Mathematically Pattern-Free Music
gary.flake writes "'Scott Rickard set out to do what no musician has ever tried — to make the world's ugliest piece of music [video]. At TEDxMIA, he discusses the math and science behind creating a piece of music devoid of any pattern.' He used mathematics of Évariste Galois (who was born 200 years ago) to create pattern-free sonar pings which he mapped to notes on a piano, and then played them using the non-rhythm of a Golomb Ruler. Now, why didn't I think of that..."
Well, I use the mathematics of Frank Plumpton Ramsey and Bartel Leendert van der Waerden (who were born about 100 years ago) to call bullshit on this claim: There is no sequence of anything (including musical notes) which is pattern free.
cf.
http://en.wikipedia.org/wiki/Van_der_Waerden%27s_theorem
http://en.wikipedia.org/wiki/Ramsey%27s_theorem
For a good time, cat $file > /dev/dsp. My favourite so far is the PS file of Shannon's information theory paper.
Escher was the first MC and Giger invented the HR department.
Apophenia.
Pareidolia.
We're wired to see patterns; if there aren't any we'll make them up with no conscious effort or intent at all.
Welcome to the Panopticon. Used to be a prison, now it's your home.
John Cage's music employed chance, not randomness. I posted about him back in 2007 (search for my username, my post is near the top.)
Xenakis would be a better example of a composer who used randomness in a truly stochastic sense. However, he used it in a very deliberate and purposeful way, to shape only some elements of a composition, not the entire work. In contrast, Cage used chance as a way of abdicating control, although (like Xenakis' use of randomess) he employed it for only some elements of a work.
If it weren't for deadlines, nothing would be late.
Also Ulam Spiral