body screening at airports and the inability to carry so much as a soda on flights in the past but I dont see many people cheering the inability to do so now. My point is that just because someone might find something cool or useful doesnt mean its necessarily the right thing to do. Just because we can do something does not automatically mean we should do it.

    8. Re:Do no evil by ajlisows · · Score: 1

      The thing about Google and all this stuff they are doing...with exceptions being the Street Level Photos, Insides of Public Buildings, and (when it comes to authors) this Google Books fiasco...you don't have to participate in. You can use a different search Engine. You can block Google from crawling your site. You can use hotmail, yahoo, your ISP E-Mail, or some other free or pay service. You do not need to use Google Docs, Google Calender, Google Whatevertheycallmedical, or Google whatevertheycallfinancials. There are alternatives to the Google Phone and Google Groups. There are crappy video clips other places than YouTube. In essence, Google is pretty much Opt-In.

      "But Google is the best search engine!", "Gmail is the best free mail system", "YouTube has the most videos!". Yup. And guess what? You can use all of these services as often as you want, free of monetary charge to you. To provide these services Google does need something in return. That something is your privacy.

      I think at times people forget the reality that Google is a For-Profit Corporation employing people who expect a paycheck in return for their work. It seems some have this idea that Google has always been a version of Linus Torvalds and the thousands of volunteers that have produced an impressive array of software for free. They never were that. They've been "violating your privacy" to some degree since day 1. It is just now, that they have grown so much and have access to that much more of your personal information, that you have stood up and took notice.

    9. Re:Do no evil by mcgrew · · Score: 1

      my point is simply that many dont agree and dont want their home included

      Afaic they can stuff it. If they don't want google taking pictures of their house they should put up a fence or grow a hedge.

      We lived over 100 years without full body screening at airports and the inability to carry so much as a soda on flights in the past but I dont see many people cheering the inability to do so now

      I think you meant ability, if so you're right. A couple of years ago my daughter was so pissed that that they wouldn't let her carry an unopened can of Red Bull on a plane she almost got arrested. There's a big difference between taking a picture of the outside of something and taking x-rays.

      Just because we can do something does not automatically mean we should do it.

      Well, I agree with that. It would be nice if the atom bomb hadn't have been invented.

    10. Re:Do no evil by Anonymous Coward · · Score: 0

      Their motto is "Don't be evil", not "Do no evil", there's a subtle difference between the two phrases.

      Also all spam is at best opt-out, there is no such thing as opt-in spam, because if you request something it isn't spam.

  12. Opt-In Copyright? by BlackCreek · · Score: 4, Interesting

    Why can't these guys introduce some required opt-in copyright for works older than say 25 years? Make the renewal 20 years long and put a US$5 price on it.

    Lawrence Lessig has been arguing for something like this for years... it would solve the orphaned works problem, and Disney probably wouldn't care, so they actually might let it happen.

    1. Re:Opt-In Copyright? by Anonymous Coward · · Score: 1, Interesting

      Thing is there was a time when this would have worked. That time is LONG since past.

      Take disney for example. Now lets say they like the idea. They have THOUSANDS of 'big' works, and probably millions of smaller works. Dozens upon dozens of smaller companies they have bought. They would literally have to get its whole catalog in order. Every scrap of extra info. The hundreds of different releases of snow white. All the extra cells, extra art work, extra everything cataloged and tagged.

      So your talking hundreds of people you would have to hire to archive all of this info. Track it. Make sure they are the proper owners. What were the original contracts involved etc...

      Now for *EACH* work (and this could be a quite a large pile of things for each movie) has to have a fee paid on it. Lest it fall out of copyright too soon.

      The idea you speak of sounds good at first. Until you realize what a LARGE pile of things some of these companies have. They will not put up with that idea.

      They literally did not have to keep track of it. They barely keep up with what they have now (and then only if it is convenient and very cheap or makes them money). But now they would. It is a huge cost to them and they do not want it. Movies never make money any way. Just act the dude who played darth vader.

  13. who fucking cares about author's rights by circletimessquare · · Score: 2, Interesting

    for the vast majority of author's we're not talking about jk rowling: they're obscure. and their works are, frankly, unknown, out of print, forgotten. such that putting the artificial boundary of negotiating with thousands of random yahoos and working out arcane legal arrangements with all of them is completely unwieldy, unworkable, and monetarily not worth the effort

    instead, dump all their work in one big database for free, and these authors, because of much greater ease in accessing their works, see an IMPROVEMENT in their accessibility, marketability, and prominence. imagine fucking that

    it gets to a point where copyright law is simply gets in the way of technological, social, and cultural progress

    there are numerous examples of people wanting to use obscure works, and finding it daunting and impossible to contact anyone to get the rights. the perverse result being that exposure, and therefore money to be made, is denied to these obscure works. copyright law is BLOCKING the long tail and therefore blocking profit making for authors via ancillary means

    i'm so sick of copyright law. it needs to be actively destroyed, not simply ignored. luckily, the internet makes copyright's uselessness easily demonstrated. it's easy to circumvent copyright on the internet. meanwhile, enforcing copyright on the internet is a fool's errand. go at it teenagers, bring this ridiculous house of cards from a dead technological era crashing down. copyright is absurd, a farce, it's dead

    --
    intellectual property law is philosophically incoherent. it is your moral duty to ignore it or sabotage it
    1. Re:who fucking cares about author's rights by Anonymous Coward · · Score: 0

      ^^^^ THIS.

