Slashdot Mirror


Hollywood Agent Ari Emanuel Wants a Magic 'Stop Piracy' Button

closer2it writes "At this week's All Things D conference, Walt Mossberg and Kara Swisher invited Hollywood agent Ari Emanuel. He spoke about things like TV not dying, cord-cutting being some kind of myth, and that googlers are smart guys and they should do something about the stealing of content. Josh Topolsky, from The Verge, apparently challenged him (video) on this point, asking: 'Aren't you saying that the road is responsible for the fact that someone drove on it before they robbed my house?' Emanuel didn't like this analogy, and even ended the reply asking Topolsky where he works. Mike Masnick also wrote a piece about the interview. I guess that if the Internet has enemies, I'd say Emanuel gives them a face."

35 of 269 comments (clear)

  1. I'd like a pony while we're at it. by SeaFox · · Score: 4, Interesting

    If the "Googlers" are smart guys, doesn't that only show you'd have to be stupid to support the entertainment industry's view of how content should be bought, sold, and used?

    1. Re:I'd like a pony while we're at it. by jakimfett · · Score: 5, Funny

      Ah, clarification...he didn't say that he was smart enough to actually *listen* to the "Googlers"...just that they are smart people.

      --
      Bits of code, random ramblings: jakimfett.com
    2. Re:I'd like a pony while we're at it. by interkin3tic · · Score: 5, Insightful

      Yeah, but this is former whitehouse chief of staff Rahm Emmanuel's brother and is far richer and better connected to politicans than you are.

      He might not get a magic button, but he's more likely to get something acceptable to him than you are to get a pony.

    3. Re:I'd like a pony while we're at it. by Arancaytar · · Score: 4, Funny

      Just get your pony off BitTorrent.

      "You wouldn't download a pony"?

      Fuck that, of course I would.

    4. Re:I'd like a pony while we're at it. by hairyfeet · · Score: 4, Interesting

      Yeah TVs not dying...that is why even my little old lady customers ask me about how to watch online. maybe if you assholes wouldn't shit out a bazillion commercials into every damned show so that ZERO tension is possible AND fuck up the bottom of the screen with yet MORE commercials and shit then everybody might actually watch again...hmmm?

      I have yet to have a single person give me an answer as why copyrights being insane isn't a perfect example that the system is broken. I mean for the love of God most of Disney's early works, made so damned long ago that planes were made of cloth and antibiotics were just a dream are STILL under copyright. Is having an insane copyright length supposed to make Zombie Walt rise from the grave to make more Mickey Mouse shorts?

      I say until We, The People actually have a say at the bargaining table that ALL copyrights should frankly be ignored. The current laws were bought by treasonous bribery against the will of the people and like all laws brought about by bribes and backroom deals they should be treated as the illegal acts they are and promptly ignored. Old Valenti said he would get "forever minus a single day" as the term of copyright and damned if he didn't, so until the laws are made sane again one should simply ignore these laws as worthless as the paper they were written on.

      --
      ACs don't waste your time replying, your posts are never seen by me.
    5. Re:I'd like a pony while we're at it. by next_ghost · · Score: 4, Interesting

      Even North Korea can't stop piracy. Because sharing content is the natural thing to do. Sharing is what turns content into culture. So what makes Hollywood bosses think they can stop it? Or more importantly, how far are they willing to go to stop it? Because even North Korea obviously doesn't go far enough.

    6. Re:I'd like a pony while we're at it. by whisper_jeff · · Score: 5, Insightful

      I say until We, The People actually have a say at the bargaining table that ALL copyrights should frankly be ignored. The current laws were bought by treasonous bribery against the will of the people and like all laws brought about by bribes and backroom deals they should be treated as the illegal acts they are and promptly ignored.

      Until we, the people, can frame our discussion and opinions in ways that don't make us sound like raving lunatics and utter morons, we, the people, will be ignored as lunatic morons. You can't garner support when people who actually agree that copyrights are out of hand think that you're off your rocker.

      I'm just sayin'. When you throw around words like "treasonous" in casual conversation about copyright, you demonstrate an utterly extremist view that is easy to ignore.

    7. Re:I'd like a pony while we're at it. by hairyfeet · · Score: 4, Insightful

      Yeah and I have to say...he's complete full of shit. Do you know how much Cheap Trick gets from iTunes? that would be ZERO, their record label gets IT ALL. Meatloaf actually went BANKRUPT TWICE because the record labels claimed bat Out Of Hell I, the album that holds the top 200 record, made NO MONEY.

