Slashdot Mirror


Art School's Expensive Art History Textbook Contains No Actual Art

Dr Herbert West writes "Students at Ontario College of Art and Design were forced to buy a $180 textbook filled with blank squares. Instead of images of paintings and sculpture throughout history (that presumably would fall under fair-use) the textbook for 'Global Visual and Material Culture: Prehistory to 1800' features placeholders with a link to an online image. A letter from the school's dean stated that had they decided to clear all the images for copyright to print, the book would have cost a whopping $800. The screengrabs are pretty hilarious, or depressing, depending on your point of view."

76 of 371 comments (clear)

  1. Comment removed by account_deleted · · Score: 5, Interesting

    Comment removed based on user account deletion

  2. Hmm. by Mister+Transistor · · Score: 5, Funny

    This is what great art has come to in our time: Michaelangelo's "Broken Link"

    --
    -- You are in a maze of little, twisty passages, all different... --
  3. So by sjames · · Score: 5, Insightful

    They seem to believe that a url where you can see it online is as good as having it printed right in fromt of you. Were I one of those parents I would just hand then a piece of paper with a link to a picture of $180. Fair is fair.

    1. Re:So by swillden · · Score: 4, Informative

      They seem to believe that a url where you can see it online is as good as having it printed right in fromt of you. Were I one of those parents I would just hand then a piece of paper with a link to a picture of $180. Fair is fair.

      Oh, I don't know... a printed image in a book has a pretty limited resolution. An on-line image can offer a lot more... take a look at the very high resolution imagery provided by http://googleartproject.com./ You can see the work as a whole or if you'd like to you can zoom in to see more detail than you could see if you were standing in front of the real piece.

      OTOH, I have to agree that having the images the text is discussing right next to the images would be much more useful if you want to, for example, study art history.

      --
      Note to ACs: I usually delete AC replies without reading them. If you want to talk to me, log in.
    2. Re:So by mysidia · · Score: 3, Insightful

      Oh, I don't know... a printed image in a book has a pretty limited resolution. An on-line image can offer a lot more...

      Including a hyperlink or button to open a high-res version of an image on a reliable site (no Geocities or john doe's website, that might be down tomorrow, or replaced with advertising) could be acceptable on an e-Book, intended for consumption on a tablet with a high-def display, with an internet connection available at all times.

      You could read the eBook, and view the image in the same browser without exiting the book or 'breaking' your reading session or stream of thought; so it's as good as if the image were in the book.

      However, in a print work, for an art class a picture of the art in the book itself, is indispensable, should be considered mandatory.

    3. Re:So by Altrag · · Score: 2

      How much work can it be to click a link really?

      Oh, right.

    4. Re:So by AK+Marc · · Score: 4, Funny

      Because so many artists are know by only one name. Madonna, Rianna, Michaelangelo...

    5. Re:So by phantomfive · · Score: 4, Insightful

      The problem with online is the colors will all be wrong.

      --
      "First they came for the slanderers and i said nothing."
    6. Re:So by sjames · · Score: 2

      If a pictureless art history book is the best it can do, the picture of the transcript probably IS just as good as the actual transcript, just cheaper.

  4. College textbooks a scam? by hsmith · · Score: 3

    Well file this under no fucking shit.

    Schools don't care, because they are making filthy money off of them, that have no incentive to do anything to reduce the prices.

    1. Re:College textbooks a scam? by Intrepid+imaginaut · · Score: 2

      Are the schools to blame though, or rent seeking stock photo sources? Some of the licences these guys try to pull are insane.

    2. Re:College textbooks a scam? by Sir_Sri · · Score: 2

      Schools don't care, because they are making filthy money off of them, that have no incentive to do anything to reduce the prices.

      Schools don't make money from the sale of books anymore, if you're dumb enough to buy from the university bookstore without checking online first that's a reasonable stupid tax. Gone are the days of waiting 6 weeks in a 12 week course for the textbook you ordered from amazon. Also, maintaining a storefront on a university campus can be surprisingly expensive, and have shitty sales. You have a captive market of poor people who don't really want to buy anything they don't have to, and no access to foot traffic from elsewhere, also, the bookstores are supposed to guarantee adequate supply for classes so they have huge inventory fees that no one else would have to deal with.

      As to the story itself.. .first of all, it's OCAD, you kind of expect some weird shit if you go to OCAD. Second of all, none of my computer science books have computers in them, lots of them don't have code in them. That is, believe it or not, not the point. My physics textbooks have descriptions of the experiments, usually not pictures of the actual apparatus used, etc. Publications in art don't necessarily have a picture of the image itself (no more than movie critics include a copy of the book with their review). It's a textbook, for whatever reason the professor figured it had the best analysis of the works s/he was going to talk about in class.

