Warner Bros. Forced To Fight For Fair Use
V-similitude writes with news that Warner Bros. has been forced into a position of claiming 'fair use' in the defense of an upcoming movie. From the NYTimes:
"In The Hangover Part II, the sequel to the very successful what-happened-last-night comedy, the character played by Ed Helms wakes up with a permanent tattoo bracketing his left eye. The Maori-inspired design is instantly recognizable as the one sported by the boxer Mike Tyson, which is part of the joke. (Mr. Tyson makes an appearance in both films, playing himself.) But S. Victor Whitmill, a tattoo artist formerly of Las Vegas and currently from rural Missouri, doesn't quite see the humor. Mr. Whitmill designed the tattoo for Mr. Tyson, called it 'tribal tattoo,' and claims it as a copyrighted work. ... Warner Brothers in its brief also invoked the 'fair use' defense for Hangover Part II, namely the right to parody what has become a well-known tattoo since it first appeared on Mr. Tyson’s face in February 2003."
For Hollywood, copyright has one meaning: inflating their profits. Unfortunately, almost everyone in America has forgotten that copyright is supposed to exist to improve the people's access to works of art and science, not just to make money for copyright holders, and so Hollywood manages to get away with their abuse of our legal system.
Palm trees and 8
Does S. Victor Whitmill have permission from the Maori people to produce tattoos based on their designs?
"The average reporter we talk to is 27 years old......They literally know nothing." - Ben Rhodes
> have more creative works and greater access to them than at any point in history. The system, flawed as it may be, works.
I'm willing to cede you that if your definition of "works" is that narrow, you might be right. Unfortunately, other people are also interested in things like anonymity, the ability to secretly share information without fear of government intervention, and other freedoms which they think are a bit more important than how many Hollywood blockbuster movies get released every year. "The system" is currently very successful financially, yet not so successful at preventing the implementation of anti-piracy procedures which infringe on these freedoms --- this is because all of the money is on the side of the hyper-enforcement of copyright side.
My apologies if when you wrote "the system" you meant "as it is now without PROTECT IP, COICA, ACTA, 3 strikes, etc.". My point is that copyright law seems continually evolving in one direction, towards more (and more onerous) copyright, and your observation that everything is actually working right should mean that it shouldn't be evolving at all.