      I HAVE NO PROBLEM WITH ARTISTS but it is NOT ARTISTS that want 150 year plus copyrights and THEY DO NOT PROFIT from those copyrights, its the labels. You think Chuck Berry is still getting paid for Johnny B Good?? Get real, he may get a check for a dollar once a month while it ALL GOES TO THE LABELS.

      The labels are leeches and keepers of the gateways, NOTHING MORE. They have been allowed to build illegal cartels like clear channel that control entire areas and this lets them decide who passes and fails, with that decision often based on who got shafted the hardest with their contract. You ever hear the "Eagle Eye Cherry" story? Old Cherry had been on a label and not sold shit for his last 4 albums and then Geffen made a bet. he said "I bet with all the power i have i can take the worst selling artist we have and make him a million seller" and guess who that artist was? Eagle Eye Cherry. Sure enough Geffen flexed his incredible power over mass communication and voila! His next album sold millions.

      It is THIS I have a problem with, they have allowed through bribery a handful of media giants to literally control mass communications in this country and by doing so they have made sure that the artists GET FUCKED while they make out like Gods. Read up what Steve Albini says about the labels sometime, he says they make new artists wade through shit just at the promise of a contract which at the end of the day gives them usually less than nothing. I know this is true because some friends of mine signed they sold more than half a million albums. THEY recorded this album on their own, THEY did ALL the promotion...yet the labels handed them a bill for $50,000 for "various promotion expenses" and they didn't see ONE CENT from those half a million sales, not one! They ended up having to break up simply to get out of their contract and now they can't even play those songs anymore without cutting a check to the label who knows owns them completely.

      SO FUCK THE LABELS. Go back to the original terms of copyright, in fact I'd argue one 10 year term with one 10 year extension is more than enough. if an artist can't make any money on a song in 20 years he's not gonna, but its not the artists getting that money its the leeches. BTW do you know how much Metallica gets on each $20 album sale? 89c, that's it. After all that ass kissing they don't even get a whole dollar. Fuck those blood sucking leeches!

      --
      ACs don't waste your time replying, your posts are never seen by me.
  2. Both sides as bad? by AmiMoJo · · Score: 5, Insightful

    It seems like both sides were just shouting in each other's direction, not actually answering the points being made. Google are not the copyright police, but they do block child pornography. Come one, answer these points, make your case instead of just repeating yourself.

    To be fair the host needed to step in and moderate too. Is this what passes for a debate?

    --
    const int one = 65536; (Silvermoon, Texture.cs)
    SJW, n: "Someone I don't like, and by the way I'm a fuckwit" - AC
    1. Re:Both sides as bad? by Anonymous Coward · · Score: 5, Interesting

      Google doesn't block child pornography, Google tries to block child pornography. There's a big difference. They can block the terms typically used to search for child porn, but there's no way that Google could block it without actually looking at all the pictures and checking IDs.

      And unfortunately, that would be a crime as there's no mens rea requirement attached to child porn charges.

    2. Re:Both sides as bad? by oxdas · · Score: 4, Insightful

      One of the links answers this question directly. Child pornography is easier to police because it is absolutely illegal. You can block searches for it. You can develop algorithms to scan images and videos for it. You can target it without pause or question. Copyright is more vague. Is it in the public domain? How do you know? Is this particular case fair use? Considering that Lenz v. Universal ruled that copyright holders can be financially liable for issuing DMCA requests on fair use creations, this is a real issue. Is this a licensed use of it?

      Given that nobody really knows what "fair use" is in the digital age, building a system for filtering copyright is impossible on the fair use issue alone. Even if that issue was settled, then Google would have to run every image and video through a database of copyrighted works and they would have to know who has permission to use the works.

    3. Re:Both sides as bad? by dgatwood · · Score: 3, Insightful

      Two problems:

      • It would have unintended consequences. Anybody could take down all of Wikipedia by uploading kiddie porn to one page.
      • It would not solve the problem. The kiddie porn websites would simply add random EXIF tags to the porn so that the checksums no longer match.

      In short, any such technological measures are at best useless, and at worst can cause nearly unbounded harm.

      --

      Check out my sci-fi/humor trilogy at PatriotsBooks.

  3. With todays Hollywood by axlr8or · · Score: 4, Insightful

    I'd hardly call piracy theft. I think I would call it taking out the trash.