      Where I am, which is a couple of hours west of OCAD, we have some courses with text books (some expensive) some without, and some with 15 dollar course packs, though those are largely now just done as the raw files on the web. Some profs require books they themselves wrote (which usually has the advantage of them actually covering things only in the texbook), some of us did quite a lot of research to select a book. And sometimes a book is selected

      Don't get me wrong, it's a bizarre choice to require a book that looks like it's a broken webpage, but lots of professors are bizarre, and one should be grateful the professor speaks english. It's also possible the 180 dollars is really just the cost of the access code to the website, and the 'book' is just a very inefficient delivery mechanism of that code. In context though, to even go to OCAD you're paying the (by ontario standards average) Sum of 6400* dollars per 2 semesters, sept - may roughly, or about 600 dollars per course to even be allowed to sit in the room. (http://www.ocadu.ca/Assets/pdf_media/Finance/2012+2013+FW+UG+DOM+TUITION.pdf), it's not obvious if this text would have use in only one course or two. But asking students to spend 800 dollars on a book for a 600 dollar course is unlikely to prove any more popular than a 180 dollar book with the right words but no pictures.

      *foreign students pay 18K, the difference is subsidized by the government for domestic students, and is roughly the same for all non professional undergraduate programmes across Ontario

    3. Re:College textbooks a scam? by Another,+completely · · Score: 3, Informative

      I don't think that list is relevant to colleges and universities.

      The Trillium guide explains that "School boards may select textbooks from the Trillium List and approve them for use in their schools." but the Ontario College of Art & Design is a university with a board of governors (6 individuals appointed by the Ontario government, 2 elected by the OCAD U Alumni, and 9 by the Board itself), not a school with a school board.

    4. Re:College textbooks a scam? by Cinder6 · · Score: 4, Insightful

      Right. Nobody's holding a gun to your head. However, what if, in order to graduate, you must pass the class? And in order to pass the class, you must buy the textbook? In that case, the distinction is quite small.

      It's similar to saying, "You don't HAVE to obey the law." It's technically correct. You're a free-will being, and you can make your own choices. However, there will be consequences if you decide to go that route.

      --
      If you can't convince them, convict them.
    5. Re:College textbooks a scam? by mcgrew · · Score: 2

      Second of all, none of my computer science books have computers in them

      Do your math books have numbers and mathematic symbols in them? If not, then they were exactly like an art history book without pictures.

      An art book need not be about looking at art, it's about critique of art and discussion of the art.

      It's an art history book. A critique of a work is useless unless you've at lest seen a representation of the work being discussed. An art book that teaches drawing (not the one under discussion) would need examples of techniques, just as a physical engineering book would need pictures and representations of structures.

      I do agree that a programming, comp-si, math, or general history book needs no illustrations, but different fields have different teaching requirements. An art history book most certainly need illustrations, justa as a math book needs formulas.

  5. Re:Global Visual Culture From Preshistory to 1800 by NotQuiteReal · · Score: 4, Insightful

    Maybe the photographs they wanted to use were copyrighted, not the artwork, per se... they were too lazy to take their own pictures? For a $180 book they should have the budget. Heck, I've been to many of those museums, I'd be happy to go back and take pix if they'd pay for the trip.

    --
    This issue is a bit more complicated than you think.
  6. Reading the summary by Rizimar · · Score: 5, Funny

    Before I got halfway into the summary, I started to think that this was some kind of self-referential post-modern art book.

    1. Re:Reading the summary by kenj0418 · · Score: 5, Funny

      Maybe they are teaching the Art History majors their most important lesson "You have wasted your money."

      Normally it takes them 4 years of college and then a year or more working at Starbucks to learn that.

    2. Re:Reading the summary by Grayhand · · Score: 2

      Maybe they are teaching the Art History majors their most important lesson "You have wasted your money."

      Normally it takes them 4 years of college and then a year or more working at Starbucks to learn that.

      At least the Art History books have text related to art. The Liberal Arts one just has "SUCKERS" printed in big letters on the Index page.

  7. Re:Global Visual Culture From Preshistory to 1800 by OAB_X · · Score: 4, Interesting

    You can't just go into a museum and take a picture of something and have it be good enough for print. You need the proper lighting, etc, etc.

    That and presumably the museum could refuse you access if you were going to take pictures for commercial purposes.

  8. Re:Global Visual Culture From Preshistory to 1800 by sjames · · Score: 4, Insightful

    Even a poor snapshot is better than a blank white square.

  9. Original Source by Anonymous Coward · · Score: 5, Informative

    Link from summary - Salon: "This article originally appeared on Hyperallergic. "

    Hyperallergic - "What is this, October!? According to a blog post"

    Original Source: http://www.ashleyit.com/blogs/brentashley/2012/09/16/copyright-and-the-pictureless-art-history-textbook/

  10. Re:Global Visual Culture From Preshistory to 1800 by cpt+kangarooski · · Score: 3, Interesting

    Yes, while such slavish copying would not result in a copyrightable photograph here in the US, the school and textbook in this case are Canadian, and it is likely that photographs of public domain works in which nothing creative is added by the photographer are copyrightable anyway for some reason.

