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Digital Bolex Gives You a Classic Film Look in a Digital Package (Video)

Once upon a time, people shot a kind of video called "film." And one of the most popular film camera makers was Bolex. Their 16 mm and Super 16 mm cameras were the favored tools for indie film makers, low budget TV news operations, and film schools. Sure, there were 8mm and Super 8, but they didn't give you the stunning clarity you could get with 16 mm. Besides that, carrying a Bolex was kind of like telling everyone, "Look at me! I'm a professional moviemaker!" And with the cost of processing 16 mm film back in the late 1960s and early 1970s you pretty much had to be a pro -- or at least have access to a TV station or college film lab if you wanted to do any serious movie experimentation. Obviously, times have changed. You can now buy a fairly serious camcorder at a consumer-level price. Or a DSLR that can do video -- and do depth of field tricks hardly any camcorder can match. Even so, if you are a film junkie, you just might want a Digital Bolex. Thanks to a highly successful Kickstarter campaign, it looks like you might be able to buy one before long. Too bad you can't still get Kodachrome film, which was the perfect film for your Bolex. Ah, well. RAW format digital is more or less the 21st Century equivalent of Kodachrome, so it will have to do.

3 of 112 comments (clear)

  1. Handheld? by hackertourist · · Score: 3, Insightful

    There's a reason every professional video camera uses a shoulder mount instead these days. The weight may not be as much of an issue now as it was in the U-matic days, but you're still going to get less camera shake when you don't have to balance the camera in one hand.

  2. Huh? by smooth+wombat · · Score: 1, Insightful

    RAW format digital is more or less the 21st Century equivalent of Kodachrome,

    In what universe is digital format equivalent to Kodachrome? There is an exhibit at the National Archives of photos from the 70s, all of which were done on Kodachrome. The color saturation, gradation and tonality are far beyond anything digital can do.

    Unless you're looking at a 1G file size, digital will never be equivalent to Kodachrome.

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    We will bankrupt ourselves in the vain search for absolute security. -- Dwight D. Eisenhower
  3. Re:I still shoot film by wonkey_monkey · · Score: 3, Insightful
    You overly-sensitive and possibly a little bit pretentious asshole. Where exactly in the summary does it say that film is for loserz and digital is the shizzle?

    There is a look you get from film that cannot be duplicated any other way.

    No there isn't. There are hundreds of pieces of software dedicated to exactly that. If you really wanted to you could simulate film at a near-molecular level to get it just right. The thing is - and I'm sorry if you feel it's a bad thing - not many people are that interested in approximating film any more. They want to capture their images and have them look good - you could do that with film and now you can do it with digital. And even if there was something about film that just couldn't be emulated in the digital realm, what makes that objectively better? One could just easily claim the inverse.

    If you're happy shooting film with all the attendant extra time and effort it takes, great. But why come here sneering at everyone else because they're happier with their high-tech gizmos? Are you the sort of person who gets annoyed because now anyone and his dog can get into what used to be a nice exclusive field?

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    systemd is Roko's Basilisk.