    2. Re:who fucking cares about author's rights by Anonymous Coward · · Score: 0

      You're missing the point. Google is trying to backdoor this by doing a deal with an organization that claims to represent all authors, which clearly it cannot.

      Copyright does need addressing, it's completely out of control. But it's certainly not dead. The fact that Obama's presidency was paid for by the behemoth companies that have interests in expanding copyright law in their favor tells us copyright is not dead, far from it, it's growing. All around the world the same companies have positioned people in power to push through laws that suit them to the detriment of the public and general sanity of due process.

      What's the solution? Copyright reform will not happen in our life time unless something massive happens, like a global boycott of big media products to kill their income. But that will never happen, like Elvis or the Beatles music becoming public domain.

    3. Re:who fucking cares about author's rights by nomadic · · Score: 1

      instead, dump all their work in one big database for free, and these authors, because of much greater ease in accessing their works, see an IMPROVEMENT in their accessibility, marketability, and prominence. imagine fucking that

      You're just rehashing the tired (and incorrect) old slashdot meme that somehow increased prominence is automatically economically beneficial (oh, they like when you pirate their software, that means more "marketshare").

    4. Re:who fucking cares about author's rights by Angst+Badger · · Score: 3, Insightful

      copyright law is BLOCKING the long tail and therefore blocking profit making for authors via ancillary means

      So your argument boils down to this: There is money to be made, so fuck the rights of everyone involved and hand that gigantic wad of cash as an exclusive deal to one of the richest corporations in the world?

      Here's one for you: Just because you want something, even if you want it badly, doesn't give you a right to it.

      it gets to a point where copyright law is simply gets in the way of technological, social, and cultural progress

      Bold words coming from a guy who hasn't figured out punctuation or capitalization. How's that cultural progress working for you?

      --
      Proud member of the Weirdo-American community.
    5. Re:who fucking cares about author's rights by Anonymous Coward · · Score: 0

      You're just rehashing the tired (and incorrect) old slashdot meme that somehow increased prominence is automatically economically beneficial (oh, they like when you pirate their software, that means more "marketshare").

      Yes, of course, because that never worked, and companies like Microsoft and Adobe don't benefit at all from people pirating their software.

    6. Re:who fucking cares about author's rights by fusiongyro · · Score: 1

      To do this legally, all Google would have to do is make it an opt-in. In a hundred years or so, everything in copyright now should be out of copyright (I agree that there should be a hard time limit to copyright, and 99 years is too long) so everything published to now could be included for that reason. Google could partner up with publishing houses to sweeten the deal; if you got a book deal, it would likely have a clause in there about Google getting to use it. If you didn't like that, you could self-publish or find another publishing house. Google could offer incentives directly to authors to get their works included. They haven't had any trouble until now making databases with absurd amounts of information in them, this wouldn't be much different. This way, your vast majority of authors get the benefits, the consumers get the benefits, and the people with something to lose don't get fucked. The main difference between these two scenarios is, it involves Google negotiating with publishers at a cost rather than the government to get a free pass. Lots of people have rights they don't use. That doesn't mean the right should go away.

    7. Re:who fucking cares about author's rights by nomadic · · Score: 1

      Yes, of course, because that never worked, and companies like Microsoft and Adobe don't benefit at all from people pirating their software.

      And piracy always works, and no company has ever lost potential sales because their stuff was pirated. Strawmen are fun.

    8. Re:who fucking cares about author's rights by Idiomatick · · Score: 1

      You do realize that authors make 0$ on orphaned works? If they did it wouldn't be called orphaned. It would be called a book.

    9. Re:who fucking cares about author's rights by Anonymous Coward · · Score: 0

      And thus we have the google employee opinion.

      Nobody forced Google to do this. Google chose to do it itself. In making that decision, Google should abide by the existing rules, not try to have itself exempt from them nor ignore them.

      btw, this paragraph:

      "instead, dump all their work in one big database for free, and these authors, because of much greater ease in accessing their works, see an IMPROVEMENT in their accessibility, marketability, and prominence. imagine fucking that"

      seems like the usual propaganda that is used by lobbyists.

    10. Re:who fucking cares about author's rights by ThatsNotPudding · · Score: 1

      ...and their works are, frankly, unknown, out of print, forgotten...