    --
    -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
  11. Re:Global Visual Culture From Preshistory to 1800 by wvmarle · · Score: 3, Interesting

    The cost of hiring a professional photographer to travel to all these museums (and probably a bunch of private collectors) and take all these photographs is probably higher than just buying these photographs from someone.

    Anyway at $180 a book one would expect to be able to get photos in it. The $800 each for copyright clearance as TFS claims sounds totally unrealistic to me. Works that are in museums should have photos available at low cost; privately owned works maybe a little more but also not too much. It's mostly stock photo work after all.

  12. Re:Bullshit by OAB_X · · Score: 2

    OCAD is a very well known and respected school in Ontario. The school itself is not a scam. Having a textbook custom created by a company (Prentice Hall) is very expensive. And the economies of scale that come with a very large run for dozens of schools are not present. Especially if the photographs need to be licensed at a flat rate.

  13. Re:Forced? by Formalin · · Score: 4, Informative

    They've since invented codes that go along with the book - required to view online information and submit assignments, if the teacher is using their online framework.
    Naturally the code is only functional for a single semester, so even if you buy a used book, or share a book, you need your own code to submit assignments.

    They'll gladly sell you just the code, for the low fee of... almost as much as a new book+code cost.

    Cancerous as hell...

  14. Re:Global Visual Culture From Preshistory to 1800 by Taco+Cowboy · · Score: 4, Insightful

    Even a poor snapshot is better than a blank white square

    You forgot one thing -

    A book filled with poor snapshots will not make Slashdot

    A book filled with blank white squares ... will

    --
    Muchas Gracias, Señor Edward Snowden !
  15. Re:Bullshit by flibbidyfloo · · Score: 2

    Sure, ok, but what makes more sense to give to art students: a book with a bunch of empty boxes, or an "off-the-shelf" book with pictures of the art? Whatever benefit they supposedly get from a custom-made book they should be able to get from lecture and teachers notes, at least compared to the bother and expense of the shite they ended up with.

  16. Re:Bullshit by SeaFox · · Score: 4, Insightful

    OCAD is a very well known and respected school in Ontario. The school itself is not a scam. Having a textbook custom created by a company (Prentice Hall) is very expensive.

    And was it really necessary to have a custom-created Art History textbook?

    Those two core Art History classes (covering pre-history to around the year 1400, and the second covering 1400 to 1945) are a requirement for literally everyone who studies Art, regardless of major or if they're pursuing a BA or BFA, painting, sculpture, or graphic design, etc. It's not like there weren't oodles of candidate textbooks for their curriculum to choose from.

    The joke of this story is that the Art History department actually went along with Prentice Hall on this scam, instead of turning right around and looking elsewhere.

  17. First Edition! by reverseengineer · · Score: 4, Funny

    Anyone here teaching a course might be interested in the comprehensive new textbook I'm writing. It has an attractive hard cover, a quality binding, and a single page inside which lists the URLs for Google and Wikipedia. My planned retail price is $499, but I'm willing to offer a volume discount.

    --
    "FDA staff reviewers expressed concern about the number of patients who were left out of the study because they died."
  18. The photos of art are being licenced, not the art by Bevilr · · Score: 5, Insightful

    There is a huge misunderstanding in the summary about what is copyright (the art vs the images of the art), and the comments so far do poor job of explaining it, so I'll try. What the textbook maker does not want to pay for is licencing is photos of the works of art. If you wanted to take your own photo of any of these works of art you could (so long as the museum allowed photography), but without setting up, lighting or permission of the museum to use flash, a nice camera, or the proper angle your photo might look like shit. Especially on larger images in poorly lit churches with bars over the chapel in which a work of art is hung, getting your own photo is next to impossible. Museum and private collections take super high quality photos of their work and then licence out these images, using these fees to support the collection. Why they would charge $180 for a book which is essential just text I don't understand. No one out side of these classes will buy the book at $180 if it has no images, so why not just cut the blank spots, and have an all text textbook that has footnotes or side-notes with links to the art the text is talking about? You'd save a number of pages of space from the new layout, and you no longer have to pay for glossy photo pages, you could even make it a paper back and reduce the price to $50 or $60 and probably make the same overall profit off the book, if not more.

  19. It's a scam by Sycraft-fu · · Score: 3, Insightful

    The book likely is authored by someone who works at the university. So they write the book with all the pictures. Publisher says "Pictures are real expensive we'll have to charge a ton." So they leave the pictures out, and require the students to buy the book anyhow.

    You often find that the very worst textbooks are required by the teacher that wrote them (or they were written by the department head or so on).

