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Broadway Musicians Replaced With Synthesizers
wooferhound writes "Sophisticated synthesizers and computer-manipulated recordings are increasingly taking over orchestras. Sounding almost like real players, while costing much less, they're especially popular with provincial or touring companies. But until mid-July — when 'West Side Story's' producers announced that a synthesizer was replacing three live violinists and two cellists, or half the orchestra's string section — staff violinist Paul Woodiel thought that at least the classics would be immune to the trend. There are computer programs able to read and play back music scores — a boon to composers who can now hear their work as they write — and software allowing conductors to control the tempo of the machine, in the same way that they direct live players."
The Kahler "Human Clock" was a MIDI clock generator that allowed drummers to control the tempo of sequencers. They were produces back in the late 1980s, and one was used by New Order.
There is a major difference. The big moment that happens at 93:27:34 in the movie will always happen at 93:27:34. There is no such dependability in live performance.
I've made a few paychecks as a pit musician and I can't imagine how the synths will be controlled. If it is a person at a keyboard with a super advanced tone module then you are really just replacing a few musicians with a single one, not exactly groundbreaking, and it's frequently done with a standard piano covering parts that can't be hired (your local production of Fiddler on the Roof likely has a piano covering the accordion part).
If this is a computer, like the one FTFA that is mentioned to keep crashing, well, I can't see this actually being ok for any real performance where people are paying money. Crashing is one thing, but even if the program works perfectly, now everything has to cue off the computer. What if someone is late on an entrance? What if there is a technical problem? What if an actor drops a couple lines? An entire verse? There is a very delicate interplay between the actors, the stage manager, the conductor and the musicians to make everything match up every time. It's why opera is, for my money, the most stressful job I have ever taken as a musician.
You are _mostly_ right. The sheet music doesn't contain full information. A good part is missing and has to be re-added by a musician every time the composition is being played.
But... what if you record _that_? Or, create good enough algorithms that can guess that missing information?
You get the same effect as live musicians -- and if you want little errors here and there, they can be introduced as well, just like deBeers' claims that mined diamonds are "better" can be derailed by adding some junk to diamonds being grown.
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