      Yet Google has them. This is the part I don't understand.

    11. Re:who fucking cares about author's rights by ygbsm · · Score: 1

      Umm - the author's likely do, and as a consumer of works produced by people who get compensated for their effort, so do I.

      The point isn't about obscurity or not, it's that the person who creates the thing, owns the thing - sorry that's inconvienent for you.

      I mean, if I want to "borrow" your car, but it's too difficult to find you, should I just take it? I mean who fucking cares about your rights, I need to get across town and do something productive, so your ownership and control of that car is impeding economic and cultural development if I can't use it to get across town.

      Make sense comrade?

    12. Re:who fucking cares about author's rights by phiwum · · Score: 1

      instead, dump all their work in one big database for free, and these authors, because of much greater ease in accessing their works, see an IMPROVEMENT in their accessibility, marketability, and prominence. imagine fucking that

      If authors believe that Google's project is in their interests, then they can explicitly allow Google to use their works. This is perfectly consistent with copyright law.

      It seems to me that you want to decide what's good for the author, regardless of his own wishes. The only paternalism I see here is in your proposal, not in copyright law.

      We can all agree that there is much wrong with copyright law, but the basic idea that the author controls distribution of his work for a limited time seems a good one. Allowing one company to proceed with the assumption that the author agrees (until he opts out) is a violation of the basic idea of copyright law (and, in this case, seems to grant an inexplicable favor to one company).

      --
      Phiwum's law: anyone that names an obvious law after himself and then puts it in his own sig is just pathetic.
    13. Re:who fucking cares about author's rights by Anonymous Coward · · Score: 0

      Look who's typing.

      In the long run of your life, what does this post accomplish?
      The day you die, are you going to be happy looking back knowing that you were one of the millions of people that stood and helped defend copyright law as it stands, preventing the world from moving into an age of reason over law? A world where we're not afraid of sharing our creativity?

      Because that's exactly what copyright law is making happen. it helps build a world where people are afraid of DOING things, in fear that the Government may step in and take it all away from you.

      One day, you'll likely learn to appreciate humanity for what it is, and not for some ideal "what we'd like to all be". Copyright law just makes people lazy and stupid, unable to look at the world around them for what it is.

      I've been hoping for years that people would get off this "we need to protect our creativity" bandwagon. All it does is promote mindless drones and uncreative people being forced to waste time, effort, and money for things they could have easily done them selves for fear that: "there might be a law preventing this".

    14. Re:who fucking cares about author's rights by Anonymous Coward · · Score: 0

      It's interesting to me that you bring up "rights." The difficulty with so-called orphaned works is real - what does an individual do when they want access to material that is no longer being published. Presently, their only recourse is to "break the law." We're not talking about teenagers downloading the latest pop singles here. That's an obvious case. I'm talking about people who want access to material that is still technically under copyright but is unavailable because it's out of print/circulation and exceedingly rare. The problem being that generally, this market is small so the publishing companies don't see the returns to bother publishing this material.

      So what are our rights as consumers in these situations. Remember that copyright exists to "promote the useful arts" as well as provide an incentive for content creators to continue creating content. There is no such thing as inherent, natural rights when discussing intellectual "property", only an agreement that society adheres to. With that in mind, withholding "orphaned works" serves absolutely no purpose and actually defies the intent of copyright law.

      The notion of "just because you want something, even if you want it badly, doesn't give you a right to it" only applies with tangible, physical property. If such an idea applied to knowledge and ideas, our society would be in pretty big trouble (sure IMHO).

    15. Re:who fucking cares about author's rights by Mr.+Slippery · · Score: 1

      I mean, if I want to "borrow" your car, but it's too difficult to find you, should I just take it?

      If you could "take" my car in some way that did not damage it, put any miles or wear or tear on on it, or deprive me of its use -- in other words, if you could copy it and drive off in the copy, leaving me my car -- why not?

      --
      Tom Swiss | the infamous tms | my blog
      You cannot wash away blood with blood
  14. This is The Big Dance by RobotRunAmok · · Score: 2, Informative

    The book industry is acting just like the music industry was in the early 2000's. Publishers should try to work with google instead of against them. It's in their (and the public's) best interest.

    Substitute "Napster" for "Google" in your statement to see how wrong it is.

    Everyone on both sides know the digital transmogrification of the book publishing industry is inevitable. But Google has been the Barbarian at the Tea Party, acting like submission to Mountain View was the best and only route authors and publishers could take. In walks Jobs, looking all natty with his turtleneck and iPad, with whispered promises of doing for the publishing industry with his blend of sleek device and e-commerce what he did for music. Then there's Amazon and Sony, both with vested interests in not killing the golden e-goose of digital book retailing. Google doesn't want this to play out, they're looking to brute-force their way in. Too fuckin' bad, sez me.

