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The Book That Is Making All Movies the Same
Bruce66423 writes "This Slate story explains how a 2005 book has led to all Hollywood movies following the same structure — to a depressing extent. From the article: '...Summer movies are often described as formulaic. But what few people know is that there is actually a formula—one that lays out, on a page-by-page basis, exactly what should happen when in a screenplay. It’s as if a mad scientist has discovered a secret process for making a perfect, or at least perfectly conventional, summer blockbuster. The formula didn’t come from a mad scientist. Instead it came from a screenplay guidebook, Save the Cat! The Last Book on Screenwriting You’ll Ever Need. In the book, author Blake Snyder, a successful spec screenwriter who became an influential screenplay guru, preaches a variant on the basic three-act structure that has dominated blockbuster filmmaking since the late 1970s.' I've always known we could be manipulated — but this provides a segment by segment, almost minute by minute, guide how to do it."
Did you read the article?
There's no doubt that the structure of effective stories has been studied for millenia, but what's different about this is the degree of detail with which its laid out, including not only the key elements (15, not three or five), their exact sequence and even their timing to a fairly high degree of precision.
Aside: Something that has occurred to me of late (while watching discussion about the Zimmerman trial, actually), is that I think humans have a tendency to fit real-world events into neat, narrative structures that have the same three-act form as good stories. I'm wondering if any news story that achieves really broad penetration of a large population's collective psyche doesn't end up getting "adjusted" until it fits a smooth, memorable narrative arc. This became apparent to me in the case of the Zimmerman trial when I realized that those who argued for guilty and not-guilty verdicts were discussing two rather different versions of the narrative, each of which followed a traditional storytelling arc, and neither of which was overly concerned about including facts that didn't fit the arc. The whole sequence of events, especially when the focus is on the actual evidence, makes a rather lumpy, disjointed tale with false starts and inconvenient edges, but the pro- and anti-Zimmerman stories are both much smoother.
I'm going to start watching to see if that phenomenon arises frequently.
Note to ACs: I usually delete AC replies without reading them. If you want to talk to me, log in.
No, I'm pretty sure that Joseph Campbell published The Hero With A Thousand Faces in 1959, and Christopher Vogler wrote the seven page summary that was the closest thing to a book that anyone in Hollywood had ever read in 1985.
Field and McKee offered the screenwriter’s equivalent of cooking tips from your grandmother—general tips and tricks to guide your process. Snyder, on the other hand, offers a detailed recipe with step-by-step instructions.
So either you didn't read TFA, or you wanted to deliberately miss its message to post your own rant.