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RIP, Electric Amplifier Inventor Jim Marshall, 'Father of Loud'
asavin writes "The founder of Marshall Amplification, Jim Marshall OBE, has died at the age of 88. A tribute to the man known as the Father of Loud was posted on his official website, praising the man whose name became iconic for electric guitarists." Reader LizardKing points to the Guardian's coverage of Marshall's passing, and adds : "A former drummer, Jim Marshall initially became involved with guitar amplification as an importer of Fender equipment, until he eventually decided to branch out and make his own amps. The trademark Marshall sound evolved alongside the requirements of such luminaries as Pete Townshend and Eric Clapton. The Marshall stack has since become a ubiquitous symbol of live rock music in particular — so much so that some bands perform in front of veritable walls of Marshall branded speakers. In addition to his lead guitar amplifiers, Jim will also be remembered for his great bass amps (as used by Lemmy Kilmister in particular) and the much sought after Guv'nor distortion pedal."
Never met a Marshall amp I didn't like. Met many I couldn't afford, but none that I didn't like.
I'm not sure "Rest In Peace" is appropriate here ;-)
What does it mean?
Well, he owned a music store and was selling Fender amps from America. He took them apart and inspected them and figured he could make them cheaper and sell them for a better profit in England than he could by importing them from America. He used British variations of tubes that gave his amps a different sound than Fender amps. He happened to be in the right place at the right time with the right product.
By the end of the 1960s, rock amps had achieved enough power to reach the threshold of pain. From then on, much of the "wall of amps" thing was fake. You just didn't need that much speaker area to hit the threshold of pain.
A friend of mine was a roadie for metal groups years ago, and she discovered this when setting up for Metallica. Most of the "amps" were empty boxes. At least they were enclosed boxes. In the picture above, the low-budget metal band just used fake fronts.
What does it mean?
Well, he owned a music store and was selling Fender amps from America. He took them apart and inspected them and figured he could make them cheaper and sell them for a better profit in England than he could by importing them from America. He used British variations of tubes that gave his amps a different sound than Fender amps. He happened to be in the right place at the right time with the right product.
And that's in a time before someone who had never made an amplifier in their life would turn up with a patent for "amplification giving a pleasing sound" and taking both fender and Marshall to court.
...and don't get me started on equal temperament!
Fix the title please. Jim Marshall based his designs on Fender amps (basically "hotrodding" them). He didn't invent them. Having said that, I have no wish to diminish the impact of the Marshall amps, much the contrary. Music wouldn't be the same today without him/them.
A Steve Jobs, but humble.
Classical music has to be loud, at least sometimes. What makes it difference is that is equality loud and quiet. The classical song writers understood the significance and beauty of a whisper as much as that of the bang of the cannon. Modern music is the exact opposite, it is 1 volume (loud).
And considering that you where alive, let alone going to concerts in the 60s you are orders of magnitude older then I am. Good taste is ageless.
Troll is not a replacement for I disagree.