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EFF Co-founder Faces Copyright Heavyweights At EG8
ndogg writes "EFF co-founder John Perry Barlow faced down copyright heavyweights ... on a panel he described as 'the Lions Den' discussing issues of intellectual property. He was the lone dissenting voice ... Mitterand had commented that copyright debates had grown so calm now that everyone agreed upon the ground rules."
I rather doubt I agree with everything Mr. Barlow said, even from the brief summary of his comments in the article I saw several statements that I might have argued with. I tend to be a moderate on this issue, neither favoring the total or near total evisceration of IP laws that some favor, nor the equally ridiculous calls from industry to expand them to the point that all content becomes immutable and unusable. Never the less, seeing this guy shake up the cozy little panel of "experts" makes me very happy. Nothing is going to change as long as the attitude that "the ground rules are all agreed on" is there. Until people realize that that there even is a another side in this debate, that there are radical content freedom people sitting opposite the radical content protection people, the middle ground can't be found.
I don't need a million points of light, just two points of multi-mode fiber and a 10 Gig-E router.
But [Barlow] accepted the invitation even as colleagues begged him not to go and activists like Cory Doctorow turned down invitations to the event, which was seen as an industry/government cabal bent on regulating the 'Net for its own ends. ... Barlow's biggest contribution to the e-G8 may have been the reminder that this illusion of calm is only possible in a setting where one screens out the dissenting voices—and that those voices are still raging outside.
Well no wonder they don't think anything is wrong. When activists turn down invitations, they'll assume they're in the right.
the official eg8 site has taken down this exact section of the talk
http://www.youtube.com/watch?v=U0Nl2Xnmd5g
I am a french voter. There was almost no alternative to Sarkozy and it was not so predictable that Sarkozy would be so terrible.
By putting DSK in jail, you have removed the most promising candidate for next election.
I promise I will not vote for Sarkozy even if that means voting for the worst asshole.
An illuminating comment from one of the speakers quoted in the linked article was "We do not believe that you can remove 'content' from the Internet, and if you do this, what is there left? Basically, the Internet then is a set of empty pieces and boxes.” (Bertelsmann [Worldwide Media, I presume])
The Internet is much more than just a content delivery network for the recording industry and the news media. As with many constructs, however, I fear that it is viewed by all with a subjective POV and for those media corporations, their subjective POV is focused on only their understanding of the value of the Internet. The danger inherent in this subjectivity is that very powerful interests can bring about controls and restrictions that are, from their subjective POV, very reasonable. However, these same controls and restrictions may be extremely harmful to other interests and considered unreasonable by those with a different subjective POV. Perhaps the best manner in which to argue against controls and restrictions being sought by the tunnel-visioned but powerful is to illuminate the full range of communications made possible by the Internet and to show how the proposed controls and restrictions would unreasonably have harmful effects on important aspects of that full range of communications.
A separate, but related argument, is that the business opportunities that technology brings may also be taken away by newer technology. I'm thinking specifically here of the recording industries. Prior to the invention of audio and video recording technologies, there was no business in recording and selling the playback of audio and video "works of art" - all such works had to be performed by real-life artists every time the work was "sold" to an audience. Once a means to permanently store and playback recordings of these works existed, an industry formed to take advantage of it. I suspect that this industry directly destroyed the ability of many performance artists to make a living. Now new technology makes it possibly infeasible to spend a fortune making a recording of a work of art, because that recording can "escape" the confines within which it can be sold over and over again to recoup the initial investment. If true, live performances may make a comeback as big-budget productions dwindle. Why should the recording industry receive preferential treatment in order to maintain a business model that was created by technology and has perhaps now been destroyed by technology? Why shouldn't live performers regain their importance as the sun sets on the recording industry?
It seems to me that since copyright and patent protections are created by society in order to benefit society (and don't exist as any "natural right"), there has to be an argument about the bettering of society more so under one scheme than another. Is there an argument to be made that society will be worse off without big budget motion pictures and albums from major recording studios, and hence we need to protect their business model even though these protections may wreak havoc on the free expression of ideas within society (another benefit to society, which is enhanced by rather than threatened by the Internet)?
"Rationality" is a euphemism for "agree with me".
And "responsibility" is a euphemism for "help the rich".