  20. Old news is old by narcc · · Score: 2

    The next Slashdot Idle story will be ready soon, but Fark users can beat the rush and see it early!

  21. Re:Global Visual Culture From Preshistory to 1800 by AK+Marc · · Score: 3, Interesting

    But you can't copyright something that isn't creative, and a picture of something designed to be as un-creative as possible (faithful to the original) is not copyrightable, even if it takes considerable skill and time to achieve the effect.

  22. Museums don't let you by Anonymous Coward · · Score: 5, Interesting

    You can't go into a museum and take a photograph, BECAUSE THEY DON'T LET YOU. They'll provide photographs if you want, but only under license.

    So the paintings are out of copyright, but the DRM, erm phyical barrier to them, WILL GO ON FOREVER. This is necessary to encourage Picaso to paint more painting, Van Gogh needs to be rewarded to paint more.

    1. Re:Museums don't let you by spooje · · Score: 3, Informative

      Actually most museums will let you take photos, but you can't use a flash or tripod.

      --
      Tea and kung-fu. Life is good. Rising Phoenix
    2. Re:Museums don't let you by Anonymous Coward · · Score: 5, Informative

      Indeed. From the Art Institute of Chicago...

      Photography

      You are welcome to take photographs of the permanent collection and selected loan exhibitions. Please respect signage in exhibitions prohibiting photography of specific works of art. Photographs must use existing light (no flash photography) and are allowed with the condition that the images are for personal, nondistributional, noncommercial use. Flashes, tripods, and video cameras are prohibited.

      Members of the media should contact our Department of Public Affairs at (312) 443-3626 or aicpublicaffairs@artic.edu to arrange shoots for still photography and film.

      Emphasis mine. I'm not sure what the arrangements would look like for commercial use, but I'd guess they're usually expensive and very specific. As a side note, any school that makes it mandatory to purchase a $180 art book with no photos should suffer a lack of enrollment. That's disgusting, even beyond the usual, disgusting text book scam.

    3. Re:Museums don't let you by TheGratefulNet · · Score: 2

      that's why photographers use a 'step tripod' or string tripod. a string that is attached to the camera, runs to the ground and you step on the string and pull UP on the camera for taughtness.

      it helps. that, and the self-timer, goes a long way toward getting rid of camera shake.

      also, todays cams go to quite high iso's.

      its do-able.

      but the point is what a shame things have gotton to, when stuff like this is a barrier to common education. its hard to get my brain around why we think that only the priviledged should be educated in this country. we are our own worst enemies, sometimes.

      --

      --
      "It is now safe to switch off your computer."
    4. Re:Museums don't let you by Genda · · Score: 5, Insightful

      Think about it, if your text book has 750 pictures in it, and you have to wrap a dollar bill around each image for licensing, your book in now $750 above your cost to publish it. Ergo an $850 test book. Which just goes to show you that the world is now officially Bat Fuck Crazy. Since the kids have to go to the web anyway to see the images, just turn the book into a webpage, with WORKING LINKS, and force each student to pay $180 to access the website for a semester. After the end of the semester, as a gift, they can have one of these image free door stops as a thank you for having taken this ridiculous class... or they can save the trees and waste of all other human resources and forgo dead tree version.

      So now we need to beat the author, the School Administration, and perhaps kill all the lawyers involved in passing the laws resulting in the absurdity. Then as a fitting finale, we can bring all the people responsible for this body of legal atrocities and who've put their profit ahead of the future education of our society and launch them to the moon without benefit of a space capsule. When their collective bodies hit the lunar surface we can rename the region Mare Stultitia et Avaritia, The Sea of Stupidity and Greed. We can take a picture of it. Put in a book at no cost and show our children this is what happens to scum sucking pigs. Its a dream, I know, but its a good dream.

    5. Re:Museums don't let you by 1u3hr · · Score: 4, Insightful

      I'm not sure what the arrangements would look like for commercial use, but I'd guess they're usually expensive and very specific.

      Yes, that's what their sign says. But it doesn't have the force of law. They can make it physically hard for you to take the photos, but if you manage to take a photo of a painting 100 years old, the copyright of the photo belongs to you 100%. You can do anything you want with it.

    6. Re:Museums don't let you by The+Rizz · · Score: 3, Informative

      Incorrect. As the GP stated, the art is out of copyright, and their vague sign has no force of law (if they could even prove you saw and/or agreed to it), Even trying to come after you for Breach of Contract would be fruitless; there are no actual damages they can prove (they don't hold copyright to the paintings, so they can't claim damages for copying), so the worst they could do is refuse to let you back in.

    7. Re:Museums don't let you by magic+maverick+ · · Score: 2

      It isn't a contract unless I agree to it. Merely handing over money does not create agreement. Unless the museum explicitly draws attention to the contract, and makes you agree (and some how records that agreement), before you hand over money, then there is no contract. Moreover, if I go and buy three tickets, it doesn't matter whether I agree or not, if I hand those tickets over to a couple of friends. The friends haven't agreed to diddly squat. Moreover, what if a kid buys a ticket? They can't enter into contracts, so...

