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How Much Detail Is Too Much For Games?
jones_supa writes "Gamasutra editor Eric Schwarz gives thought to the constantly increasing amount of graphical detail in computer games. He notes how the cues leading the player can be hindered too much if they drown in the surroundings, making it harder for the game to hint whether the player is making progress. Consistent visual language helps to categorize various objects, making their meaning more obvious. Paths through the game world can be difficult to read simply due to dense vegetation. For some cases 'obfuscation through detail' can also actually work really well. Schwarz challenges us to ponder how the amount of detail makes a game either more or less enjoyable."
I used to use this exact same argument to tell my friend why his 16-bit Sega Genesis was worse than my 8-bit NES. Really I was just jealous.
Modern games, especially when camouflaging of some form is involved (which usually is in shooters) it's motion that will give them away, if your eyes are not adapted to spotting things.
So:
1. Pattern and antipattern detection/recognition (hey that grass looks diff... oh that's an enemy!)
2. Fine motion detection/recognition (something just moved in those trees)
These very same "skills" are trainable - the more you play, the better you get. This has actual real-world impact, especially in the realm of soldiers, hunters etc. Likewise if you've done a lot of that kind of thing, you'll find you pick up these games a bit easier since there's something to build on.
Here's another study, though this one's some news report with no links.
For large sets, this will be our guide even unto death, for the LORD will work for each type of data it is applied to...
The problem isn't in the looks, but in the interaction. In highly detailed games you often have tons of stuff that looks like you should be able to interact with it, but you cannot. So while the graphics have gotten more detailed, the interactivity has not. It drives me nuts when I run into doors I can not open, "walls" I can not jump over, holes I can not duck through, items I cannot pickup and all that stuff. With simpler graphics there was a much clearer communication as what is interactive and was is not, as there simply wasn't the computing power available to little the rooms with tons of uninteractive decal.
Consider this: early LCDs had horrible picture quality, and even now it takes a pretty high end LCD to compare to a good CRT.
Circumcision is child abuse.
Precisely.
As Steve Hollasch famously noted, computer graphics is the only area of science where if it looks right, it is right. The correct amount of detail is whatever the tradeoff between artistry and gameplay demands. Your goal as a game designer is to have the audience say "what a great game", not "what great detail". Unfortunately, it's sometimes easier to optimise for high detail than it is to optimise for great gameplay.
sub f{($f)=@_;print"$f(q{$f});";}f(q{sub f{($f)=@_;print"$f(q{$f});";}f});
True. Unfortunately, 'looks right' lands you straight on the tender mercy of the whiny bastards who play your games...
As one such, something I've found myself running into is that sometimes more detail makes me more aware of the remaining missing details.
I've been bitten hard a couple of times by this while playing Skyrim lately. A couple of examples: Unlike Oblivion and earlier where all water was still, water now has a 'current' associated with it, so you behave more realistically if you try to cross a swift-flowing river or the like, or drop an object into one. Unfortunately, the 'current' value assignment isn't very granular, so you are constantly running into situations where your intuition expects the flow to change in response to an obstacle or bit of terrain and it just... doesn't. Having no current at all was even less realistic; but you got over it quickly. Now that you have current, every deviation from your intuitions about fluid dynamics just smacks you in the face.
The improved weapon animation detail seems to have suffered a similar fate. They are much more visceral and kinetic this time around; but that makes the fact that the animations for a given weapon type(eg. all one-handed swords, all warhammers, etc.) are the same, despite the in-game weights of items within a given type varying 50-300%. They are markedly less stiff and anemic than prior animations; but that just makes watching a character handle a weight '9' sword and a weight '16' sword exactly identically weirder(and let's not even start on how different sorts of targets should probably result in more and less elastic collisions...)