Unions Urging Actors Not To Work On Hobbit Movie
lbalbalba writes "Last we heard about The Hobbit, Guillermo Del Toro dropped out, Peter Jackson was unofficially directing and secretly auditioning actors, the movie had yet to be green-lit, and Ian McKellen was getting super-antsy about the whole thing and threatening not to play Gandalf. This shouldn't help the long-gestating movie happen any quicker: Actors guilds including SAG issued actual alerts yesterday against working on any of the Hobbit films, advising their members not to take parts in the non-union production, should they be offered them."
simply walk into an audition.
Unions are supposed to represent their members' interests, but the way unions behave these days I often wonder if it's not the members who are serving their unions. SAG prohibits is actors from working on non-union productions, and if it weren't for "right to work" statutes they would likely get away with it too. I do appreciate the need for pressure against employers who refuse to give fair treatment and compensation to their employees, but I often feel that unions are yet one more bureaucracy that employees have to deal with.
"In prison you just have to shut your eyes and take it. Here you have to shut your eyes and give it."
Unions still serve the same role they ever did. It's an important role.
It may impose cost, but whatever costs it imposes are the other side of keeping it being a reasonable and workable thing to be an actor.
In modern times, we don't need less collective bargaining, we need more. If, for example, medical interns had a union to prevent 16-hour shifts, I imagine we could agree that to be a step forward. Cost to consumer is not the only thing worth optimising in society, and harmful competition still exists.
For every problem, there is at least one solution that is simple, neat, and wrong.
Unions have also claimed to attempt to secure equal pay for equal work, which remains an outstanding concern for particular genders and races. Since unions have not succeeded in closing such gaps over decades since the industrial safety problems were resolved, but instead have installed a seniority regime that systematically ignores workers' performance of their duties in determining wages and job security, we should be open to breaking the unions' monopoly on representing worker rights.
There are 1.1... kinds of people.
If freedom of association means employees have the right to join a union and engage in collective bargaining, then surely it also means they have the right to either join a different union (which the law often prevents under "sole bargaining agent" provisions) or not be represented by any union at all (which, again, is not always possible).
"In prison you just have to shut your eyes and take it. Here you have to shut your eyes and give it."
I think that the union is trying to have US-style closed shops in New Zealand. Not a good plan.
"Closed Shops" are (from what I read) frowned upon (if not illegal) in New Zealand. It is up to the individual whether or not they join the union and pick up the collective contract. You can't force them, and you can't say, "You can only hire union members". This is different to the US and Canada which still allow "union shops" to exist.
Thankfully, Peter Jackson covers this in his statement:
"He always honoured actors' union conditions if they were union members"
You want to have a full union membership in the cast? Approach them and ask them to join.
ok (and citations therein). If you can't be bothered to read the whole thing, search the page for "344:1" for the pay gap, and see the third-to-last paragraph for some discussion on unions and a reference.
Because the wrong people invariably end up with the job security and ridiculous pension. There is no real method in typical US union contracts for weeding out the bad, since they're seniority based rather than performance based when it comes to job security.
1) The Director's guild rule is there for a reason - it keeps the money-men from insisting of directing credit. Director's decided they wanted to get credit for their work, instead of living with a legal type system, where the headline billing goes to the biggest name, not the people who did all the work. Judges don't actually write most of their work, but they get all the credit. And the same goes for big law firms, where the people doing most of the work (paralegals and researchers) get no credit at all. Anyway, this was a big problem (for the directors, at least) when Hollywood was young, so when they unionized it was one of their basic principles. And its a reasonable position, even if you disagree with it. 2) Rodriguez knew the rules when he joined the guild. He knew the rules when he tried to name Miller as co-director. He was given multiple chances to back off, and chose instead to thumb his nose at the guild. It became an ego issue with him, and the guild reacted as they had to. Remember, the guild cares deeply about their members getting proper credit, and bending here immediately opens the door for other to claim director's credit (J.K. Rowling for Harry Potter, for instance). This wasn't a case of a guild be capricious - it's a guild protecting a (or perhaps the) core value of their members - that the director of the film deserves credit (or blame) for his or her film.
but how frequently do employers bargain collectively with the unions?
All the time. Ever heard of a public corporation? That's just an embodiment of a group of partial owners (aka stock holders) joining together to gain, among other things, the benefits of collective bargaining power.
I wish I were as sure of anything as some people are of everything
Ya well few problems with that:
1) Talented people have no difficulty finding other work, and thus the competition keeps pay high. You may notice that there are a lot of non-union jobs out there that are quite good. I don't see CCIEs needing a union, they seem to be able to find work for lots of money. When you have a talent that is in demand, that alone takes care of compensation. People have to pay to keep you. This is the case with actors. They are in demand.
2) Much of the "Race to the bottom" you talk about has been taken care of by the government. If you research labour unions you find they came about because of industries with extremely exploitative and dangerous practices. That is now handled rather efficiently by oversight agencies like OSHA. They can bring more heat on an employer than a union ever could. In particular with Hollywood we aren't talking about minors who are perpetually in debt to the company store and working in dangerous conditions. We are talking about rich people working in the environment they choose.
3) Unions often crease a "race to the bottom" for employees. The protection of any and everyone leads to a situation where bad employees cannot be gotten rid of. That increases costs over all, and thus mean less compensation for good employees. In particular, many unions favour seniority over all else. So no matter your talent, no matter your work ethic, you are forced in to the same pay as everyone else at your level.