      --
      HELP MY ACCOUNT HAS BEEN HACKED BY AN ILLIBERAL ART STUDENT SET TO DESTROY THE INTERWEBZ!
    8. Re:Museums don't let you by martin-boundary · · Score: 2

      That doesn't matter. The copyright to the original paintings hanging in a museum expired some years after the painter died. The museum may own the canvases, but they don't own the copyright itself which no longer exists. So you can make copies of the original paintings as photographs if you like.

    9. Re:Museums don't let you by jimicus · · Score: 3, Interesting

      Taking this approach is well and good if you're an individual who wants a photo as a souvenir.

      If you're a textbook publisher and you want well lit, high quality photos you can include in a textbook - and you're going to need hundreds of such photos because it's an art history book - you realistically have two choices:

        - Hire a couple of photographers (Eeeks! Expensive)
        - Send them to every museum you can think of that has works that are worth photographing.
        - Ask them to take photos as discreetly as possible. With a couple of studio flashes, a good quality lens, an SLR and a tripod. And keep going back when they inevitably get kicked out until they've built up enough photographs.
        - In the case of sculptures, remove them from their glass cases and spend ages arranging the lighting so the whole thing appears clearly without getting thrown out and/or arrested.

      OR

        - Buy photographs that the museum has already got at the fee the museum wants, on the understanding that the photographs will go into a printed book for students to look at.

      I'd say the second one is a lot cheaper, and a lot less likely to guarantee you'll never work with a museum again.

    10. Re:Museums don't let you by Anonymous Coward · · Score: 4, Informative

      They don't let you use flash because it can cause chemical degradation to the pieces. Many xenon discharge flashes are many times brighter than the sun, so over time people photographing the works with flash illumination would be just as devestating as leaving the works in the sun.

    11. Re:Museums don't let you by realityimpaired · · Score: 4, Insightful

      Or better yet, download all the images off bittorrent for free, put them on a CD with html, and give it to them free. Or even better, print the book with these pictures and just give it away free to all who enroll in class. In completely unrelated news, some other miscellaneous university fine or fee just went up $20-30.

      Or just use an older textbook... the class in question is an art history class ending at 1800, with nothing more recent. I'm pretty sure, given that I've taken such classes as electives in the past, that there are other textbooks exist which don't cost anyhere near that much, and which cover the period in question. Of course, then the class wouldn't be using the textbook which was written by their prof, and they wouldn't make money off it! Had a lot of that when I was at university....

    12. Re:Museums don't let you by Zobeid · · Score: 3, Interesting

      I don't understand how its even possible for the photograph to be copyrighted. As far as I know, copyright only applies to original works. If I take a photo of a 100 year old painting, my photo isn't an original work. It's just a copy. How is that copyrightable?

      I could use it in a collage or something, transform it in some way, and make something out of it that's copyrightable, but I don't see any way that a straight-up photo of the painting can be. Does not make sense. (But then, there's a lot about copyright law these days that doesn't make sense to me.)

    13. Re:Museums don't let you by interkin3tic · · Score: 3, Insightful

      Which just goes to show you that the world is now officially Bat Fuck Crazy.

      Have some perspective: we've stopped talking about mutually assured thermonuclear destruction as if it were the most natural thing ever. We're starting to end the prohibition of pot, and haven't tried nationally to ban alcohol in decades. The west has not had anything quite at the level of the crusades in quite some time.

      One idiotic committee at one shitty school who made a very stupid decision about copyright doesn't mean the world is heading to legal hell in a briefcase. That said, I do think the idea of lynching some lawyers to set an example has some merit.

    14. Re:Museums don't let you by Daniel_Staal · · Score: 3, Informative

      Choice of lighting, positioning, focus, shutter speed, filters used, etc. all can have a significant difference to how a photograph turns out, and that's before you do anything drastic. It's not hard to show that there's a lot of creative effort involved in a good photograph.

      --
      'Sensible' is a curse word.
    15. Re:Museums don't let you by Anonymous Coward · · Score: 2, Insightful

      but the point is what a shame things have gotton to, when stuff like this is a barrier to common education.

      Let's not lose sight of what happened here. The barrier to education wasn't a barrier or a no-flashes policiy in a museum; it was a school, for recommending/requiring a useless book (which even if it had been done correctly, would have still been overpriced). If this school has a single student enrolled next semester, then our own low standards are the real barrier.

    16. Re:Museums don't let you by fuzznutz · · Score: 2

      And make you delete the picture. If you refuse, they can hold you as you are on their property, subject to their rules.