    As a writer and a reader, I've got no problem with the iTunes-ification of publishing. As a consumer and a citizen, Google scares the hell out of me.

    1. Re:This is The Big Dance by Pojut · · Score: 3, Insightful

      Substitute "Napster" for "Google" in your statement to see how wrong it is.

      OK. Here it is.

      The music industry should try to work with Napster instead of against them. It's in their (and the public's) best interest.

      ...you do realize that the music industry did everything in their power to get Napster shut down, and now sells music THROUGH Napster, yes?

      So, if anything, substituting "Napster" for "Google" just makes my statement more right.

    2. Re:This is The Big Dance by Lunix+Nutcase · · Score: 2, Insightful

      First of all the Napster of now and the Napster of old have nothing to do with each other other than the name. Secondly, why should Google be rewarded with exclusive rights to books, which the authors has to opt-out of Google getting, after blatantly ignoring other people's copyrights? This isn't even getting into the fact that not even all the authors that Google will be making money off of will get anything out of this.

    3. Re:This is The Big Dance by Pojut · · Score: 1

      First of all the Napster of now and the Napster of old have nothing to do with each other other than the name

      Are you trying to say that using the Napster name didn't have a hand in the new service's success? If you are, I disagree.

      , why should Google be rewarded with exclusive rights to books, which the authors has to opt-out of Google getting, after blatantly ignoring other people's copyrights?

      They shouldn't.

      This isn't even getting into the fact that not even all the authors that Google will be making money off of will get anything out of this.

      This is where my original point came in. What google did was messed up, I agree with that. However, by doing this, publishers and authors are shutting out an additional avenue for potential revenue and sales. Why would they deliberately do that? How is it a good idea to shut down more ways to earn money instead of coming to an agreement where everyone benefits?

    4. Re:This is The Big Dance by Lunix+Nutcase · · Score: 1

      Are you trying to say that using the Napster name didn't have a hand in the new service's success? If you are, I disagree.

      What success? In 2007 they lost $37 million. Lost around $17 million in 2008. They were also reportedly losing money in the 2009 fiscal year after being bought by Best Buy. I think you and I have very different notions of "success".

      They shouldn't.

      So then what are your complaints?

      This is where my original point came in. What google did was messed up, I agree with that. However, by doing this, publishers and authors are shutting out an additional avenue for potential revenue and sales. Why would they deliberately do that?

      Because you don't reward someone for bad behavior?

      How is it a good idea to shut down more ways to earn money instead of coming to an agreement where everyone benefits?

      Because the solution from their settlement with the Authors Guild doesn't actually benefit everyone? It benefits that guild and Google, but leaves thousand and thousands of other authors out in the cold while Google still gets to make money of their works because of that ridiculous opt-out bullshit. And then Google can turn around and claim copyrights to these orphaned works themselves! Utterly ridiculous if you ask me.

  15. I got it! by Anonymous Coward · · Score: 0

    We need only to declare that we are the copyright-holders of our private information.

    The DoJ will get stuck trying to decide whether to favor the copyright holders or screw over the privacy advocates (who are the same person), and promptly implode.

  16. Samuel Clemens by quotes · · Score: 2, Interesting

    I am interested particularly and especially in the part of the bill which concerns my trade. I like that extension of copyright life to the author's life and fifty years afterward. I think that would satisfy any reasonable author, because it would take care of his children. Let the grand-children take care of themselves. That would take care of my daughters, and after that I am not particular. I shall then have long been out of this struggle, independent of it, indifferent to it. It isn't objectionable to me that all the trades and professions in the United States are protected by the bill. I like that. They are all important and worthy, and if we can take care of them under the Copyright law I should like to see it done. I should like to see oyster culture added, and anything else. I am aware that copyright must have a limit, because that is required by the Constitution of the United States, which sets aside the earlier Constitution, which we call the decalogue. The decalogue says you shall not take away from any man his profit. I don't like to be obliged to use the harsh term. What the decalogue really says is, "Thou shalt not steal," but I am trying to use more polite language. The laws of England and America do take it away, do select but one class, the people who create the literature of the land. They always talk handsomely about the literature of the land, always what a fine, great, monumental thing a great literature is, and in the midst of their enthusiasm they turn around and do what they can to discourage it. I know we must have a limit, but forty-two years is too much of a limit. I am quite unable to guess why there should be a limit at all to the possession of the product of a man's labor. There is no limit to real estate. Doctor Hale has suggested that a man might just as well, after discovering a coal-mine and working it forty-two years, have the Government step in and take it away. What is the excuse? It is that the author who produced that book has had the profit of it long enough, and therefore the Government takes a profit which does not belong to it and generously gives it to the 88,000,000 of people. But it doesn't do anything of the kind. It merely takes the author's property, takes his children's bread, and gives the publisher double profit. He goes on publishing the book and as many of his confederates as choose to go into the conspiracy do so, and they rear families in affluence.

