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How To Get 39 Megapixels From a 53-Year-Old Camera
G3ckoG33k writes "An article at The Register Hardware describes how Hasselblad film cameras dating back to 1957 can be given a new life using a digital back to get images at a super resolution of 39 megapixels. From the article: 'The CFV-39 digital back allows you to get those cameras out from the last century and use the V-System cameras with their beautiful glass once again, it simply fits in place of where the roll film used to be. Hasselblads have never been inexpensive, but talk about a return on investment. Here is a manufacturer looking after a fiercely loyal user-base and along with it offering what could be seen as the ultimate green camera system.' Oh, by the way most pictures taken during the Apollo space program in the 1960s were taken with Hasselblad." Hasselblad's been making digital backs for quite a while now, but this one's very impressive in speed (and cost — "only" about $14,000) compared to earlier models.
That's not the point, cellphones can have a ton of megapixels but with their tiny lens setup the image will be garbage no matter how fine grained the sensor is. This isn't about getting more megapixels, it's about getting digital images out of expensive old cameras with very expensive lens setups.
Justice is the sheep getting arrested while an impartial judge declares the vote void.
Do you really, really think that somebody who owns a Hasselblad is going to drop $14k on it just because digital is the new hotness?
No.
They're going to do it if they have a job they can do with the digital back that can't be done with film.
Why yes, I AM a rocket scientist!
LOL, you think those CDs are archival? You think magnetic hard drives aren't vulnerable to data loss/corruption? You think flash memory can't go bad?
Of course you can lose data on a computer. BUT, it's way easier to back up a computer file than it is a film negative. I can copy it to a second USB hard drive and leave it at a friend's house. I can upload photos to Mozy. I can rent a server somewhere and upload my data to that.
Way easier than arranging some way to copy all my film negatives, figuring out somewhere to store it in a proper environment, etc., and even then it wouldn't be lossless like backing up data is.
In the "which is easiest to prevent data loss" wars, digital wins hands down.