      Not in my state. That sort of thing is called felony abduction. You can't just hold someone against their will because you don't like what they do. If they are suspected of theft, you can detain them until the authorities arrive, but if they are just taking pictures and you decide to hold them, I'd be looking for a good lawyer. You can kick them out, keep the admission, and refuse to let them back in ever.

      Your hypothetical casino is an example of theft. Photography is not illegal.

    17. Re:Museums don't let you by mcgrew · · Score: 2

      The copyright to the original paintings hanging in a museum expired some years after the painter died.

      Art produced before the 20th century usually went out of copyright BEFORE the artist died; copyright lengths used to be reasonable. OTOH, 20th century paintings are almost all still under copyright, and a lot of these will be in art textbooks.

      But $180 for an artless art book? I'd never attend a university run by anyone so stupid. I have several high quality art books with very large pages and very large reproductions, and I don't think I paid more than $40 for any of them.

      This is nothing short of a ripoff and it's inexcusable.

    18. Re:Museums don't let you by fuzznutz · · Score: 2

      It is if the private organization says it is

      No it isn't. You cannot unilaterally declare something illegal and hold someone against their will because YOU say it's illegal. You can make it a condition of admittance and remove those who do not follow your rules, but you can't just imprison someone because you don't like their LEGAL behavior.

      ORC 2905.02 Abduction.

      (A) No person, without privilege to do so, shall knowingly do any of the following:
      (1) By force or threat, remove another from the place where the other person is found;
      (2) By force or threat, restrain the liberty of another person under circumstances that create a risk of physical harm to the victim or place the other person in fear;


      Being pissed off about a camera does not grant privilege. You are right about one thing. Private property, private rules. You can disallow anything you want on your property, but you can't prevent someone from leaving if they have done nothing illegal. and as I said, PHOTOGRAPHY IS NOT ILLEGAL.

      Citizen's arrests and a store detective detaining shoplifters are NOT abduction because the person detained did something illegal. As I said earlier...

  23. Re:Forced? by AK+Marc · · Score: 2

    I've had classes require you bring a copy to class. No copy, no grade. You aren't "forced" to get the book any more than you are "forced" to take the class. "Forced" when talking about a class in an optional program is obviously not the "forced" of prison rape. You are "forced" in many cases because it's new this semester, there is nobody to buy/borrow from who isn't already in the class. It should be a requirement that all texts be in the library, but almost none of mine were, and the ones that were were checked out long before class started (often before the book selection was public, from students guessing what they'll need). I think they'd hold on to them, as the fees for late for a semester were below the costs of the book. Or maybe they'd sell it and just pay the replacement cost to the library. I don't know, I just know that I've never been able to use the library for access to a class text. 3 degrees and 10 or so total years of post-secondary education.

  24. Re:Global Visual Culture From Preshistory to 1800 by mcvos · · Score: 4, Interesting

    This is how many public domain works end up recopyrighted. Nobody is allowed to take photos of the original, and the only existing photos are copyrighted. This especially happens after an historic work of art has had some work done to restore it to its original glory. The old photos all show the unrestored version, and all photos of the restored version are recent and copyrighted. It's an ugly practice and needs to be outlawed.

  25. Nothing New by GumphMaster · · Score: 2

    Fraudulent claims of copyright requiring 'clearance' and (ab)use of gatekeepers to control access to public domain works, where no copyrights in the original works exist, is a common method of revenue raising that is well known and nothing new. "Copyfraud and Other Abuses of Intellectual Property Law" by Jason Mazzone attempts to address this and other abuses of so-called "intellectual property" law with suggestion of ways to reform the law. Very US-centric but an interesting read anyway.

    (I am in no way affiliated with the author or publisher.)

    --
    Patent litigation: A doctrine of Mutually Assured Destruction... in which everyone seems willing to push the button
  26. Re:What a load of... by Tastecicles · · Score: 2

    common to most other similar material found on the front of computer magazines, the images were accompanied by public domain type licensing documents. Or restrictive licenses in the case of software (in this case it was a giveaway version of Paint Shop Pro which was also on the disc, free on proviso that the user registered for a free key). As it's always useful to have such documents attached to an image either via linking from source or as meta information, I tend to avoid copyright issues either by citing the image source (hence to the attached license) or by creating my own image, by whatever means at my disposal.

    --
    Operation Guillotine is in effect.
  27. Re:Copyright KILLS! by tibit · · Score: 2

    I don't think U.S. Constitution applies in Canada. In many countries copyright is not set up to promote anything. Besides, you're presuming a whole lot. Namely that the book authors and publisher were competent. As far as I'm concerned, they were stupid as shit, and that's all there's to it. For all I know they could have crowdsourced the pictures of all the art they needed. You know, for fame and such, and the book could have been collaboartively done, etc.

