Sony To Make Its Last MiniDisc System Next Month

An anonymous reader writes "The BBC reports that Sony, the creators of the MiniDisc audio format, are to deliver their last MiniDisc stereo system in March. Launched over 20 years ago in late 1992 as a would-be successor to the original audio cassette, MiniDisc outlasted Philips' rival Digital Compact Cassette format, but never enjoyed major success outside Japan. Other manufacturers will continue making MiniDisc players, but this is a sign that — over ten years after the first iPod — the MiniDisc now belongs to a bygone era."

Comments

Re:Killed by DRM and licensing

[Jane Q. Public]

"And rather than Sony learn any lessons, they have doubled down. For two decades. Is it any wonder their stock and their corporate goodwill are both in the shitter?"

Jesus, doesn't anybody here remember any history? Come on, folks, this is so far off as to be just plain BS.

The reason MiniDiscs had DRM in the U.S. (but not Japan) wasn't Sony, it was Congress! The music industry panicked over MiniDisc because it was a "perfect" copy. That meant that unlike cassettes, you could copy endlessly and it wouldn't degrade in quality, like cassette tapes did.

Hrm, that calls for some more history. MiniDisc came out -- in Japan -- before recordable CDs. The recording industry had fought both cassettes and CDs, unsuccessfully. But when faced with MiniDisc they lobbied Congress HARD, and the outcome was that Congress banned the importing or making of MiniDisc players until they implemented a DRM system that limited copying.

SONY at the time was NOT known for DRM. Remember, Sony had, not too long before, fought in court on the other side of the battle, to make sure videotapes were legal.

So it was Congress that is at fault here. Manufacturers wanted nothing to do with creating a DRM system in hardware. And consumers in the U.S., by and large, were uninterested in a DRM-laden system. The result was that it took a good 10 years before MiniDisc was widely available here. You could get them; a few were made with DRM. But they were rare and expensive. And the entire 10 years, Japan used them DRM-free.

So stop blaming Sony. You're pointing your fingers in the wrong direction. It was the recording industry -- and a compliant Congress -- who were entirely at fault.

Re:Killed by DRM and licensing

[Dogtanian]

Squandering the potential of MiniDisc through over-zealous DRM, self-interest (and conflict of interest) as well as Sony's general arrogance seems to be its story in a nutshell.

The underlying technology of even the original MiniDiscs had the potential to be *way* more flexible and powerful than it was ever allowed to be. By the standards of the early-1990s it had masses of storage and random access, leading to the possibility of file-like transfer of music tracks. Granted, back then- years before MP3s rose to prominence- people didn't consume music as "files" nor have computers powerful enough to do anything with them anyway, and veering too far from the familiar paradigm probably would have confused and scared Joe Public.

However, the potential to handle and transfer tracks in a file-like way *would* have been something people would have liked- if marketed correctly- even then. Instead, they forced people to dub things in real-time and restricted digital copying.

And they could still have marketed it as a data format once established and provided they kept things clear. Had they done that, it may well have replaced the 1.44MB floppy. To be honest, Sony had the *technology* (and storage space) to do some of what MP3 players did almost a decade later, but they forced it into being little more than a digital audio cassette with random access.

Even when they did improve the format and allow some data use, they forced users to play silly buggers with their crappy software and restrictions.

And let's not get into how, when MP3 *did* come along, their self-interest, NIH and arrogance led them to drag their heels to such an extent that a personal computer company (which is what Apple had been up until that point) steal the market for portable audio from the company that had invented the Walkman and led it for 20 years. It's easy to forget how ludicrous that would have sounded in the mid-to-late-90s, but the market was Sony's to lose- they had the technology and the name- but they totally squandered it. They lost that market, and it was no-one's fault but their own.