    1. Re:Samuel Clemens by icebraining · · Score: 2, Informative

      But you forget the next paragraph:

      What is the excuse? It is that the author who produced that book has had the profit of it long enough, and therefore the Government takes a profit which does not belong to it and generously gives it to the 88,000,000 of people. But it doesn't do anything of the kind. It merely takes the author's property, takes his children's bread, and gives the publisher double profit. He goes on publishing the book and as many of his confederates as choose to go into the conspiracy do so, and they rear families in affluence.

      That's not what's happening here: it's the publishers themselves who are the biggest supporters of the copyright extensions. Digital distribution has changed the rules of the game, and Clemens' opinion can't be taken "as-is".

  17. This the same DoJ by BitterAndDrunk · · Score: 3, Insightful
    That thought a merger between LiveNation and Ticketmaster wouldn't constitute a trust.

    These fuckers are not only corrupt, but shamelessly corrupt.

    --
    You better watch out, there may be dogs about . . .
  18. I'm confused. by machine321 · · Score: 1

    This is Google... am I supposed to be mad at them or mad at the government? Couldn't the NSA help them? This is all so much easier when Apple does it first, because then I know I'm supposed to like it.

  19. angst badger by circletimessquare · · Score: 0, Redundant

    well named

    listen up, anxiety ridden adrenaline filled large rodent:

    the AUTHORS make money from prominence they don't currently have in current a system which buries their works in obscurity

    understand?

    and that IS progress, for consumers and authors. the only people who lose out are traditional distributors

    as for google benefitting, yes, but this new understanding can easily be divorced from google. i am saying "do away with copyright", i'm not saying "give all copyright to google". if google is the first to move against traditional distributor model inanity, good for them

    --
    intellectual property law is philosophically incoherent. it is your moral duty to ignore it or sabotage it
    1. Re:angst badger by that+this+is+not+und · · Score: 1

      the AUTHORS make money from prominence they don't currently have in current a system which buries their works in obscurity

      Not necessarily. Authors might have early works that they hate now, and they're glad only 2500 copies were printed, only 400 sold and the rest were pulped by the publisher.

      There is, to put it crudely, no fucking way anybody else should be able to come along and republish it. Not until after they're long dead, anyway.

      That's how it works.

    2. Re:angst badger by Anonymous Coward · · Score: 0

      The parent is the first post I've seen in a really long time calling you (and others who type like you) out on the no-caps thing, which in my mind is far more interesting than anything else he had to say.

      Can you set my mind at ease? Is it a rebellion against an abusive english teacher? What is the motivation for making your posts harder to read? I find it harder to read, yes--for the same reason it's hard to read a post in all caps. The capital letters are hints that make it easier to process. At least, they make it easier for some people who have gotten used to having them. Am I just too old (at 28) to understand? Was there no reason for it and you're just lazy? That seems unlikely, given the general amount of effort you put in to your posts. I know your keyboard isn't broken because you still have caps as needed for emphasis. It defies logic! AAAAughhh!

    3. Re:angst badger by Mr.+Slippery · · Score: 1

      Authors might have early works that they hate now, and they're glad only 2500 copies were printed, only 400 sold and the rest were pulped by the publisher. There is, to put it crudely, no fucking way anybody else should be able to come along and republish it. Not until after they're long dead, anyway.

      No. There is no fucking way that the government should be pointing guns at people to keep them from making copies of a work that an author has abandoned out of embarrassment. That does not "promote the progress of science and useful arts".

      --
      Tom Swiss | the infamous tms | my blog
      You cannot wash away blood with blood
  20. So what books do you have? by Anonymous Coward · · Score: 0

    So what books do you have? Any? Are they being copied by Google for this?

    1. Re:So what books do you have? by gumbi+west · · Score: 1

      I think the point is actually that people who have not yet published are implicitly agreeing to this--it amounts to a change in copyright law which requires an act of congress, not google.

  21. The last $$ I will earn from my out of print books by ooutland · · Score: 1

    will come from the Google Book Settlement, into which I've "opted in." Call me naive but I don't see how it would benefit me or anyone else to see those books remain in their static state, unavailable save as used books, from which sales I never see a dime. IANA Lawyer but I don't see why Google couldn't break this up into waves, wherein all of us who've opted in can get our checks now and start earning any "royalties" available through search, and leave the disputed rights and claimants for another day.

    --
    I'm the queer the atheists sent here to take away your gun!
  22. You DID get paid for your work, correct? by Anonymous Coward · · Score: 0

    You DID get paid for your work, correct? therefore why do you want to get paid for someone else's work? I take it that what you'll be fine with is if Google charge you for their copying up front and transfer and pay you a proportion of the revenues they get from your work. You wouldn't want to steal someone else's hard work would you?

    And you're pissed off they didn't ask.

