Brazil Forbids DRM On the Public Domain

nunojsilva writes "Cory Doctorow reports that the Brazilian equivalent of DMCA explicitly forbids using DRM-like techniques on works in the public domain. 'Brazil has just created the best-ever implementation of WCT [WIPO Copyright Treaty]. In Brazil's version of the law, you can break DRM without breaking the law, provided you're not also committing a copyright violation.' This means that, unlike the US, where it is illegal to break DRM, in Brazil it is illegal to break the public domain."

Comments

Re:In Soviet Brazil

[cappp]

Nope. This is a proposal, not an actual change to the laws. The article on ArsTechnica makes that very explicit.

For those interested in reading the entire thing - it's available here.

Re:In Soviet Brazil

[cappp]

The proposed "Fair Use" rules in Brazil read:

Article 46. Not an insult to the use of copyright protected works, dispensing with even the express prior authorization of the owner and the need for compensation by those who use them in the following cases:
I - reproduction by any means or process of any work legitimately acquired, if made in one copy and by the copyist, for his private use and not commercial;

II - reproduction by any means or process of any work legitimately acquired, where to ensure its portability or interoperability, for private, noncommercial

III - playing in the press, news or informative articles, published in newspapers or magazines with the name of the author, if signed, and the publication of which were transcribed;

IV - to use the press, in speeches at public meetings of any kind or of any work, and when it is justified to the extent necessary to fulfill the duty to report on news events;

V - the use of literary, artistic or scientific works, phonograms and broadcasting of radio and television shops, exclusively for customer demonstration, provided that the said establishments market the media or facilities to enable its use;

VI - a theatrical performance, recitation or declamation, the audiovisual display and musical performance, provided they have no intention of profit and that the public can attend free of charge, held in the family circle or in schools, when intended for use by bodies teachers and students, parents and other persons belonging to the school community;

VII - the use of literary, artistic or scientific evidence to produce judicial or administrative;

VIII - the use in any work of short extracts from existing works, of whatever nature, or entire work, when the visual arts, where the use itself is not the main goal of the new work that does not jeopardize the operation normal work reproduced or unjustifiably prejudice the legitimate interests of authors;

IX - the reproduction, distribution, communication and the provision of public works for the exclusive use of disabled persons where the disability involves, for the enjoyment of the work by those people need to use at any particular process or still some adaptation of the protected work, and provided that no commercial purpose in the reproduction or adaptation;

X - reproduction and making available to the public for inclusion in portfolio or professional resume, to the extent required for this purpose, since he who wishes to disseminate the works by such means is one of the authors or person depicted;

XI - the use of pictures, or other form of representation of the image, custom, when performed by the object owner ordered, with no opposition from the person represented or, if dead or absent, his spouse, his ascendants or descendants;

XII - playback of lectures, conferences and classes for those to whom they are addressed, prohibited the publication, regardless of the purpose of profit, without prior written permission of whom ministered;

XIII - reproduction necessary for conservation, preservation and storage of any work, non-commercial purposes, if carried out by libraries, archives, documentation centers, museums, film and other museum institutions, to the extent required to meet its goals;

XIV - the quotation in books, newspapers, magazines or other means of communication of passages from a work for study, criticism or controversy, to the extent required for the specific purpose, stating the name of the author and origin the work;

XV - a theatrical performance, recitation or declamation, the audiovisual display and musical performance, provided they have no intention of profit, which the public can attend free of charge and they occur to the extent required for order to achieve and the following assumptions :
a) for educational purposes only;
b) with the purpose of cultural diffusion and multiplication of public opinion formation or discussion by film soci

Re:In Soviet Brazil

[TubeSteak]

http://en.wikipedia.org/wiki/List_of_countries'_copyright_length
Brazil: Life + 70 years

It's a joke to talk about "a fine and balanced approach to copyright law" while ignoring life + 70 years of copyright protection.
They'll be doddering seniors before anything created in their lifetime is public domain.

Re:Nice trice - but who cares?

[FlyingGuy]

Here I am with MP's yet I feel compelled to respond to you...

If you RTFA you would see that it explicitly sites making a personal copy for use on whatever player you desire. But if you give a copy to a friend with the DRM broken then you are still committing a crime and that is fair since it is NOT fair use.

Now having said that, I certainly expect a flood of torrents to start comming from Brazil if this gets enacted into law because people still think that if they buy a DVD and then rip it to make a copy to "should be able to rip it and use on a portable player, media server etc." they somehow have the right to give it away to their pals and put it on a web server for everyone to have a copy.

That is why this begins with, "I - reproduction by any means or process of any work legitimately acquired, if made in one copy and by the copyist, for his private use and not commercial;" [emphasis is mine] because in point of fact doing anything other then making a copy for personal, non commercial use is a copyright violation even under these terms and is in point of fact illegal and that is as it should be

Re:All cracking legal?

[shutdown -p now]

Now the real fun can start: Brazilian programmer produces tool that removes DRM from material with US-owned copyrights. Fully legal in his native country. Would this person be liable to prosecution in the US? And indirectly by producing such a tool banning himself from visiting the US for the rest of his life?

Ever heard of Dmitry Sklyarov?

Not the first.

[krischik]

Switzerland explicitly allows DRM breaking since 2007.

Re:In Soviet Brazil

[stein.dagostini]

WRONG! We do not raze rainforest for that. Because rainforest soil is HORRIBLE for agriculture. Brasil has HUGE plains much more suited to sugar cane production. Most of legal rainforest razing is to create cattle and most of the ilegal one is for high grade wood that is sold to US and Europe black markets to poduce nice expensive furniture. Learn a bit before spelling crap here. Brasil uses ethanol as a MAINSTREAM fuel for like 30 years already. And Brasil has MORE preserved natural vegetation than US or ANY country in europe. Rainforest soil is extremely thin and not appropriated for agriculture. Brasil has a low production of wheat because here is too hot and humid for that. But we produce soy and other foods in very very large scale, IN fact Brasil is only surpassed by US in grain production.