  4. im certain by nimbius · · Score: 5, Informative

    that should such a button ever come into existence, its largest affect would be upon the RIAA and MPAA themselves.

    why do i pirate? because hollywood has a track record of terrible films. it used to be critics would help me decide if a movie were worth the $12 theatre admission but now that hollywood owns them all, its impossible to decide what film ill like and what film i wont. trailers are designed to hype the films premise by any means; whatever it takes for the dog to bite. I pirate because its more reasonable to delete the movie i hate, than to expect a refund after having sat through it at a theater. I also pirate the film because its a more usable format than a DVD or blu-ray, which require me to purchase needless accessory players and cables to do that which im perfectly capable of with a computer.

    I pirate music much less rarely; no thanks to the RIAA. the bands i like let me give them money directly. I recently bought a box-set from the band red-flag. it came on a USB drive in the format i can use, and even included cool remix tracks. as for the artists with catchy riffs and melodies but no real characteristic to appreciate, i can justify pirating from them for a few reasons. The artist Drake for example is a greedy and despicable person, i relish each blow to his earnings. his lyrics, his engineering, melody and the like are all manufactured to generate profit for clearinghouses and industry executives at the pittance he is afforded. None of it is authentic, thus none of it is art. without art, there is no artist to defend.

    --
    Good people go to bed earlier.
    1. Re:im certain by Nom+du+Keyboard · · Score: 4, Insightful

      why do i pirate? because hollywood has a track record of terrible films. it used to be critics would help me decide if a movie were worth the $12 theatre admission but now that hollywood owns them all, its impossible to decide what film ill like and what film i wont.

      Your solution here is Netflix.

      The artist Drake for example is a greedy and despicable person, i relish each blow to his earnings. his lyrics, his engineering, melody and the like are all manufactured to generate profit for clearinghouses and industry executives at the pittance he is afforded. None of it is authentic, thus none of it is art. without art, there is no artist to defend.

      So you hate the artist, hate his music, hate his art overall, but still like it enough to pirate. And since you'd never buy from him, you haven't hurt his earning one whit. Son, you're badly conflicted here.

      --
      "It's the height of ridiculousness to say for those 9 lines you get hundreds of millions."
    2. Re:im certain by vux984 · · Score: 3, Insightful

      why do i pirate? because hollywood has a track record of terrible films. it used to be critics would help me decide if a movie were worth the $12 theatre admission but now that hollywood owns them all, its impossible to decide what film ill like and what film i wont

      Self serving nonsense. Rotton tomatoes comes to mind as one movie review site that does a remarkably good job of correctly rating movies as utter crap on a continual basis.

      And you can subselect within that to follow frequent reviewers that look for what you look for in movies. I'm sure there's other places for good reviews as well.

      I also pirate the film because its a more usable format than a DVD or blu-ray, which require me to purchase needless accessory players and cables to do that which im perfectly capable of with a computer.

      Yes... because your $500? ($1500??)+ PC is a simpler more reasonable solution than a $50 bluray player and $5 worth of cables (which you'd need for your computer too)... give me a break.

    3. Re:im certain by crgrace · · Score: 3, Informative

      I thought about doing that, but then I realized I'm cutting-out all the important people who ALSO helped make the music: The audio engineer, the extra instrument players, and additional backing vocals. The only way those people get paid is to buy the CD or MP3

      Those people are work-for-hire 99.9% of the time. They get a fee for their day's work and that's it. They don't get an additional royalties for sales. Once in a blue moon an engineer can get points on a release (i.e. royalties) but only if it is a rain-maker like Flood or something, and guys like that aren't hurting for your change.

      I appreciate the sentiment, I really do, but I agree that it is better to buy from the bands directly.

    4. Re:im certain by Anonymous Coward · · Score: 4, Informative

      Ah... ever heard about this place called not-USA?
      For all your Hulu and Netflix and innovative services like that, we get jack shit. So when we are told to go away from those, we go where they don't care where we're from: thepiratebay. Thanks for playing.

    5. Re:im certain by martin-boundary · · Score: 5, Insightful

      Your solution here is Netflix.

      Why is that his solution? He already *has* a solution, it's called piracy. He's invested in it, has the equipment and the skill to use that solution. Now you're suggesting he should scrap a working solution and replace it with.... a more expensive, partial solution that may cause extra inconvenience?

