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Opera Supports Google Decision To Drop H.264
An anonymous reader follows up to yesterday's Google announcement that they would drop H.264 support from Chrome. "Thomas Ford, Senior Communications Manager, Opera, told Muktware, 'Actually, Opera has never supported H.264. We have always chosen to support open formats like Ogg Theora and WebM. In fact, Opera was the first company to propose the tag, and when we did, we did it with Ogg. Simply put, we welcome Google's decision to rely on open codecs for HTML5 video.'"
The article ends with, "It will be interesting to see if major browsers like Firefox, Internet Explorer and Safari will follow the suit and drop support for H.264."
Why would it "probably" be as patent encumbered as h.264? Google claims no patents at least, so that would in this case be if it's too similar in some regard to MPEG LA patents. But if we are to dismiss codecs on the basis of pessimistic probably's, we won't approve a single modern video codec at all. What matters is that the format has, after scrutiny of the FSF, been endorsed, that Google has irrevocably released all patents of VP8, and that there are signs that On2 made an effort to avoid MPEG LA patents in designing the format. It doesn't really get much better than that. We'll always have the doubters, the pessimists, but we can't base decisions on possibilities, only facts. At least in a world that is moving forward as quickly as the IT world.
Beware: In C++, your friends can see your privates!
Because then you'd have to pay money to use Firefox in 2014 with h264 support, and Firefox would violate the GPL unless you paid. It would also segregate those that paid and those that did not.
Remember the time when you had to pay money to buy a browser? 15ish years ago?
Citation:
http://www.streaminglearningcenter.com/articles/h264-royalties-what-you-need-to-know.html
According to the “Summary of AVC/H.264 License Terms,” which you can download from the MPEG LA site (www.mpegla.com/ avc/avc-agreement.cfm), there are no royalties for free internet broadcast (there are, however, royalties for pay-per-view or subscription video) until Dec. 31, 2010 [extended to 2014]. After that, “the royalty shall be no more than the economic equivalent of royalties payable during the same time for free television.”This makes royalties payable for “free television” the best predictor of where internet royalties will stand in 2011. Under the terms of the agreement, you have two options: a one-time payment of $2,500 “per AVC transmission encoder” or an annual fee starting at “$2,500 per calendar year per Broadcast Markets of at least 100,000 but no more than 499,999 television households, $5,000 per calendar year per Broadcast Market which includes at least 500,000 but no more than 999,999 television households, and $10,000 per calendar year per Broadcast Market which includes at 1,000,000 or more television households.”
This isn't just free as in beer, it's free as in free of cost.
HEVC is aiming for a 50% reduction in bit rate for the same subjective quality, while increasing the complexity no more than 200%. A few candidate solutions have been able to get similar quality, at lower bit rates, all while decreasing the complexity. It's likely that by the time the standard is completed, it will be a lot better than h.264.
This doesn't matter as much for disc-based media, but a 50% reduction in bit rate means its cheaper to push it over the web, even if decoding it on the other end takes more time. If it takes off like AVC, then a lot of devices will include dedicated hardware to decode it. A big part of the reason phones, iPods, etc. are able to get such good life on video playback is that they have dedicated hardware to deal with certain codecs.
The reason that good codecs stick around is that there's a lot of hardware that will play/display them. A lot of people still have DVD-players so MPEG-2 still gets used because that's what the player expects, even though MPEG-2 isn't all that good compared to h.264. MP3 is still around because there are still tons of MP3 players and almost any device that can output audio continues to include MP3 support because it's cheap to do so.
h.264 is good, but h.265 of whatever they decide to call it will be even better, especially if it significantly reduces bandwidth consumption.
still-image compression is not a field where large gains can be had so easily.
JPEG has two significant practical deficiencies which are not inherent in its lossy nature
I guess that the reason that something better hasn't emerged is the combination of the patent thicket around wavelets, and all the shenanegans the digital camera manufacturers have been playing with raw formats.