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Aussie Film Industry Appeals ISP Copyright Case

schliz writes "The Australian Federation Against Copyright Theft (AFACT) has appealed a Federal Court judgement that this month exonerated ISP iiNet for its subscribers' copyright-infringing activities. In the widely publicised case, AFACT sought to penalize iiNet for its users having made 100k illegal downloads. A judge ruled that 'mere provision of access to internet is not the means to infringement,' but AFACT now claims the judgement 'left an unworkable online environment for content creators and content providers' and 'represents a serious threat to Australia's digital economy.'"

6 of 137 comments (clear)

  1. The courts should not ... by Anonymous Coward · · Score: 5, Insightful

    change the law so that your business plan works.

  2. Oh I I feel so sorry for them by Mag7 · · Score: 5, Insightful

    an unworkable online environment for content creators and content providers

    Boohoo. They wanted someone else to do their dirty work for them, but now they have to actually use the legal system as intended which requires a great deal more effort. Cry me a river that they don't get a short cut to justice.

  3. Re:Why single out ISP's ? by timmarhy · · Score: 5, Insightful
    the ISP shouldn't be required outside of a court order to monitor anything. if you were to try hunt down even a fraction of p2p users you'd have to have 100's of people working at it, turning up to court dates, collecting evidence.

    why the fuck should iinet (and by extension it's customers) have to foot that cost just to protect the film industries clients? fuck their IP, i don't get to DEMAND the local council provide free security and install an alarm free of charge in my house because someone might steal my property, just because the local council provides the footpath theives walk on.

    --
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  4. Re:The internet is a threat to the digital economy by rtb61 · · Score: 5, Insightful

    To be honest the internet is a threat to the digital economy --------- of the middle men, those that contribute nothing but, hmm, bullshit. The publishers who spend their lives lying about the quality of the content they 'publish', who produce (not create) some of the worst content imaginable (I not sure that word should be associated with the content they produce) where they pay peanuts to the best performing casting couch specialists, the endless parade of one hit drunken drug addled performance artists.

    What does this work or those people actually contribute to society, is their work to be considered a useful art, or should their narcissist sociopathic behaviour become a part of shameful history. Their willingness to corrupt everything they touch, law, politics, society, and even children and they believe they are worth protecting, that their ability to exploit and distort human mores to fit their own psychosis is of valuable to society.

    So will the digital economy be better with or without them, how about the real economy, the one of humanity and the planets natural resources, can they continued to be wasted upon this groups their very public excesses, you could not find a group that consumes and pollutes more than them.

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  5. A Law Student's thoughts: by dadjaka · · Score: 5, Informative

    Disclaimer: While I am an Australian law student, I've only read the summary of the decision, (c'mon, it's 200 pages), nor have I studied IP Law.

    However, I do have a year of Law school behind me, so:

      - Australian law makes a distinction between findings of fact (i.e. John stabbed Mary) and findings of law (i.e. law x says stabbing is illegal). Findings of law can be appealed (you can argue the judge misinterpreted the law), but it's *much* harder to appeal a finding of fact. AIUI, there aren't many findings of fact in this case: the Justice found that Malone was a credible witness as a matter of fact, but the rulings on which the case was founded (i.e. that BitTorrent is the means of infringement, as opposed to the internet) are all findings of law.
      * tl;dr => Most of the ruling could be overturned on appeal.

      - The case was decided by a single judge of the Federal Court. That means that, IIRC, it will be appealed to the full court of the Federal Court (3+ judges). From that, it could be appealed to the High Court. (The highest court in Australia; equivalent to the Supreme Court in the US)
      * tl;dr => The appeal may not be the last, there could be another.

      - I'm not going to venture an opinion on the outcome of the appeal; I don't know enough. I also haven't been able to find AFACT's grounds of appeal; if I can I might be able to shed some more light on the possible success.
      * tl;dr => Who knows what will happen?

      - Ultimately, AFACT and their lobbyists will likely convince the politicians to change the law, whatever the outcome. This will probably suck - Aussie Communications Ministers traditionally do an average to poor job regardless of political persuasion. (examples include: mandatory filtering, "World's Greatest Luddite")
      * tl;dr => What ever happens, we're probably screwed because of politics.

  6. AMERICAN Film Industry Appeals ISP Copyright Case by papafox_too · · Score: 5, Informative

    The so-called Australian Federation Against Copyright Theft (AFACT) is actually an not Australian at all. It is controlled by the Singapore office of the MPAA and funded from Los Angeles. AFACT has no formal or informal mechanism to allow interested Australian's to join.

    To quote Justice Cowdroy from Roadshow Films v iiNet:

    "AFACT is an organisation set up for the purposes of benefiting its members. The exact nature of the relationship between the applicants and AFACT is not clear. Mr Gane, the Executive Director of AFACT, suggested that there was no formal membership process by which one can become a member of AFACT, whether by application or agreement. The Motion Picture Association (‘MPA’) and the Motion Picture Association of America (‘MPAA’) have a membership of the major American film studios. They are not associated with AFACT by any formal written agreement. However, AFACT does report to the regional branch office of the MPA which is based in Singapore. In respect of operations in the Asian region, the Singapore office of the MPA prepares a business plan or budget for AFACT which is approved by the Los Angeles head office of the MPA. [...] [I]t must be remembered that the applicants were not the entities making the allegations of copyright infringement in the lead up to these proceedings: rather, AFACT was doing so. [T]he exact relationship between AFACT and the actual copyright owners (the applicants) is, at best, unclear."