Juggling By the Numbers
theodp writes "The BBC News' Laura Gray reports on a juggling notation system developed in the 80's called Siteswap (aka Quantum Juggling and Cambridge Notation) and how it has helped jugglers discover and share thousands of new tricks. Frustrated that there was no way to write down juggling moves, mathematician Colin Wright and others helped devised Siteswap, which uses sequences of numbers to encode the number of beats of each throw, which is related to their height and the hand to which the throw is made. 'Siteswap has allowed jugglers to share tricks with each other without having to meet in person or film themselves,' says James Grime, juggling enthusiast and math instructor for Cambridge University. Still unclear on the concept? Spend some time playing around with Paul Klimek's most-excellent Quantum Juggling simulator, and you too can be a Flying Karamazov Brother!"
You should not juggle the cat.
Talking about juggling is pretty boring- check out some of his vids on youtube.
love is just extroverted narcissism
and it took a long time to be able to do that. Four is a *LOT* harder. I cannot even fathom trying to learn all of these advanced maneuvers.
Clickety Click
but I've been using it for years with friends. It's easier to just say "744 with five balls" than to come up with some random name for the move/pattern.
One of the coolest ball juggling tricks I've ever seen is the 13 11 9 7 5 3 1. That's a 7-ball pattern where for a brief moment all 7 balls are in the air in a vertical column. Siteswap notation helped fuel a revolution in "numbers" juggling (more than 3 objects). Before siteswap, nobody really knew what to do with large numbers of balls so numbers juggling was generally limited to the basic cascade pattern. The advent of siteswap helped people realize that there were actually interesting patterns, and once a juggler knows something is possible, he will keep trying until he can do it. Now there's a whole new generation of jugglers who think tricks with 7 balls is the norm.
This wasn't news 10 years ago. I was looking at site swap juggling generators in 1986 and wrote one in pascal... Because I could.
They changed juggling (and have been extended even to multi person juggling).
If I juggled a lot I'd probably know of the guys mentioned by the Beeb, but they definitely didn't invent site swap. The Karamazov brothers were also great fun to watch, back in the day... I guess I hope they still have some good multiperson routines!
What do they have to do with siteswap?
"The notation was invented by Paul Klimek in Santa Cruz, California in 1981, and later developed by Bruce "Boppo" Tiemann and Bengt Magnusson at the California Institute of Technology in 1985, and by Mike Day, Colin Wright, and Adam Chalcraft in Cambridge, England in 1985 (whence comes the alternative name)."
-Wikipedia
Actually, the Juggler 3D screensaver is fairly popular at home (it's an X screensaver, maybe there's a Windows equivalent). I'm not sure if it uses the same numbering system, but it always indicates a string of numbers in the upper left to describe the particular juggling pattern being shown.
Those who can make you believe absurdities can make you commit atrocities. - Voltaire
Juggling has a very long, rich, lineage and a well established community-base. Interestingly, It and many other circus-esque artforms involving "object-manipulation", can now in some ways be considered as paralleling/part of a larger movement/subculture that is quickly evolving and gaining steam - It can be thought of as a festival-culture similar to the jam bands of the 60's and onward crossed with martial arts, dance/jazz improvisation, circue-du-soleil and open-source information paradigms. The community at large has many individuals actively working on theories similar to siteswap that systematically define the dynamics of disciplines similar to, but outside of, conventional juggling.
I've had the great fortune of spending the last 10 years working inside this amazing community as an amateur theoretician, my focus is on another type of object manipulation called Poi.
Other examples of object manipulation include: yo-yo's, Contact Staff, Diablo, Hooping, etc. In each case, the discipline involves the skillful manipulation of instruments. Juggling has many MANY different sub-categories that involve the implementation of things like choreography, fire, multiple performers working in synchronization, etc. and the myriad aforementioned disciplines do as well.
My main focus as an amateur theoretician in this field as of late has been the study of spinning as a complement to the abstract language of music. Acoustic harmonics, melody, etc., have a remarkable ability (as we're all fully aware) to function as a language that communicates abstract geometric concepts to the listener. Spinning, juggling, object-manipulation at large can be adapted to serve as a spatial equivalent to the acoustic, implementing form, line, and motion to communicate the very same abstract geometries to a viewer.
A great way to illustrate how we think about this as a complement to music:
Singing: Bio-acoustic - The body alone produces sound as the carrier of the abstract language.
Dancing: Bio-spatial - The body produces line, form, and movement as the carrier.