      Netflix is at best an alternative that may or may not be around in a few years time, and could be ruined by a change of management. Piracy is not only a proven solution by now, it also has the advantage of staying power. If you've pirated a favourite DVD ten years ago, you will be able to watch it in ten years time with your kids. Can you honestly say that every movie that was in Netflix's catalog ten years ago will be available as-is in ten years time from them?

      One thing people never discuss enough is that with piracy you get private ownership, just like when you buy some physical good in the store. Whereas the commercial digital world is all about renting everything and owning nothing. One day you have the right to watch or listen or read something, and the next the company is gone, or your credit card has expired, or your computer is b0rked, and *poof* it's all gone forever. It's highly unreasonable.

    6. Re:im certain by martin-boundary · · Score: 3, Insightful
      theft: the act of stealing; the wrongful taking and carrying away of the personal goods or property of another; larceny.

      There's a reason why copyright infringement isn't called theft, and it's because there's no stealing involved. And there's a reason why people don't think piracy is a serious crime, and it's because the private ownership is of a copy on their own bits and hard disks. The original remains the private property of the owner.

      Haven't any of you ever created anything unique? Did you try to make more unique things, or say to yourself "nobody will ever appreciate this shit" and give up? It's that exact deterrent that piracy causes in would-be artists.

      I wonder if you understand the mentality of an artist? The classic artist feels the need to create even if nobody appreciates his work. It's an internal need, not a kind of narcissism. There are plenty of famous artists who never saw a lot of money in their own hands, or were appreciated in their lifetime.

  5. Trade you! by mbkennel · · Score: 5, Insightful

    How about we trade a "Stop Piracy" button for a "Stop Adam Sandler" button? mkay?

  6. Somebody by dadioflex · · Score: 5, Funny

    Somebody is responsible for me feeling annoyed right now, but who do I blame? Slashdot for posting the story, Emanuel for being an idiot, or.. it's me, isn't it?

  7. Google should just BUY the entertainment industry by couchslug · · Score: 4, Interesting

    ...and give it marching orders. Use the entertainment industry to sell computers and to generate internet revenue.

    "Give them the razor, sell them the blades" by buying out the razor factory.

    --
    "This post is an artistic work of fiction and falsehood. Only a fool would take anything posted here as fact."
  8. Re:Topolsky by ToadProphet · · Score: 3, Informative

    Really? You must have been watching a different video.

    Topolsky's argument and analogy made sense. Emanuel didn't have a counter argument so he resorted to name calling and bullying from his self-styled throne. He was in a room full of his cohorts and admirers, and he had an obligation to listen and present an intelligent response. He didn't.

    Sorry, but bullying only makes him look like an ass.

    --
    It's on America's tortured brow, That Mickey Mouse has grown up a cow
  9. do you ever et the feeling by woollyreasoning · · Score: 3, Insightful

    that some people have no idea about how the world works ... that they so profoundly have no grasp on the shared experiences of the rest of humanity that the world falls outside the field of the comprehension and has problems more pressing then shit that affects you consider perhaps people you don't distribute or market your goods to directly MIGHT enjoy seeing them... that the systems and restrictions you bring to a market place are the reason people are seeking alternatives

  10. Re:And Just Why...? by Tackhead · · Score: 4, Informative

    And just why do you want to know where I work? So that you can complain to my boss that I made you look stupid and that he should fire me for that?

    No, he wants to know where you work so he can complain to the politicians that your company is costing his company money.

    Which is exactly the strategy that Cary Sherman of RIAA suggested when SOPA failed.

    If it's about "Hollywood vs. freedom", Hollywood loses.

    But if the debate can be reframed to "MPAA vs. Google", or "RIAA vs. Telcos", Hollywood wins, because they can just point the finger and say "Look, we're only saying the things we say because we work for Paramount, Universal, and other MAFIAA organizations. But you're only saying that because you work for Google, a telco, or an ISP, you're a lobbyist just like us!" and with the debate framed in a context that the politicians will understand, Ari and Sherman can easily demand a law that transfers wealth from "Northern California" to "Southern California" (by transferring the cost of preventing piracy from "Southern California rightsholders" to "Northern California companies whose customers happen to infringe on those rights").

  11. Th world 20 years from now... by amoeba1911 · · Score: 4, Insightful

    The last few seconds pretty much sums up Ari's shortsightedness. A man from the audience is explaining that what happened to the music industry (how Apple saved the failing business model) and Ari agrees with that, then the man from audience asks if he doesn't see the writing on the wall, that this is going to happen to TV soon, within 20 years. Ari's answer is that he'll be fine with that, he'll be 71.

