Light Field Photography Is the New Path To 3-D
waderoush writes "In November, Lytro, the maker of the first light field camera for consumers, upgraded its viewer software to enable a feature called 'Perspective Shift.' In addition to refocusing pictures after they've been taken, Lytro audiences can now pivot between different virtual points of view, within a narrow baseline. This 3-D capability was baked into Lytro's technology from the start: 'The light field itself is inherently multidimensional [and] the 2-D refocusable picture that we launched with was just one way to represent that,' says Eric Cheng, Lytro's director of photography. But while Perspective Shift is currently little more than a novelty, the possibilities for future 3-D imaging are startling, especially as Lytro develops future devices with larger sensors — and therefore larger baselines, allowing more dramatic 3-D effects. Cheng says the company is already exploring future versions of its viewer software that would work on 3-D televisions. 'We are moving the power of photography from optics to computation,' he says. 'So when the public really demands 3-D content, we will be ready for it.'"
Enhance 224 to 176. Enhance, stop. Move in, stop. Pull out, track right, stop. Center in, pull back. Stop. Track 45 right. Stop. Center and stop. Enhance 34 to 36. Pan right and pull back. Stop. Enhance 34 to 46. Pull back. Wait a minute, go right, stop. Enhance 57 to 19. Track 45 left. Stop. Enhance 15 to 23. Give me a hard copy right there.
No, but they might be able to avoid the lens entirely and do microlensing on a flat surface. For example, I could totally see the entire back of a cell phone be a light field camera, automatically throwing out data from where your fingers overlap the edges from holding it by using capacitive sensors in some way. I mean, we're probably talking twenty or thirty years out here, but that's the direction I see things heading eventually. And that would give you a believable stereo spread, not to mention much more usable resolution.
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As long as you've got enough parallax to work out the depth information from your scene, you can push the effect to recreate viewpoints that are wider then you have real data for.
You will end up with tiny slivers of image that you don't have pixel data for when there's a foreground element that diverges more then it did before, but that's easy to recreate. All post converted 3d films have this problem to an even greater extent, there's algorithms out there to clone the surrounding pixels or even use pixels from other frames if the object is moving through the scene
There are lightfield cameras out there that instead of using a single chip, they use an array of small cameras (think cell phone cameras) The adobe one is 500 Megapixels
See the research by Todor Georgiev http://tgeorgiev.net/ The Lytro camera is a nice cheap toy, but there's some stunning results form researchers.
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