    Well how do you know they did? Or could? After all I can't see any books with author: Aeros on google book search.

    And remember, you can just assert your copyright and ask google not to copy them.

    If Google just didn't ask ANYONE, then you'd STILL have to complain to Google about copyright infringement, so what's the problem with doing it now?

  23. How come this got modded down? by Anonymous Coward · · Score: 0

    How come this got modded down? It's PERFECT. Where's the DoJ on SoundExchange, hmm? WHERE?

  24. And he was actually serious, it seems by Mathinker · · Score: 3, Insightful

    Pretty funny that the only reason why you could post that here, and the only reason I was able to read it, and check what was the context by searching in Google, is because, well, the copyright on it expired?

  25. libraries already have to get that permission by Anonymous Coward · · Score: 0

    As recognized by the U.S. Supreme Court in 1908 (see Bobbs-Merrill Co. v. Straus) and subsequently codified in the Copyright Act of 1976, 17 U.S.C. 109, "first sale doctrine" specifies the exact means libraries must use to get permission from copyright holders before offering books (or periodicals, journals, etc.) -- specifically, the library must purchase a copy of the book (periodical, journal, etc.).

    A library may only offer a book if they have purchased a copy of it and may only offer as many copies of the book as the number of copies they have purchased.

  26. What's your point? by ClosedSource · · Score: 1

    Only those who have actually been published can argue against Google's proposal? But it's OK to argue for Google without being published, right?

  27. Re:The last $$ I will earn from my out of print bo by that+this+is+not+und · · Score: 1

    IANA Lawyer but I don't see why Google couldn't break this up into waves, wherein all of us who've opted in can get our checks now and start earning any "royalties" available through search, and leave the disputed rights and claimants for another day.

    At this point you're a chess piece, and Google intends to use your piece as a pawn...

  28. no, that's bullshit by circletimessquare · · Score: 1

    if its public, its public. nothing goes public and then **snap**, the genie goes back in the bottle. that's absurd

    i'm sure john edwards or tiger woods have a few bits of media out there they wish were put in back in the bottle too, but who fucking cares about their embarassment. the idea that we should warp all understanding of freedom of expression and put expensive intrusive toll barriers all over a freely functioning internet just because of the embarassment of some asshole creator who regrets a previous work is pure fucking bullshit

    they had to work out agreements with the heirs of sir arthur conan doyle before they did something with the recent sherlock holmes movie. why?! they had to work out agreements with the son of tolkien to proceed on the hobbit movie. why?! its just so much irrational, illegitimate barriers to the free exchange of ideas. no philosophically coherent argument makes sense to me where the child or grandchild or great-grandchild of an author blocks the use of an idea. it simply makes no rational sense to me whatsoever

    of course, just as you say, the understanding you outline above IS supported by current law

    but it all adds up to me as yet another absurdity that clearly demonstrates the idiocy of IP law, and why the internet should be amplified and sped up by activists in its already inevitable destruction of the stupidity that is IP law. the internet is the rising tide, current intellectual property law is a sand castle. i'm for some of us picking up buckets and speeding up the process: actively undermining the economics that supports the parasitical distributors and nepotisitically embedded heirs that impoverish our culture and dampen the free exchange of ideas. software that seeks out and purposefully puts "protected" works everywhere, so ther'es no way to bottle it up and control it, as if they can do so on the internet anyways

    its simply wrong, it hampers the richness and growth of our culture. its a dampening of our shared richness, for the sake of the monetary richness of some nepotistic sense of priveledge and some legislator buying, legal goon employing asshole entrenched and dying distributors. fuck them all. copyright law serves nothing but legal parasites. and so this moronic status quo should be resisted and actively destroyed, for the good of our culture

    --
    intellectual property law is philosophically incoherent. it is your moral duty to ignore it or sabotage it
  29. copyright holders get to choose expression of art by gumbi+west · · Score: 1
    But if I am the copyright holder, I might want my art to not appear in excerpts (say I think it destroys the feeling of the piece). Obviously this argument is stupid for a CS textbook but might make sense for a well crafted novel or a painting where I might not want others to make black and white copies of portions of it and distribute them with information about how to buy the work from me. While I can't stop excerpting for criticism, I should be able to stop it for other uses--it is my art after all.

    The point is when you create art, you have control of its expression as art. You have not only the right to exclusive sale of it but also how your work is expressed. If I own, i.e., a play and I license it, a company that produces it can not legally change the words to the play without my permission--it is my play and I can choose how it is presented.

