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Battlefield Earth Screenwriter Accepts Razzie
An anonymous reader writes "The New York Post has a story about J.D. Shapiro, and his gracious acceptance of a Razzie award for writing Battlefield Earth. He first offers an apology to anyone who has seen it, then he offers a funny, outsider's perspective of dealing with Scientologists, and the subsequent mangling of his script for what was once allegedly referred to by John Travolta as 'The Schindler's List of Sci-Fi.'"
Clearly you haven't read the piece. He would have had to forfeit his fee to get his name off the movie. That's not something a writer can usually afford...
Worst PICTURE of the Decade - Battlefield Earth accepted by J.D. Shapiro:
http://www.youtube.com/watch?v=DKlEE18R5d8
Part of the problem is that the production company ripped off the film's backers to the tune of $75 million.
Viewing the film (torture) will reveal numerous places where horrid shortcuts were taken with sets, special effects, unknown bad actors, etc.
The rest of the problem is that the movie covers the worse half of the book. The second half would have actually made a good space shoot em up, the first half is nothing but cave man wandering about. There is no noticeable Scientology proselyzation in either the book or the movie.
Unh-uh. Not good at all. It's barely even good as pulp sci-fi.
There were some great science fiction writers working at the same time as Hubbard, and Battlefield Earth is little more than a weak echo of them. The ideas are mostly retreads and the prose as purple as an orangutan's ass.
The only Hubbard story that's really interesting is the real one about his involvement with Jack Parsons, military intelligence mind control experiments, and Alistair Crowley's Church of Thelema. It's got everything: twisted sex, drugs, madness, Nazis, spies, violence and more real-life science fiction than a shelf full of novels. There's even an indirect Charlie Manson connection, but I'll leave that easter egg for the more curious and determined among you to discover for yourselves.
A lot of it is laid out in the most excellent trilogy by the historian Peter Levenda, entitled Sinister Forces, a Grimoire of American Political Witchcraft. You read it and think, "OMG, this is some crazy bat-shit from a whacked-out conspiracy nut" until you learn that Levenda is an extremely well-respected, erudite and diligent historian who carefully sources every single item.
It's a pretty hard book to find, but it's worth the effort for the wild ride.
Oh, and not to make it sound too much like something from a Neal Stephenson novel, but it's rumored that Peter Levenda, who first became known for his books about the history of Chinese-American trade (which are still taught in business schools), is also one of the "translators" of The Necronomicon.
You are welcome on my lawn.
You didn't read the article either? It says he has a pen name for stuff he doesn't want attached to him but he couldn't use it because there was too much money involved. Not a situation I've heard of, but it might have just been the studio's way of saying no.
Then he wasn't prepared, as Harlan Ellison was, with a registered pseudonym that he could insist they use instead of his own name;
From TFA:
Once it was decided that I would share a writing credit, I wanted to use my pseudonym, Sir Nick Knack. I was told I couldn't do that, because if a writer gets paid over a certain amount of money, they can't. I could have taken my name completely off the movie, but my agent and attorney talked me out of it. There was a lot of money at stake.
Hollywood is unionized, and the Writers are part of the Writer;s Guild. There Are Rules about credits given and how. For years producers and directors would credit themselves or their friends in a film when someone else did the work. The guild forced a change in that, but the flip side is that generally a writer MUST take credit for his work if it was a union project, which all the major studios would be. That actual rules for pseudonyms have changed over the years, but typically you can't just change it at will. Plus, Ellison mostly worked a while ago. Things could be different more recently.
Behold, this dreamer cometh. Come now, and let us slay him... and we shall see what will become of his dreams.
I think you misunderstand the point of Scientology, friend. The ONLY step is called "profit".
Commodore64_love: I don't comprehend people who're so frightened of death that they'll bankrupt themselves to stay alive