Aussie Case Unlikely To Solve Piracy Riddle In Fast Broadband World
An anonymous reader writes "When some of Hollywood's biggest movie and TV studios took Australian ISP iiNet to court in 2008 — accusing it of facilitating piracy — it focused the eyes of the world downunder. Internet users and media companies alike were keen to see if the courts could figure out how to resolve the ongoing battle caused by easy, and essentially illegal, access to copyrighted material. After three and a half years and a number of appeals the high court judgement comes down on Friday, but it already looks like a failed attempt to solve an impossible riddle."
The piracy riddle is not impossible, but the two sides of the argument have taken irreconcilable positions. Zero respect for IP is not ideal, and neither is absolute authority to enforce IP rights in all media and devices.
Why can't we all just get along?
Nothing "impossible" about this "riddle":
You want me to police my customers for you? Fuck you, pay me.
You want me to hand over subscriber data without a court order? Fuck you, pay me.
You want me to block websites based on your sayso? Fuck you, pay me.
You want me to shut off paying customers because you don't like what they're downloading? Fuck you, pay me.
Regarding TV 'piracy' in Australia, popular television programs are aired in the US/Canada days, weeks or months before here, so people download them in order to stay up to date. That said, many people (myself included) have subscription television that does eventually broadcast these programs, generally commercial free. Does downloading these programs ahead of their broadcast in Australia constitute piracy if you're paying for the subscription television services that eventually broadcast them?
With regards to film, movies can be delayed by as much as six months (to match 'summer movies' with the Australian summer) from their US debuts. Sometimes, the DVD becomes available overseas before a movie is shown in Australia! Obviously, this is absurd. Peer pressure in internet social groups to download and watch these films can be immense. Australians cannot be expected to have a popular movie 'spoiled' for them by idle chit-chat, nor should the other 95% of users who HAVE seen the movie be forced to keep quiet until Australians get a chance to see it. If release dates were universal, this would be far less of a problem.
However, since Australians already pay per-gigabyte (either through a cap or pre-paid) perhaps the easiest and best solution for all concerned is to whack on a modest per-GB tariff, similar to the Canadian levy on blank media, to be paid back to content producers. It would be controversial, but perhaps less riotous than attempting to police piracy and 'shut down' accused offenders without due process.
I think there is a lot of smoke around what this is about.
The idea is to get a ruling that makes an ISP responsible for the the abuse of copyright that happens on its servers. This would lead to the the ISPs being forced to pay licencing fees to the licence owners. The costs involved with keeping track of and processing the licencing fees from a few thousand ISPs would be much easier than chasing individuals. This would turn the Internet into a solid revenue stream for the licence holders, and allow it to succeed radio and television as a source of royaties and insure against the failure of payed content such as DVDs and iTunes.
At the moment ISPs are treated like telephone carriers, the MPAA etc. want them treated as broadcasters were so that they can extract payment in a way that they are comfortable with.
Australia is a good place to do this in the eye of the MPAA because they feel that they can bully and buy the result, which they can use as a landmark in the UK, and then show as an example to courts in the US.
This is not about stopping people from sharing content, they want people to keep doing that as their content is being viewed more often. What they want is to get payed for people viewing it, regardless of how they got it, while still not having to pay for the distribution.
The biggest issue is availability. There are so many times where I have wanted to pay hard-earned cash for product only to be knocked back with 'not available in your region' insanity. Thanks to being able to stream the same stuff fromYouTube from the 'official channel' makes this even more obnoxious.
The solution is simple: if you're going to release something, it must be available everywhere at the same time. Also, offer it for free with no DRM with the option of paying a reasonable sum and people will pay for it. I know this as I have been involved in the independant music business over here for nearly a decade now.
People want stuff to be convenient, regardless of price. Currently, piracy is the more convenient option for many situations. Make your product convenient and you will win.
Finally, there is a large portion of the market who do not have the ability to spend money on entertainment product. This is usually due to their being under sixteen years old and not eligible for credit cards and the like. These people are often the very ones that spread the awareness of your product furthest (just look at how McDonalds, for example, abuses such influence on a child's family and friends).
This whole argument is a stupid one: one group feels entitled to money, the other feels entitled to culture. The second group will always win.
Leela: "Is all the work done by children?" Alien: "No, not the whipping."
Intellectual property is a completely artificial construct, not a natural right at all. (Rather obviously. If you disagree, have a look into its history.) Artificial constructs need to be adjusted from time to time. As anybody is able to publish today without the help of the copyright industry, its time has passed and keeping it alive with legislation does a lot more damage than good. In the case of the patent industry this is becoming blatantly obvious as well with over-broad patents that have zero inventive value and only serve to sabotage the competition. In the case of the media copyright industry, there is no reason for their existence anymore.
Also keep in mind that artists have no natural right to compensation, that is also a purely artificial construct. The classical model is that they perform, and if people like it, they can donate. Or they can sponsor artists. That model has worked pretty well throughput history and basically the development of all arts. The pay-before-you-consume model pushed by the copyright industry is basically an attempt to compensate for bad quality (that people would _not_ donate for afterwards) and unrestricted greed. Yet, there is absolutely no risk that artists that produce things people like starving. This has been demonstrated numerous times by now. In fact, unlimited distribution over the Internet serves to give more obscure artists an audience that they could never get any other way. And while artists have no right to compensation, keeping them happy and productive _is_ desirable. There is however also zero need for artists to get rich. That is a modern perversion that served to diverse cultural diversity and basically is pushed by people getting rich off artists.
So there actually is not "riddle" to solve. There is just obsolete law to adjust, and not in favor of the copyright industry. Doing so would have tremendous cost, while the continued existence of the copyright industry has no benefit for society at all.
Most ACs are not even worth the keystrokes to insult them. Be generically insulted by this and ignored otherwise.