4) You have to deal with the realities of the world, and that there is non-union competition. I am not just talking about 3rd world sweatshop labour. Have a look at the American car companies. They compete with companies who are non-union, and build their cars right in America, like Toyota. Companies that pay well, have good working environments, but are not union and lack that overhead. You have to compete with that and unions tend to be bad at it.
I'm sorry but I just see a massive divide between the sort of pay and conditions that lead to unions back in the day, and the places where there are unions now. When you have a good work environment and make good money, you do not need a union.
In short of course you have the right to assemble and collectively bargain all you want, but your employer shouldn't be forced by law to assist you with that.
Unfortunately, this thread is full of people starting off with the premise "there is a problem with union law" (including single-union laws which are effectively anti-union) and assuming the conclusion "there is a problem with unions". Disney copyright extensions are bad, but that doesn't necessarily mean all businesses which make their money with the help of copyright protections are pure evil.
In some cases, the unions simply have enough force. Part of their "collective bargaining" is to bargain that nobody gets to hire non-union employees. So even though there may be no real legal prevention, there is effective prevention. Join or you get no work in that field. In other places, there is legal protection. In non "right to work" states if a given field is unionized, membership is non-optional. You work in that field, you MUST join the union by law. You get situations like where the UAW is forcing independent daycare providers to pay dues. See the UAW represents daycare workers in that state, and membership is non-optional. So they are forcing it even on people who are working for themselves, and thus a situation where a union has no relevance. See: http://current.com/news/92664102_day-care-workers-are-now-uaw-workers.htm.
All of this is just the legal reasons who joining unions is often non-optional. There are also less savory cases of intimidation and violence.
They also work hard to keep it that way. For example right now there's a measure coming up on the ballot here to force all union votes to be secret ballot. Just like actual election votes, and most other votes, the identity of people voting would be protected, you wouldn't know who voted what way. The unions are fighting it extremely hard. Now why would they do that? What reason is there to not want a secret ballot? That system is well established.
The reason, of course, is pressure. If you know how people voted, you can pressure them to vote the way you want. That's the whole reason we use secret ballots in political elections is so that can't happen. However the unions are concerned if it happened, people could vote to disband the union and they'd not be able to pressure them out of it.
If it was just as simple as "Don't join if you don't wanna," it wouldn't be nearly such a big deal. However it isn't.
The Upper Big Branch mine was a non-union mine. In union mines, workers have the power to stop the types of unsafe working practices that contributed to the UBB fatalities.
The union in NZ was apparently abandoned. They didn't file necessary paperwork, so it ceased to exist. Now, when something big is going to be filmed in NZ, they are requiring that an NZ production file proper paperwork in Australia. The NZ production company rightly stated that was not strictly legal (legal to sign, but not binding to anyone, so quite pointless). The Australian company pressed the US company to make it a union issue. If the union had properly maintained its NZ presence, this wouldn't be an issue. Peter Jackson isn't trying to block the union. There doesn't exist any he can sign with.
Many of the NZ actors are unionized, but the union doesn't exist in NZ. It's that problem that's causing the issues. The union existed in NZ for the first films, so there was no problem. The union disappeared between then and now.
Learn to love Alaska
I am an AEA member (the stage actor's union) which means I can join SAG if I want. But my point is the same for both unions.
We do not need more collective bargaining. Both SAG and AEA spend a truckload on things like lobbying for health care. You should have seen our newsletters when congress was debating it -- first it was 'call your congressman and support this bill!' And then when it seemed like the 'Cadillac' plans would be taxed, it was 'call your congressman and fight this bill!'
As a professional actor you do not have a choice when it comes to joining the unions. If you just act on the side then there are plenty of non-union stage jobs at dinner theaters and that sort of thing, and some professional tours every now and then (though the unions have pretty much successfully unionized these). When I got my first professional stage job, I forked over about 1/5 of what I was going to make over the 4 months of the tour for the $1400 initiation fee (and then paid a couple percentage points out of my pay check each week). You can't choose not to do it.
Having said that, the acting unions, like most unions, perform a number of great functions. Before they existed, you couldn't make a respectable living as an actor -- now you can but it's just very hard (which is probably always going to be the case). There are lots of really helpful people who do things like go over all the time sheets because your stage manager didn't keep track of the hours you spent driving / assembling the show / acting the show, and you get a check in the mail 3 months after the fact because your union is looking out for you. They also help you with taxes and do a lot of fairly simple 'here's how the business works' type programs for new actors.
But like most unions, they never ever give anything up that they've won in past negotiations. Before, the producers controlled the business; now the unions do, though of course they wouldn't put it that way. What's happened is that there's now a huge divide between the very small (99 or fewer) seat theaters and the 'professional' ones where they have to do everything according to union rules -- that means actor's union, the electricians' union, the stagehands' union ... because the unions stick together and if you get one on board, then you get 'em all. It's very, very difficult to make money running a theater, and as a consequence most bigger theaters won't produce anything unless it's a big hit show. So lots of fad musicals and less original drama. To some extent that's how the business would be anyway, union or not, but it's exacerbated by how expensive running an AEA theater is.
Compared to groups like the SEIU, the entertainment unions are pretty tame, and as I hope I've made clear, I'm grateful for what my union has done for me -- but if I could, I'd tear them all apart and start from scratch, because we have the same big, bloated, self-serving unions just grabbing for the biggest piece of pie they can (an actual headline from Equity News last year: 'How AEA Will Get a Piece of the Stimulus Pie,' as if actors needed federal stimulus money!) in the same fashion that big business used to do it before the unions. No union leader stops and asks 'just because I CAN do this or demand that, should I?'
It's all just a matter of degrees.