  30. i'm not a google employee by circletimessquare · · Score: 1

    and what lobbyists are you talking about? that's funny

    these are the facts (not propaganda):

    if you have an obscure artist, and they are not reexposed to a mass audience, they make no money. fact

    if an independent artist reexposes the obscure artist, money can be made via ancillary means off that obscure artist again. fact

    however, current law means the independent artist cannot reexpose the obscure artist, because they can't afford the rights... to something no one wants... until they get reexposed. fact, fact, fact. something smell weird to you?

    http://www.answers.com/topic/annette-hanshaw

    Collections of Hanshaw's recording were released on Audio CD in 1999 by Sensation Records. Another revival of interest occurred in 2008 with the indie animated feature Sita Sings the Blues, which retold the Indian epic poem the Ramayana from Sita's perspective by setting scenes from it to performances by Hanshaw.[4]

    http://www.cbc.ca/money/story/2009/03/17/f-sita-sings-the-blues.html

    "I thought about it a good long time before I did it," Paley said in an email to CBC news. "The decision was motivated by both stick and carrot. Stick: the conventional distribution system isn't working any more; independent filmmakers make virtually no money via commercial distributors anyway; copyright today functions as censorship. Carrot: letting people share the film gives it the widest possible exposure and outsources the otherwise expensive and laborious work of distribution, archiving and promotion to the audience; freedom feels great."

    Not that she wouldn't mind a donation. The Questioncopyright.org website has made it easy for fans to donate to help Paley with her bills. Because, behind Sita 's story of supernatural struggle lies a titanic clash over copyright.

    Much of the soundtrack to Sita is provided by the music of Annette Hanshaw, the 1920s singer who popularized Am I Blue?. The copyright on her recordings was never renewed, but in the U.S. at least, elements of the work remain protected. The rights holders initially wanted a lot of cash before Paley could release her film. Eventually, they came to an agreement: if she paid $50,000 for the rights, she could release as many as 5,000 copies of Sita on DVD. Promotional copies would be exempt.

    And that's why Sita is free. It's a promotion.

    Some have suggested that Paley should have negotiated the rights before finishing the film. She feels now that the technology has finally arrived to allow a person to make a feature-length film of their own, the copyright laws often prevent independent filmmakers from having their films released.

    "I would do nothing differently," said Paley "It costs money even to talk to the copyright holders; when we tried approaching them directly, they gave us the runaround. So, I had to pay a rights clearance house (and a lawyer before that). I didn't have that money back when I started, any more than I have it now. And licensors offer no special discounts for contacting them early. The only 'deals' they make are because someone knows someone who knows someone. That's how the middlemen stay in business. I had other things to do, like actually make the film, and I had no money. I'm glad I focused on making the film."

    here's some more "propaganda" for you:

    http://www.aintitcool.com/display.cgi?id=18202

    Capone: The songs selections here are inspired at times. I really liked the Gordon Lightfoot song "Beautiful."

    V.G.: Thank you. The amount of time I spent choosing the music of the film would be unbelievable to you. The funny thing is, when it's not right, you spend all your time playing songs for people saying, "What do you think of this one? How about this one? How about this one

    --
    intellectual property law is philosophically incoherent. it is your moral duty to ignore it or sabotage it
  31. Monopolistic Practices by dawilcox · · Score: 1
    We should all give the government a round of applause for bringing the crackdown on Microsoft, a terribly monopolistic organization, and their terrible practices.

    Oh wait. This is Google and not Microsoft?

    I can't believe that the government is meddling in the affairs of businesses. What happened to Laissez-faire economics? This is an outrage!

  32. Re:copyright holders get to choose expression of a by Pinky's+Brain · · Score: 1

    Moral rights do not trump fair use AFAIK.

  33. Re:copyright holders get to choose expression of a by GargamelSpaceman · · Score: 2, Informative

    Copyright doesn't give you the right to limit how others may quote you. Even if an author hates the KKK, the KKK can quote something they wrote in order make their case.

    --
    ...
  34. Convoluted Crud by b4upoo · · Score: 1

    Blow the copyright laws into the ditch. It is a flawed and screwy concept. That which is distributed loses any facility to be private in any way. If people really want "rights" over such property they should keep their literary and musical creations to themselves. Art is not supposed to be about money at all. They are turning artistic products into commercial products.

  35. Re:The last $$ I will earn from my out of print bo by cdrguru · · Score: 1

    I was unaware of any compensation for authors that Google was proposing - the settlement leaves the door open to some type of compensation in the future as well as leaving the door open to sales of the books by Google or their authorized agents.

    But any revenue derived from showing the content of the books online would be Google's compensation for scanning the books and hosting them.

    I think that is one of the huge problems a lot of people have with this is that Google is simply appropriating the content and deriving revenue (ads) from it.

  36. Re:copyright holders get to choose expression of a by innocent_white_lamb · · Score: 1

    Copyright doesn't give you the right to limit how others may quote you.
     
    Tell that to Men at Work: http://www.cbc.ca/arts/music/story/2010/02/04/down-under-lawsuit.html

    --
    If you're a zombie and you know it, bite your friend!
  37. not talking about moral rights by gumbi+west · · Score: 1

    Not sure what you are saying. The copyright law grants artists right of expression, the copyright law also grants fair use. I'm arguing that the DOJ is making a valid point. Where did moral rights come from?

