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Hollywood Agent Ari Emanuel Wants a Magic 'Stop Piracy' Button
closer2it writes "At this week's All Things D conference, Walt Mossberg and Kara Swisher invited Hollywood agent Ari Emanuel. He spoke about things like TV not dying, cord-cutting being some kind of myth, and that googlers are smart guys and they should do something about the stealing of content. Josh Topolsky, from The Verge, apparently challenged him (video) on this point, asking: 'Aren't you saying that the road is responsible for the fact that someone drove on it before they robbed my house?' Emanuel didn't like this analogy, and even ended the reply asking Topolsky where he works. Mike Masnick also wrote a piece about the interview. I guess that if the Internet has enemies, I'd say Emanuel gives them a face."
that should such a button ever come into existence, its largest affect would be upon the RIAA and MPAA themselves.
why do i pirate? because hollywood has a track record of terrible films. it used to be critics would help me decide if a movie were worth the $12 theatre admission but now that hollywood owns them all, its impossible to decide what film ill like and what film i wont. trailers are designed to hype the films premise by any means; whatever it takes for the dog to bite. I pirate because its more reasonable to delete the movie i hate, than to expect a refund after having sat through it at a theater. I also pirate the film because its a more usable format than a DVD or blu-ray, which require me to purchase needless accessory players and cables to do that which im perfectly capable of with a computer.
I pirate music much less rarely; no thanks to the RIAA. the bands i like let me give them money directly. I recently bought a box-set from the band red-flag. it came on a USB drive in the format i can use, and even included cool remix tracks. as for the artists with catchy riffs and melodies but no real characteristic to appreciate, i can justify pirating from them for a few reasons. The artist Drake for example is a greedy and despicable person, i relish each blow to his earnings. his lyrics, his engineering, melody and the like are all manufactured to generate profit for clearinghouses and industry executives at the pittance he is afforded. None of it is authentic, thus none of it is art. without art, there is no artist to defend.
Good people go to bed earlier.
Really? You must have been watching a different video.
Topolsky's argument and analogy made sense. Emanuel didn't have a counter argument so he resorted to name calling and bullying from his self-styled throne. He was in a room full of his cohorts and admirers, and he had an obligation to listen and present an intelligent response. He didn't.
Sorry, but bullying only makes him look like an ass.
It's on America's tortured brow, That Mickey Mouse has grown up a cow
No, he wants to know where you work so he can complain to the politicians that your company is costing his company money.
Which is exactly the strategy that Cary Sherman of RIAA suggested when SOPA failed.
If it's about "Hollywood vs. freedom", Hollywood loses.
But if the debate can be reframed to "MPAA vs. Google", or "RIAA vs. Telcos", Hollywood wins, because they can just point the finger and say "Look, we're only saying the things we say because we work for Paramount, Universal, and other MAFIAA organizations. But you're only saying that because you work for Google, a telco, or an ISP, you're a lobbyist just like us!" and with the debate framed in a context that the politicians will understand, Ari and Sherman can easily demand a law that transfers wealth from "Northern California" to "Southern California" (by transferring the cost of preventing piracy from "Southern California rightsholders" to "Northern California companies whose customers happen to infringe on those rights").