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Interviews: Ask J. Michael Straczynski What You Will
He has written for many different comic book titles including Superman and The Amazing Spider-Man, and wrote the screenplay for the Academy Award-nominated movie Changeling, but J. Michael Straczynski (jms) is probably best known as being the creator, writer, and producer of Babylon 5. Recently, jms has teamed up with the Wachowskis and Netflix to create a new original sci-fi series, Sense8, coming out in late 2014. Straczynski has agreed to take a few minutes from writing sci-fi epics in order to answer any questions you may have. As usual, ask as many as you'd like, but please, one question per post.
There's a trend lately with TV shows writers to build mystery and suspense episode after episode without any consideration to the resolution of those arcs. The most famous instance of this is with JJ Abrams' Lost, but we saw the same thing happen to Battlestar Galactica. That's when we're even lucky enough to get a finale, often shows in danger of being cancelled will elect to end the season in a cliffhanger in an attempt to get an increased audience and help their chances of getting renewed. In contrast, with Babylon 5 you've shown great respect for the fans by coming up with a full storyline, complete with several outs in case of unexpected problems, such as actors being unable to return for one reason or another. In addition, when you thought Babylon 5 was going to get cancelled on its fourth season, you filmed the series finale to ensure we would get the full story, as much as it was possible. I truly thank you for that.
My question to you is whether you believe the type of long-term thinking into developing a good and complete story directly harms your overall numbers. After all, if Lost angered most of its viewers with the season finale, by then it doesn't matter anymore: the important thing to the bottom-line is that they were watching while the series is on. Have DVD sales helped somewhat in that people are more likely to buy the series if it's fully developed, and do studios take that into consideration in addition to Nielsen ratings? Do you have a complete story planned out for Sense8 similar to how you developed Babylon 5 and if so does working with Netflix make this process easier or harder than working with a traditional studio?
For it’s original shows, Netflix tends to release all of the episodes at once so viewers can “binge” on all of the shows at once. What changes does force on the writer? Does the nature of cliff hangers change since you won’t have to wait until next week?
For me, this gives a very different viewing experience. When I am left with a cliff hanger, I get to turn it over in my mind, examine alternative theories floating out on the web, etc. In short, part of the pleasure is the (forced) slow unfolding of the story.
Given that BBT is basically geek blackface, and loathed by most that I know, I wouldn't take anything said about B5 to be anything more than a semi-obscure reference the writers put on there to make the primary audience of non-geeks laugh. I'd be wiling to bet that most people that are fans of BBT have never seen a B5 episode.
WWJD -- What Would Jimi Do?
(Smash amp, burn guitar, take home the groupies)
Geek blackface? WTF?
Quit trying to be a hipster and enjoy the show. I work in a similar environment where the show takes place and sometimes it is spot on. Working relationships between scientists and engineers, scientists competing for tenure while remaining friends, Theoretical physicists views toward Applied physicists, and personality quirks.
My colleagues and I love it when it cuts close to home but so over the top that it's funny when discussed around the water cooler.
These comments are my own and do not necessarily reflect the views or opinions of my employer or colleagues...