  38. Re:copyright holders get to choose expression of a by gumbi+west · · Score: 1

    What do you suppose is at stake in this case? Isn't storage, retrieval, and searching of the book happening? All of these are way outside of the traditional grant of fair use where someone presumably decides that the particular use does not diminish the value of the original art, or that the particular quote makes sense to quote. I agree fair use and criticism can not be excluded, but they are limited to not diminishing the value of the art. As an example, quotes as short as 300 words form books have been found to not be fair use.

  39. Re:copyright holders get to choose expression of a by vivaelamor · · Score: 1

    But if I am the copyright holder, I might want my art to not appear in excerpts (say I think it destroys the feeling of the piece). Obviously this argument is stupid for a CS textbook but might make sense for a well crafted novel or a painting where I might not want others to make black and white copies of portions of it and distribute them with information about how to buy the work from me. While I can't stop excerpting for criticism, I should be able to stop it for other uses--it is my art after all.

    The point is when you create art, you have control of its expression as art. You have not only the right to exclusive sale of it but also how your work is expressed. If I own, i.e., a play and I license it, a company that produces it can not legally change the words to the play without my permission--it is my play and I can choose how it is presented.

    Did I wake up in bizzaro world again?

    I can understand you being pissed if I changed your work and passed it off as a faithful representation, but to say that you have absolute control over expression is moronic. That isn't property rights, nor authorship rights, that is 'I don't wanna play with the other kids because they're drawing moustaches on my Mona Lisa'.

  40. Mathinker = EPIC FAIL by Anonymous Coward · · Score: 0

    The quote is from a statement to Congress, smart guy. There is no copyright on government documents. Work on your reading comprehension.

    1. Re:Mathinker = EPIC FAIL by Mathinker · · Score: 1

      The quote is from a statement to Congress, smart guy. There is no copyright on government documents. Work on your reading comprehension.

      Way to try to pretend that the mess which is copyright law is simple! The real truth is that works of the US Government, i.e., employees of the government, are not subject to US copyright. Works which are commissioned by the US Government, e.g., anything done by a contractor, may or may not be subject to US copyright, it depends.

      Anyway, you more or less have made an epic fail in mathematics. If there was no copyright on his words, this is equivalent to the copyright on them expiring at time = 0, i.e., immediately.

      And BTW, did you even think about the significance of my post? It has little to do with whether that particular speech was ever under copyright. Or do you feel that we should be content to be limited to only posting quotations before Congress on Slashdot? Because that would be the reality of the situation if Clemens had had his way with respect to eternal copyright.

  41. Re:copyright holders get to choose expression of a by gumbi+west · · Score: 1

    I see, so if the law isn't the way you want it to be, it is moronic. The thing is that many artists want to share their work there way. If they can not be granted that right, they will not share their work. This means that you can't republish my book after editing it or changing around the prose, even if you first buy a copy of my book for every copy of your book that you distribute. Same thing for songs. There is no automatic license to change and redistribute if you buy a CD for every CD you distribute. One example of this is that my name goes out on that book and your style of my artwork might be absolute rubbish. It isn't just about credit, it is about expression--an essential part of art. Alternately, I might have written a beautiful story with very jerky prose at points to make a political point that I want to make very clear at those points. You can't republish it after smoothing out or removing those points--I can use the work for my purpose and you can't use it for yours.

  42. Abandonware, and Library Fires by oneshotwonder · · Score: 1

    I'm a video game enthusiast, and have been for some time(28 years old). There are now loads of games that I played a young kid that are now 'abandonware'. So, these games can be downloaded and enjoyed for free. When I hear in the news and read online about Google and 'orphaned' work, I'm reminded of all the abandoware games I've enjoyed playing. Let Google scan the books, maybe they'll archive abandoned games next.

  43. Public Trustee by Anonymous Coward · · Score: 0

    Is there not a Public Trustee kind of thing in the US? The UK and New Zealand have a system where a government department is put in charge of deceased persons' and minors' property when no suitable person can be found.

    Could the US not just establish some kind of copyright default office or something where the unclaimed copyright automatically becomes the responsibility of the state, and where original owners can claim it back if they wish? With appropriate plugs for legal gaps, of course.

  44. Re:copyright holders get to choose expression of a by vivaelamor · · Score: 1

    I see, so if the law isn't the way you want it to be, it is moronic.

    On occasion, yes. What is your point?

    The thing is that many artists want to share their work there way. If they can not be granted that right, they will not share their work.

    There's a solution to that, not sharing their work.

    I can use the work for my purpose and you can't use it for yours..

    You seem oblivious to the proven exceptions such as for the purpose of parody. Perhaps you are suggesting that the L.H.O.O.Q version of the Mona Lisa would be unlawful under current law?