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RIAA Math: Sell 1 Million Albums, Still Owe $500k
An anonymous reader writes "For all the complaints from the RIAA about 'pirates,' who are the real pirates in this scenario? Through a variety of contractual tricks, it's nearly impossible for artists signed to major labels to get paid. The article and video detail how an artist who thinks he's getting a 10% royalty is actually getting closer to 2.5% through various tricks placed in the contract. The labels, then, end up with 97.5% of the gross revenue, and anything they 'spend' on the artist continues to come out of the royalties, not the labels' cut."
http://www.negativland.com/albini.html Major labels have always screwed their artists, which is why I've always attempted to go it alone - even though I've so far been fairly unsuccessful, that's still better than going with the majors.
Listen to my latest album here
You as contractor have a bargaining position. You can afford to walk away. Most artists cannot afford this, simply because in most cases the alternatives are just as bad or worse.
- The MafiAA control the booking for 99% of the performance venues that seat more than 50 people. Get yourself to a large enough following, and you'll have problems. Piss off the MafiAA by being independent too long and they'll have you blackballed from performance venues.
- The MafiAA control the vast, vast majority of sound studios. Want to rent time and the equipment to record your album? Their response will be "fuck you, you're not under contract, get lost till someone signs you."
- Likewise, the vast majority of record producers, sound mixers, etc... are under MafiAA control.
- The MafiAA control the "top 40" lists and radio playback. Your music will never get onto the radio or onto satellite radio without them, let alone onto the pre-show movie screener reels or any other of the "combined marketing" channels. And like it or not, that is STILL how most people get exposed to new music these days.
I have several friends who've gone the indie route. Some of whom are merely good, one of whom is a fucking virtuoso, can pick up almost any instrument and give a good accounting, is phenomenal on the guitar, and has a killer instinct for writing earworms. The most he's ever been able to earn in a year, despite these talents, is about $20k - not bad for a part-time gig, but when he didn't have a day job, making a living as an indie was a matter of Just Barely Breaking Even month to month living in the crappiest, cheapest possible apartment and scheduling band practices at - you guessed it - the drummer's garage.
Note I don't say he wasn't being paid well, by most standards, for the gigs (and they had a decent number). But once you count in fuel costs, equipment costs, instrument maintenance, and split the remainder four or five ways, the money for "indie" bands to perform isn't really all that much at all.
True enough. Courtney Love schooled the RIAA years ago on this very subject.
I don't care why you're posting AC
It is still incredibly hard to become a successful (read: profitable) artist without the help of a (major) label. Big artists like Coldplay and Nine Inch Nails can afford to publish their own albums online without a label coming in between because any product with their names tied to it is guaranteed to sell. Starting artists just don't have the budget, the connections or the know-how on promoting their own music or landing gigs in large venues.
Everybody here seems to be missing a big factor....THEY ARE A CARTEL and as such control the gateway to the airwaves!
The little 5 piece I was playing with was quite popular in the region, and had been asked several times by local DJs to come onto their shows and play. But they couldn't play our albums, not a single track, why? "Because we are only allowed to play what is on the list and that is passed down from corporate" which is why they'd have to invite bands they liked to play live, as it was the only loophole that let them keep their jobs.
And it is THAT, that right there, that gives them the power to fuck kids over on contracts. I actually held one of those contracts in my hand and not even being a lawyer could smell the stench. We hired a lawyer who was like "Yeah...if you don't mind not owning any of your songs, having zero control of anything, and probably owing them money when its all done? Go right ahead" so needless to say we walked away. our opening act signed, what happened to them? They had to break up to get out of their contract after the label decided to "change direction" before the first album was even released, they got left holding the bag to the tune of $100,000 for an album they had paid to record themselves for "various promotion expenses" which believe me, they didn't get shit for promo.
So yeah its a scam, but they own the radio, they own the TV, and the fact that they do NOT own the Internet is why they want to shut it down. These are the same pricks that claimed with a straight face that Bat Out Of Hell I, an album that actually set a world's record for length on the top 200, didn't make a cent. Meatloaf ended up filing for bankruptcy while fighting them because he didn't get shit.
So please, rip them off. Copy your asses off, don't pay for shit, because they certainly aren't! Why they aren't busted for RICO is only because of the bags of money they pay congress critters.
ACs don't waste your time replying, your posts are never seen by me.