Jonathan Coulton Offers Some Gleeful Turnabout

The TV show Glee may have borrowed Jonathan Coulton's arrangement of "Baby Got Back" without asking him first, but he's got a response of the kind that it'd be hard for the show's makers to criticize without looking churlish. Borrowing it back, and using it to raise money for charity. As CNET puts it, "Coulton has foxily tossed up on iTunes his own version of the song and titled it 'Baby Got Back (In the Style of Glee).' He terms it 'my cover of Glee's cover of my cover.'"

Comments

So...

[Osgeld]

What is Sir Mix-a-lot getting out of all of this?

Re:Skillful self-promotion

[ais523]

As Capcom showed recently, there are often situations where you have the alternatives of engaging in expensive legal battles, or getting a bunch of free marketing and good publicity out of the situation. The second option is rarely taken, but it's nearly always better, and I applaud people for taking it.

He's funny and shows grace.

[bcrowell]

Years ago, I thought Code Monkey was funny and sly, and although I'm not that into pop music, it had a good beat and was fun. It's under a CC license, which makes it possible for other people to do versions of it like this.

The original Sir Mix-a-lot version of Baby Got Back has some interesting things to say about race and body image, and the video was funny in spots, but I thought Coulton's version was a hilariously silly juxtoposition of style with substance. Coulton goes up another notch in my estimation.

Fox rips him off without credit and produces a Glee skit that's funny ... for exactly the same reasons Coulton's song was funny. That's pathetic.

And then Coulton comes back with this very graceful response. Game, set, and match to Coulton.

Re:This story is still boring.

[Dieppe]

I have to call foul here. First of all, Jonathon Coulton previously had permission to perform the "Baby Got Back" song. Second, if a melody is important to the creation of what could be considered a "unique work", the original rap song had no discernible melody, except for a bass track that you could probably reproduce with your mouth no matter how unmusical you are. Jonathon Coulton created a unique melody to "Baby Got Back" and he changed one line to say "Johnny C's in trouble," referring to himself of course.

Now anyone creating a cover of "Baby Got Back"---and make no mistake Glee and Fox have hordes of talented musicians to choose from. See how "Piano Guy" just pops up out of nowhere? --- could create a new version with a unique melody that is different and distinct from Jonathan Coulton's version. Are you familiar with the "Jeopardy" Theme Song? Ever hear it used in a cartoon, but it's not the original tune. Notes go down, instead of up, and it's only vaguely familiar? Fox, in this case, used EXACTLY the same melody as JoCo, down to the note.

Lastly, JoCo's version has a different tempo than "Baby Got Back". There's a reason it's over 5 minutes long, when the original song is like 3 minutes something. The Glee version, while they could have sped up the tempo, or slowed down the tempo, is exactly the same.

Now I won't go into possible "duck" samples, or questioning the exact same use of the banjo, but Glee's version of "Baby Got Back" isn't a cover of the original Sir Mix-a-Lot's version, it's practically a note-for-note copy of JoCo's cover: same melody, same tempo, same words that JoCo changed referencing himself, and using exactly the same instruments and general feel of the song.

Fox has some giant balls on this one. I don't know why they bothered to change the vocals at all, personally, if they're going to steal the entire song in the first place.

-D