    --
    A successful API design takes a mixture of software design and pedagogy.
  28. Re:Global Visual Culture From Preshistory to 1800 by shiftless · · Score: 2

    5. Profit ...?

  29. Re:Global Visual Culture From Preshistory to 1800 by shiftless · · Score: 2

    Perhaps it was just a small run book for one specific class at a specific school. So while the licensing fee for copyright clearance could be nominal, it might still be a lot of paperwork to be done, and a prohibitive cost for a book that might sell 60 copies a semester...

    You're missing the point. Why publish a book with no photos? What is the fucking point?

  30. Re:Global Visual Culture From Preshistory to 1800 by Genda · · Score: 5, Insightful

    Its worse, even the original publisher will now have to pay for the authorized use of controlled content items otherwise in the public domain. Uses will conflict, law suits will fly like flocks of birds on the wing and ultimately every thought, every word, every idea will be locked down tighter than Lady Guinevere's chastity belt. You so much as hum more than 3 notes in public and a duly appointed officer of the court will pull you up so hard and so fast, you'll need to check to if your feet are still in the shoes. The stupid is accelerating people. It was fine a hundred years ago when your stupid only meant you'd have to learn to walk without the toe on your left foot anymore... damn farm machinery. Your neighbor couldn't even hear you scream curses, nobody was disturbed. Things worked just fine in spite of the stupid, because the percentage of stupid per unit mass was low.

    Flash forward a century and now I can pay some imbecile to go to Washington, to have another imbecile pass a law that will require people have to drive with their children glued to the roof. And they'll do it, sure as Gawd made little green apples these crazy fucks will try to pass this law, and if I throw enough money around it'll pass, and the Supreme Court will find it Constitutional. We now live in a time where you can make people do anything if you just throw money around. You can remove consciousness from future generations by making it pay per view. You can put all our rights in little jars and show them in a museum. You can even turn flesh and blood people into "Human Resource Assets". Makes you want to throw up just a little, doesn't it? I don't know any more where to get off this bus, but I want off. Either someone please steer this thing in a sane direction or let me off at the next stop thanks.

  31. Re:Global Visual Culture From Preshistory to 1800 by drkim · · Score: 5, Funny

    Have you guys seen the new art history book I wrote?

    It's waaaaaay better than that Canadian book. I've embedded the pictures right in the book:
    A Brief History Of Art
    (Please send me $180 if you click on it)

    Thanks!

  32. Re:Global Visual Culture From Preshistory to 1800 by Genda · · Score: 5, Insightful

    Although, of course it devalues the textbook as well (IMO)... for no pictures or diagrams, the book should be less than $50 a pop.

    Are you mad! An art appreciation book with no pictures... here let me frame this in a context you might better grasp. You go to an adult bookstore. You see a hot little DVD, the clerk says "Oh, great choice, this is so hot, that'll be $180." You say $180! How can this possibly be! Is it that good?" He assures you it is, so you put down your money, and go home, pop it in the player and every time someone is about to consummate the boom chicka wow wow, the image is replaced with the URL pointing you to a site where you can see people engaging in sexual acts. Now, tell me, how are you feeling? How much is that DVD worth? Would you say that DVD is now worth only $50? Would "Devalue" even be the first word that popped into your head?

    This is education as rape. This is copyright gone bug fuck. This is student abuse in no uncertain terms and a dark cloud that threatens to extinguish education as we know it. What this is not is the devaluation of a text book. This is the devaluation of future society.

  33. Re:Global Visual Culture From Preshistory to 1800 by thegarbz · · Score: 2

    Err in light of the topic of the debate, THAT IS A GOOD THING.

  34. Re:Getting caught has nothing to do with it by magic+maverick+ · · Score: 5, Insightful

    It can't be a breach of contract. I didn't agree to anything when I paid them money for the ticket. I certainly didn't agree to have conditions imposed on me after the sale. (I can't see a ticket until I pay money for it...) That's like, "by opening this package, you agree to the terms of the license enclosed". No, no I don't! Especially if I can't see the license until I pay money.

    Also, how are they really going to enforce "no commercial use"? Let's say I take a picture with their permission under the no commercial use. I then turn around and give (not sell) the copyright to that picture to someone else. They can then use that picture commercially because there is no agreement forcing me to force any future copyright owner to agree to the conditions.

    I'm sure the same argument would apply in national parks and similar, except that they are generally run by people with access to guns and prisons and such. Still, if I'm in country B, and I then return to my original country A, there isn't much the authorities in country B can do to stop me selling my pictures or using them for advertising or whatever.

    --
    HELP MY ACCOUNT HAS BEEN HACKED BY AN ILLIBERAL ART STUDENT SET TO DESTROY THE INTERWEBZ!
  35. Re:Global Visual Culture From Preshistory to 1800 by mcvos · · Score: 2

    But the problem is that the only available images of the original work in its current state are copyrighted.