Musical instrumentation: Instrumental-acoustic - A tool is used to produce the carrier sounds.
Spinning: Instrumental-Spatial - A tool is used to produce line, form, and movement as the carrier.
Siteswap aside, there are actually many more substantial (albeit terribly disorganized) sets of theories which we have been developing and that are actually beginning to resemble music-theory in many ways - complete with their own variations on spatial harmony, melody, arpeggios, measures, rhythm, landscape and song-structure, inflection, etc. As I mentioned earlier, perhaps the most interesting element is watching what appears to be a new variation on the language of music evolving everyday; and it is certainly a humbling experience as a practitioner of one of its disciplines. I'm pretty sure that the catalyst for this rapid progression comes from the internet, specifically social networks and youtube - The sense of progress has always seemed very intense to me and many others because we are essentially participating in a massive crowdsourcing of the development process. I suppose that's what the internet does for everything. When Jazz started to take off in 1900, the USA was primed for its arrival and it spread like wildfire - I strongly suspect that spinning is following suit now that the concerts and music clubs have started to transform into, or at least share substantial space with raves, music festivals, music videos, and so fourth. Performing arts have never been as visual as they are today and this I feel has primed the entertainment/arts for a turn back toward the spatial. Mix that with innumerable blogs, tutorial videos and enthusiast-forums and you have this giant boiling melting pot of young, creative performers
-ubuntu others as you would have others ubuntu you.
The idea that creating the right language can make such a difference may be dismissed as obvious by the /. audience who are familiar with this effect in programming languages.
But it shows the power of having someone look at a problem from a new or unusual perspective. In this case a mathematician managed to encompass most of the act of juggling in a simple expression. It must be incredibly satisfying to get an Eureka moment of this magnitude.
I saw a fascinating lecture explaining the notation, including how it can be used to prove whether a particular pattern is physically possible or not.
He even got the audience to come up with a five ball pattern that fitted the criteria and managed to juggle it. It wasn't pretty though - it's a bit like musical notation, there are lots of things that will fit but don't actually work aesthetically. If someone can find a way to grade patterns on 'appeal' they'd be rich...
How is that news?
I was juggling like crazy in the 90's, but that's still almost 20 years ago.
I love the Numberphile channel on YouTube! So interesting! :-)
Every juggling convention between ten and five years ago was featuring at least one workshop on siteswap.
Heck, every 5 balls beginner's workshop I've been to over the past few years did go over the useful siteswaps
(mainly 5551, 552 and 55541 obviously, since 531 is actually harder to juggle).
It's so old news in the juggling community that people took THAT and ran with it for passing patterns (look up Prechac's notation on the web).
There was even a lot of controversy back in the day, as non mathematical-oriented jugglers insisted that siteswap jugglers were somehow *less* artistic... which isn't an accurate statement at all, considering that juggling *is* a technical art.
http://juggling.tv/12550 - Team Shreddie Crunch 2
A great sample of mainly siteswap and numbers juggling by some of the British best technical ball jugglers. (Link to the more recent video).
There are plenty of good examples out there, but this is one of the best.
Disclaimer - I'm friends with most of these guys, just lucky enough to have lived in the part of the world with the possibly the highest concentration of technical jugglers.
It's funny that the article mentions trying to document the pattern Mill Mess as a reason for the development of siteswap notation, since the siteswap for MM is just 3. MM involves crossing and uncrossing the hands, which siteswap does not describe.
Claude Shannon (yes, that Claude Shannon) created a juggling theorem that relates the timing of a pattern's timing to the number of objects juggled and the number of hands doing the juggling: b/h=(d+f)/(d+e). It describes the same relationships that siteswap notations indicate.
You really make it seem so easy with your article. Before I read this I thought I would understand that topic completely
A book on the topic is Burkard Polster's (http://www.amazon.com/The-Mathematics-Juggling-Burkard-Polster/dp/0387955135). He also has a short pdf summary available online that's not too bad (www.qedcat.com/articles/juggling_survey.pdf).
One of the coolest theorems is that if a sequence of numbers is "jugglable", then the number of balls required is the average of the numbers in the sequence. So the pattern mentioned by someone above --- 13 11 9 7 5 3 1 --- requires (13 + 11 + 9 + 7 + 5 + 3 + 1) / 7 = 7 balls. A consequence of this is that if the average of some sequence of numbers is not an integer, then it is not jugglable. I've often proved this to maths classes as a fun way to introduce the Squeeze Principle, which they then go on to use in the context of power series.