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Sony Discontinues the Walkman
Ponca City writes "Crunchgear reports that after selling 200,020,000 units worldwide since its inception over thirty years ago, Sony has announced that it is pulling the plug on the manufacture and sales of the Walkman, the world's first portable (mass-produced) stereo. Magnetic cassette technology had been around since 1963, when Philips first created it for use by secretaries and journalists, but on July 1, 1979, Sony Corp. introduced the Sony Walkman TPS-L2, a 14 ounce, blue-and-silver, portable cassette player with chunky buttons, headphones, a leather case, and a second earphone jack so that two people could listen in at once. The Walkman was originally introduced in the US as the 'Sound-About' and in the UK as the 'Stowaway,' but coming up with new, uncopyrighted names in every country it was marketed in proved costly so Sony eventually decided on 'Walkman' as a play on the Sony Pressman, a mono cassette recorder the first Walkman prototype was based on. The popularity of Sony's device — and those by brands like Aiwa, Panasonic and Toshiba who followed in Sony's lead — helped the cassette tape outsell vinyl records for the first time in 1983 as Sony continued to roll out variations on its theme with over 300 different Walkman models, adding such innovations as AM/FM receivers, bass boost, and auto-reverse on later models and even producing a solar-powered Walkman, water-resistant Sport Walkman, and Walkmen with two cassette drives." For now, at least, the Walkman brand lives on for some of Sony's media players and phones.
... without this link: Finally after 20 years of court battles, the electronics giant agrees to pay the inventor of the device that made its success.
pfft, wandering minstrels FTW!
rewriting history since 2109
I remember making copies for friends and receiving them as well.
Once it was possible, the music industry was not able to sell any more music. Artists went to get real jobs and that is why all music you hear is only done by amateurs.
The best you can compare is what VHS did to the film industry. A few obscure independent movie makers is all that you have left.
And all this because of piracy. Right?
Don't fight for your country, if your country does not fight for you.
>>>BetaMax ftw
Myth. VHS and Betamax have almost-identical specs (see below). In fact VHS has one advantage Betamax did not have: It could hold 10.5 hours per tape, while Betamax maxed-out at just 5.5 hours. VHS is the superior standard, and that's why it won.
VHS Bmax feature
yes yes Hi-Fi sound?
250 240 Lines of horizontal resolution (420 for Super VHS)
3.0 3.0 Luma Bandwidth in megahertz (5.5 for Super VHS)
0.6 0.6 Chroma Bandwidth
10+ 5.5 Hours of record time
Oh and before you mention professional usage, that's BetaCAM not betamax. Completely different format (like Mac vs. PC vs. Amiga floppies). While Betacam was superior to VHS, Betamax was not. It was mostly identical, or inferior (in terms of record time).
"I disapprove of what you say, but I will defend to the death your right to say it." - historian Evelyn Beatrice Hall
I suspect that there are two phenomena at work, actually seen all over when it comes to deprecation of technology:
1. Some formats/technologies are inferior even at the time they were made, but justified by the compromises of the time. In this case, analog cassette tape was relatively low-fi(gradually improved, but wow and flutter really sucked), had to be rewound, and was vulnerable to tape-chewing incidents. Even at the time, it was justified against reel-to-reel only by cost and portability(nice thing about tape is, for all its vices, you can always make it better just by making it bigger) and was at best sonically even with vinyl, but again smaller and cheaper. People who are into 'retro-chic' tech are rather less likely to latch onto the compromise tech, unless the good stuff was so wildly expensive that it remains unreachable to them to this day.
2. The 'futuristic'-'contemporary'-'obsolete'-'retro'-antique' progression: As a technology ages, its appeal changes in a rather nonlinear way. During the 'futuristic' stage, it is lustworthy; but either absurdly expensive or not actually ready for the real world. High mindshare; but zero marketshare. The 'contemporary' phase marks the peak of a technology's marketshare, when it is the basis of the vast majority of whatever systems it is relevant to; but this actually weakens its appeal. People might value what it does; but it is common to the point of banality. 'Obsolete' is the nadir of something's appeal. Marketshare is still quite high, albeit with gradually declining install base; but it is perceived as actively inferior to whatever has become 'contemporary'. It is often still architecturally similar, so it has no exotic appeal; but is worse, slower, uglier, whatever. A wintel from 1995 would qualify. Architecturally, it is nearly identical to one of today, only worse in basically every respect. 'Retro' is a stage that only some technologies every achieve. Here, the technology has become sufficiently alien from whatever is 'contemporary' that its flaws and quirks are seen as charming, rather than directly compared against the present, and any unique advantages it had have rabid fanboys. Things like record players, c64s, anything BeOS(retrocomputing in general, really), are here. 'Antique' is somewhat similar to retro; but applies to technologies so old or esoteric that they have basically fallen out of the market. Only a few hardcore specialists or obscure hobbyists have them, production is either artisanal or nonexistent, and so forth. Edison cylinder machines, difference engines, Thinking Machines systems, and the like qualify.
Tape is a poor contender on both points. Even during its time of greatest popularity, it was always the poor cousin to something cooler; but either more expensive or less portable. It also seems to have missed out on 'retro'(with the very limited exception of being a useful source for found-sound artists/musicians of various sorts); but still has decades to go before it has a shot at being antique.