    This is exactly the problem with that whole industry. Their policies are based on shortsighted views and ancient mentality. In the digital age it is folly to let these idiots lead the content industry. They're concerned about immediate profits, with no regard to what will happen in the near future.

    People who have the mentality of "I don't care what happens 20 years from now" should not be in charge of anything that is expected to last more than a mere 20 years. If you want your business to fail within 20 years, then Ari is your man. Ari is a death sentence to a company.

    1. Re:Th world 20 years from now... by nine-times · · Score: 4, Insightful

      This is exactly the problem with that whole industry. Their policies are based on shortsighted views and ancient mentality....People who have the mentality of "I don't care what happens 20 years from now" should not be in charge of anything...

      It's a problem in a lot of industries. "Who cares what happens in 24 months? In 6 months, I'll have gotten more in bonuses than most people will see in their whole lives. If it ruins my company in 12 months, I have a golden parachute."

  12. Immature by epp_b · · Score: 3, Interesting

    What a childish and arrogant attitude of entitlement.

  13. Next time, someone present it like this. by aaronb1138 · · Score: 4, Interesting

    Topolsky's analogy was good, and it really demonstrates how irrational Emanuel is. The analogy though would better fit ISPs and hosting providers.

    I have a slightly better analogy which I welcome interviewers to keep in their pocket for the media industry representatives anytime they try to do the censor Google and similar song and dance. It has the advantage that you have the interviewee agree to the fact that you are right before the question is posed, or they clearly demonstrate that they are indeed insane.


    First, I would like to know whether you agree to a few basic premises of my question.
    1) Libraries should exist and should be able to house any content which is legal and that content should be available to examination by all patrons. To my knowledge, the only significant content under the illegal category is child pornography.
    2) Libraries should be able to index the content they carry, whether by the Dewey decimal system or keyword or any other metric they so choose.
    3) If someone uses the knowledge gained from a library to commit a crime, such as creating an ammonium nitrate fertilizer bomb from reading chemistry or explosive making books, the library has no responsibility. Only the person who committed the crime bears the guilt of such an act. Another example would be someone who learns how to pick locks from locksmithing books and uses the knowledge to rob jewelry stores he looked up in the Yellow pages.

    Now comes the obvious question.


    So then, how is an organization such as Google, responsible for providing the address of where a person can go to steal goods. Google does not house or transfer the goods. Google is little more than the Yellow Pages or a library index, they don't even carry the books, but you want to hold them responsible for the content of other people's computers? This would be like reading an autobiography from a drug trafficer which mentions that their gang used to hide drugs under an old brass bell at 49th and Broadway and blaming the library, or much less, their use Dewey Decimal system, which allowed some thugs to steal and sell the drugs hidden beneath.


    Further, consider another example. Consider if someone used a transcode tool to make unencrypted copies of everything they watched on a Netflix account and then distributed that content. No one in the content industry would blame Netflix if they were using proper industry standard methods to copy protect their feed. This was never an issue that Blockbuster was responsible for VHS piracy during the 80's when some people would dub video cassette rentals. Radio stations and boombox makers were never the issue when people made mix tapes from Radio broadcasts.


    Where exactly do you derive the right to publicly espouse a view clearly in contrast with society, the companies for whom you work, and even yourself? Nobody in any of those groups would say that libraries should have censored or monitored indices or banned books on the basis that they could be used for illegal purposes.

    Frankly, I think Emanuel would probably begin cursing and yelling even more when faced with such reality, not to mention display an extreme amount of cognitive dissonance palpable to the audience.

  14. Consequences of a fake tan by reve_etrange · · Score: 4, Insightful

    At some point, should the amount of fake tan you apply disqualify your opinions from consideration?

    Just a thought.

    --
    .: Semper Absurda :.
  15. Re:Topolsky by Rary · · Score: 4, Insightful

    In the video I watched, Emanual absolutely had a counter argument.

    Topolsky said "they (Google) aren't policemen, they don't police things" and Emanual responded "no, they decide when they want to police something and when they don't want to". He went on to discuss how Google is actively filtering child pornography, but refuses to actively filter copyright infringement. Topolsky had no response to that other than to mutter "I don't know" and then go back to the road analogy and talk about tearing up the road. However, using his analogy, Emanual was not arguing that the road be torn up, just that since the road is already being policed for one bad thing, then it should also be policed for other bad things.

