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Ebert: I'll Tell You Why Movie Revenue Is Dropping
schwit1 writes in with a link to Roger Ebert's webpage where he gives his opinion on the decline of movie industry revenues."According to Ebert movie piracy isn't the problem. He contends that the industry needs to lower prices on tickets and popcorn, keep people off their cell phones, show a wider variety of films, and understand that movie streaming is here to stay. From the article: 'The message I get is that Americans love the movies as much as ever. It's the theaters that are losing their charm.
Proof: theaters thrive that police their audiences, show a variety of titles and emphasize value-added features. The rest of the industry can't depend forever on blockbusters to bail it out.'"
The Alamo Drafthouse theaters, mostly in Texas but slowly spreading out (1 in Colorado and one in Virginia now) are superb models of successful customer-friendly theater experiences. Good equipment and seating, first-run movies, a clear and well-enforced no talking/texting policy, and oh yeah, good (yes, actually pretty good) food and *beer*. Not to mention great local events, a variety of special showings and unusual feature runs, and no crappy ads for cars and stuff before the show (instead a series of usually topical shorts or Youtube vids, usually hilarious). They are awesome and I hope they continue to spread.
- Oshyan
On: http://www.powned.tv/nieuws/binnenland/2011/12/bioscopen_draaiden_goed_jaar.html (dutch!!)
The main message translates to something like this:
"in 2011 the ten most visited movies have net resulted in EUR 73 milion. This is higher than the previous year when the top ten only grossed EUR 64,47 milion"
So what is the problem? About 10% increase doesn't look too bad to me?
Wikipedia has a pretty good primer on "Hollywood accounting."
that sounds like a translation of Ecclesiastes 1:9 - I suppose it's fitting that the source for that phrase is a book written over 2000 years ago.
I listen to both RIAA and non-RIAA stuff if I like the music, tangential business/politics nonwithstanding.
No, that's not the problem. Ideas aren't worth much. Jack London sold plots for $5. It's not the ideas, it's the implementations.
He bought plots for $5, from Sinclair Lewis. He didn't sell them...
I'm a projectionist at a 24-screen theater that's about half 35mm, half digital. What I'm about to say, I know first-hand to be factual:
The industry's push for 3D is the ONLY reason you have the choice of 2D digital projection at all. Digital projectors are orders of magnitude more expensive, less reliable, and more labor-intensive to operate and maintain than 35mm projectors--even in areas where a single theater chain's monopoly means they don't have to be replaced with newer models every few years. But the studios love them because it is cheaper to ship 5-pound USB hard drives than 50-pound 35mm prints to theaters.
So, the MPAA announced about seven or eight years ago that they were going to start making a lot of 3D films, meaning theaters had to install digital projectors capable of playing them. For the first few years, until approximately 2007, most theaters only had one or two digital projectors, so 3D films were only released at a rate of one every four to six months. The rest of the time, those few digital projectors showed 2D movies. Once it was clear that audiences would actually pay for 3D, the MPAA started ramping up production and speeding up the release cycle to force theaters to convert more and more auditoriums to digital. Today, there are always at least two or three different 3D movies in wide release at a time. So if the theaters near you don't have very many digital screens, most of them will be taken up by 3D films most of the time. I'm sure this is the source of your misconception--a higher percentage of digital showtimes were 2D in the early days of digital, so it's perfectly reasonable to guess that 2D digital is being displaced by the 3D fad. But the phenomenon is really nothing more than an accidental side-effect of theaters trying to stay a step ahead of audience and studio demand for 3D.
In ten years or so, digital will be dominant enough that studios will be able to stop 35mm distribution entirely. No longer needing 3D to be a Trojan horse for cheap digital distribution, the fad will simply die down with no fanfare or public explanation, and you'll have your ubiquitous digital 2D. But make no mistake--if not for the 3D push, digital projectors would be a novelty item, only in huge, popular multiplexes in NYC and LA, and even there only on one or two screens.
The original Howling Frog is a fictional character and has no UID.