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Sony To Make Its Last MiniDisc System Next Month

An anonymous reader writes "The BBC reports that Sony, the creators of the MiniDisc audio format, are to deliver their last MiniDisc stereo system in March. Launched over 20 years ago in late 1992 as a would-be successor to the original audio cassette, MiniDisc outlasted Philips' rival Digital Compact Cassette format, but never enjoyed major success outside Japan. Other manufacturers will continue making MiniDisc players, but this is a sign that — over ten years after the first iPod — the MiniDisc now belongs to a bygone era."

6 of 263 comments (clear)

  1. Re:Killed by DRM and licensing by rudy_wayne · · Score: 5, Informative

    I was going through a closet just today and threw out about 20 blank minidiscs that had never been used.

    Several years ago I bought a portable minidisc player. Battery life was terrible. I literally had to carry a couple of AA batteries with me at all times. But even worse was getting music onto the player. There were only two choices -- a program made by Sony that was a complete piece of shit, or, a plugin for Realplayer.

    And, for added amusement, transferring songs onto the player from my computer was very slow because they all had to be converted into Sony's propriietary, DRM infested ATRAC format.

  2. Re:Killed by DRM and licensing by mug+funky · · Score: 5, Informative

    you could install the sony shit and use GraphEdit to wrangle it to your will, but generally it was never worth having to real-time play everything like the analog days.

    great hardware, terrible software. this is how sony roll.

  3. Re:Killed by DRM and licensing by Anonymous Coward · · Score: 5, Interesting

    Sony's use of "MagicGate" DRM on the computer-to-MiniDisc link was inexcusable, as was their removal of line inputs from later MiniDisc "recorders" (so that you had to go through the DRMed computer-to-MiniDisc path). Their decision to separate MD-Åudio from MD-Data wasn't too great, and their slowness in releasing a high-density MiniDisc format (for a long time, they just pushed higher compression rates - LP2 and LP4) didn't help MiniDisc's cause.

    They probably could and should have lobbied against the copy protection / DRM, recorder tax, and media tax provisions of the AHRA. Especially given that they bought out the Columbia/CBS studios and record company around the time of the DAT fight. (Hope I'm getting my timeline straight here.)

    However, ATRAC in and of itself was not an evil thing. MP3 _players_ came out around - what - 1999? MiniDisc _recorders_ came out in 1992, and they had to be able to compress audio in real-time, not just to decompress it. ATRAC was no doubt designed to allow for real-time compression with the sort of embedded computing power that was available at the time.

  4. Re:Poor bootleggers will remember mini-disc fondly by Kawahee · · Score: 5, Funny

    logged in ... could edit

    Wait, what?

    EDIT: Never realised I could do this.

    --
    I'll subscribe to Slashdot when I see a month without a dupe, a typo, or an article the "editors" didn't read.
  5. Re:Killed by DRM and licensing by smegfault · · Score: 5, Informative

    There are no early mp3-players "contemporary with the introduction of minidisc". I had an MD-deck in 1993. The first widely available unit was the Audible.com mobileplayer in 1997 (http://en.wikipedia.org/wiki/Portable_media_player#Audible.com_MobilePlayer) which had a pathetic 2MB storage capacity. It took almost 10 years for the price of CD-RWs to fall enough to become a feasible alternative to MDs, especially if you erased and re-recorded a lot like me.

  6. Re:Killed by DRM and licensing by Jane+Q.+Public · · Score: 5, Insightful

    "And rather than Sony learn any lessons, they have doubled down. For two decades. Is it any wonder their stock and their corporate goodwill are both in the shitter?"

    Jesus, doesn't anybody here remember any history? Come on, folks, this is so far off as to be just plain BS.

    The reason MiniDiscs had DRM in the U.S. (but not Japan) wasn't Sony, it was Congress! The music industry panicked over MiniDisc because it was a "perfect" copy. That meant that unlike cassettes, you could copy endlessly and it wouldn't degrade in quality, like cassette tapes did.

    Hrm, that calls for some more history. MiniDisc came out -- in Japan -- before recordable CDs. The recording industry had fought both cassettes and CDs, unsuccessfully. But when faced with MiniDisc they lobbied Congress HARD, and the outcome was that Congress banned the importing or making of MiniDisc players until they implemented a DRM system that limited copying.

    SONY at the time was NOT known for DRM. Remember, Sony had, not too long before, fought in court on the other side of the battle, to make sure videotapes were legal.

    So it was Congress that is at fault here. Manufacturers wanted nothing to do with creating a DRM system in hardware. And consumers in the U.S., by and large, were uninterested in a DRM-laden system. The result was that it took a good 10 years before MiniDisc was widely available here. You could get them; a few were made with DRM. But they were rare and expensive. And the entire 10 years, Japan used them DRM-free.

    So stop blaming Sony. You're pointing your fingers in the wrong direction. It was the recording industry -- and a compliant Congress -- who were entirely at fault.