    The argument that Topolsky should have brought was that, first of all, Google doesn't filter child pornography, so Emanual's premise is wrong. Secondly, child pornography is always illegal (at least in the U.S where this debate was occurring), so any instance of child pornography is, by definition, an instance of illegal child pornography, whereas an instance of downloaded content is not necessarily an instance of illegally downloaded content, so the filtering is different. Basically, the nature of the content in question is that it must be self-policed.

    --

    "You cannot simultaneously prevent and prepare for war." -- Albert Einstein

  16. This web is magic! by SmallFurryCreature · · Score: 4, Insightful

    There exists a certain kind of person who will think that when you do something with computers, you are some kind of genius and a genius is almost a wizard if not a warlock or something. It might SOUND like awe but you can hear them linking it with witchcraft and selling your sole for a demonbuggering you.

    Sometimes, praises ain't praises at all. Googlers are smart guys sounds a bit to much like Jews are really good with money, White people got all the jobs and Blacks sure got rhythm. Quick personality test, which of these made your blood boil? Mmm, interesting...

    But where your grandmothers world views might be relatively harmless (where was she during the holocaust or lynchings etc etc) this guy uses it to put the blame for all his whoes on another group of people. Consider this: You can blame your high fuel prices on the oil companies, big money, Illuminati etc etc. This is straightforward blaming (and usually gets racist sooner or later). OR you can say, those motor company guys are smart guys and they can build a fuel efficient 3 ton SUV for you to drive alone... AND the unvoiced part here IS: but they ain't, so those guys must be in cohoots with the former guys who are controlling the entire world.

    In short, this praise of googlers is NOT praise but saying really: They could fix it if they wanted to but they don't want to.

    Pretty nice since this needly sidesteps the challenge of proving it can be done. Simply, they are smart, they can do it, if they wanted to and they must.

    The problem this guy, Ari Emanuel faces is that he can't deal with the idea that world changes. Not just faster computers, bigger SUV's etc etc but that our culture, our idea of who we are, what we value, how we live, how we entertain ourselves, our morals, EVERYTHING changes over time. Copyright as it exists now, did NOT always exist in its current form. It was introduced quite recently and then it was introduced because tech (printing and music recording) were changing the world.

    BUT that is just the shallow end of the changes made a hundred or so years ago. How many of you got an instrument you play with regulatory for your enjoyment? Wink wink, nudge nudge know what I mean

    What I mean of course is that the sale of musical instruments has plummeted, once if you wanted to listen to music, you made it yourself. For hundreds, no thousands of years. Long before any copyright existed to "protect" music. In fact copyright was not introduced to protect musicians or even song writers but to protect music PUBLISHERS. Recorded music, first pianola, later wax cylinders etc changed all this. But it changed far more then just how music made its way around. How many in your youth went to a disco... okay, wrong place to ask BUT think about this, going to a disco or dance is basically the same thing but how normal do you find it have LIVE music playing? When there was no recorded music, far more people played to entertain others outside the home. Now only a few even play inside the home.

    Recorded music has been killing MUSIC!

    And yet, we SURVIVED!!! Society did NOT collapse. This was feared every time culture changed, the end of theater because of the movies, the end of the movies because of TV, the end of TV because of the VCR.

    Culture survived! Might it also survive a new change? An era in which entertainment is once again produced differently? Think about cover bands. They are NOT a new thing but with recorded music, people for the first time had an idea of how the original sounded. Cover bands just USED to play popular music they heard in one place in another by just listening and changing it ever so slightly. That is how many a folklore story got changed and yet remained the same. (Yes, that too is part of mass media entertainment, just a different era). The idea that ONE company, one performer can now set how ALL other performers of a similar product are judged against the "original" is quite new. Quick, Snowwhite, the little mermain, picture them. If you can't help but see th

    --

    MMO Quests are like orgasms:

    You may solo them, I prefer them in a group.

  17. So nice to see validation... by Lumpy · · Score: 3, Insightful

    I have always though that Hollywood executives were completely Idiotic Morons with an IQ around 85.

    And this guy has proven it without a shadow of a doubt.

    Please hollywood, keep hiring and showcasing complete idiots like this guy. It means you will not see the end coming and will stand there off guard and blindsided when the bitter end whips and smacks them in the face.

    --
    Do not look at laser with remaining good eye.
  18. I want Spartakus by tepples · · Score: 3, Insightful

    Your solution here is Netflix.

    When does Song of the South or Spartakus and the Sun Beneath the Sea come to Netflix?