  36. Free copy of this? by Geeky · · Score: 2

    Why not just throw in a free copy of this and refer to the page numbers!!?

    Seriously, I can walk into any local bookshop and browse through any number of books with reproductions of famous artworks, most of which are pretty cheap. They could do worse than picking up a copy of "The Story of Art" by Gombrich.

    Failing that, could they not take the position that Wikipedia do: 'The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain, and that claims to the contrary represent an assault on the very concept of a public domain'?

    --
    Sigs are so 1990s. No way would I be seen dead with one.
  37. Re:Global Visual Culture From Preshistory to 1800 by Kirth · · Score: 2

    You're wrong. It's NOT possible to copyright photographs of two-dimensional art. Copyright law only allows copyright on "original works of art". And photographs of text and pictures are not original. And there's not only the law (just about anywhere in the world, including the US and Canada) which doesn't give them copyright, but there are also court decisions support that.

    This doesn't keep photographers from claiming copyright, but actually, what they're doing is FRAUD. And the people doing that book could have just ignored these fraudulent claims. There was no need at all to "clear copyrights", because there aren't any. And if the photographer is unhappy and sues -- tough luck, he's actually the criminal trying to defraud the public.

    --
    "The more prohibitions there are, The poorer the people will be" -- Lao Tse
  38. Re:The photos of art are being licenced, not the a by Kirth · · Score: 2

    You're only right for three-dimensional works of art. With two-dimensional ones, you're dead wrong. It's not possible to copyright a photograph, scan or photocopy of a picture or text, because it's lacking originality. Just read your copyright-law.

    So anyone claiming copyright on a two-dimensional replication of a two-dimensional work he does not hold copyright on is simply trying to the DEFRAUD the copyright holder -- and if that work happens to be in the public domain, he's trying to defraud the public.

    I'm totally baffled that so many here believe anyone can claim copyright on a photo of a public domain picture. Propaganda must have worked wonders. But it's just not what the law says. Not in Europe, not in the USA, not in Canada.

    --
    "The more prohibitions there are, The poorer the people will be" -- Lao Tse
  39. Re:Getting caught has nothing to do with it by cpt+kangarooski · · Score: 3, Informative

    It's actually fairly common to have enforcible contracts where some terms are not evident until after the parties have agreed to enter it. So long as there is an opportunity to exit the agreement after having had a chance to review the additional terms, with the parties being restored to their pre-contract conditions, then it's considered acceptable.

    Of course, adhesive contracts is an area of law that is badly in need of strong consumer protection reforms, but good luck with that these days.

    --
    -- This and all my posts are in the public domain. I am a lawyer. I am not your lawyer, and this is not legal advice.
  40. It was an accident! by lahvak · · Score: 4, Interesting

    It is pretty clear what happened. They are using a system that automatically
    downloads and inserts the images at the time the book is typeset. On the final
    run just before printing, someone accidentally switched on the draft mode.
    Nobody checked the pdf file, and they ended with several hundreds printed textbooks with placeholders for all the images.

    They wanted to throw them away, but someone had the brilliant idea to pretend it was done on purpose, because of copyright issues.

    --
    AccountKiller
  41. Re:Global Visual Culture From Preshistory to 1800 by interkin3tic · · Score: 2

    A professor I knew who taught anatomy at the local medical school said they were using Grey's anatomy texts. Another professor, understandably shocked, asked "Aren't there any newer textbooks with color pictures of real anatomy they could use?" The first one replied that, yes, but they were copyrighted and generally couldn't be used for overheads without highway robbery, and the texts were expensive for the students. He said they would simply refuse to buy them, which wouldn't do well for the school's ranking.

    I'm guessing the situation isn't quite the same between medical schools and (ahem) art schools. If your art students at your art school don't know art history, well, they can still find jobs in retail just as easily. Still, students there should try striking and seeing where that gets them. If no one takes the class and the school has a bunch of texts printed up and not bought, that's going to be an incentive to change in some way. If it's a required class, try not buying them and just google it or fake it.

  42. Re:Global Visual Culture From Preshistory to 1800 by nospam007 · · Score: 3, Funny

    "A professor I knew who taught anatomy at the local medical school said they were using Grey's anatomy texts."

    Hardly. They would use the book from Henry Gray and not a script from a bad TV show.

    http://en.wikipedia.org/wiki/Gray's_Anatomy

  43. Re:Global Visual Culture From Preshistory to 1800 by mcgrew · · Score: 2

    You are not allowed to make an identical painting. That would be punished as counterfeit.

    You are indeed allowed to make an identical painting, so long as the original isn't under copyright protection and you don't try to pass it off as the original.

    Make an exact copy of the Mona Lisa and sell it as a reproduction, legal.

    Make an exact copy of a Rothenberg, punished for copyright infringement.

    Make an exact copy of the Mona Lisa and sell it as the original, punished for fraud.