Crowdsourced Finnish Copyright Initiative Meets Signature Requirement

First time accepted submitter Koookiemonster writes "The Finnish citizens' initiative site (Finnish/Swedish only) has fulfilled the required amount of signatures for the third initiative since its founding. This means that the Parliament of Finland is required to take the Common Sense in Copyright initiative into processing. The initiative calls for removal of copyright infringement as a crime, reducing violations by private individuals to a misdemeanor." Torrent Freak notes "This makes Finland the first country in the world in which legislators will vote on a copyright law that was drafted by citizens."

Comments

U.S., cough, international pressure much?

[tibit]

I wonder how much U.S., cough, international pressure will they get so that there's no chance of any such law ever passing. Should this initiative succeed in Finland, there's no knowing what other countries may pick up on the idea - and that would really be disastrous to the public image of the media cartel. Note that I specifically said "disastrous to the public image". As far as I can tell, it'd actually improve the bottom lines of the cartel, but they themselves seem to pretend otherwise. It's an industry driven by a bunch of control freaks, it's not even about money anymore.

Re:U.S., cough, international pressure much?

[Vanderhoth]

I don't know, I'd kind of like it if those content creating people would just let me buy/use their products in my country. I live in Canada for frig sakes and I can't subscribe to Hulu and get the crappy watered down version of netflix without a proxy server or VPN. It's like they go out of their way to limit their markets to stop us from giving them our money. I can't count the number of times I've clicked on a link in an article to some news story or a youtube music video and received the "Content not available in your region".

Re:U.S., cough, international pressure much?

[Thanshin]

Yeah, like wedding photographers, jewelry artists, poets, screenwriters, game producers, web programmers, novelists, small film makers - nothing but control freaks!

Not that I agree with the previous post, but you seem to mistake the media industry with the media creators.

The relationship between the two is more or less the one between cows and Nestlé. They milk the cow, process the product and even draw a cow in the envelope picture, but I wouldn't equate attacking Nestlé with being against cows or milk.

Re:U.S., cough, international pressure much?

[NeutronCowboy]

The people who create things want to control how they bring their work to market. You want to control the people who create things. Who's the control freak?

Coming from a staunch conservative like you, this line amuses me. It betrays a complete lack of understanding of what copyright is, where copyright originated, what its purpose is and why people are upset with the current copyright regime.

Here, let me clue you in:
1) Copyright is a law that restricts the ability to make copies of anything human made.
2) Copyright is an evolution of the old royal print charters. Knowledge was known to be power, and the kings of yore realized very quickly they didn't want just anyone printing whatever they wanted.
3) The purpose of copyright is to control the flow of information and goods. Some of it can be good (it gives writers a chance to make a living), some of it can be bad (it gives people the chance to manipulate the flow of knowledge).
4) What people are upset about is that current copyright terms go far beyond benefiting the original creator, have criminal penalties on them and actually make it very difficult to create something without getting lawyers involved. The only reason you don't see every novelist ever being sued by everyone else is because most are penniless.

Now that you know the story, feel free to participate in the discussion.

Re:U.S., cough, international pressure much?

[Ragzouken]

Maybe there are good reasons to give people control over intellectual property, but I don't get why anyone would think that's obvious or some inherent right or entitlement. Why should making something prevent other people from making the same thing with their own resources? When you introduce an idea into popular culture you are planting a seed on someone else's soil. Then, like Monsanto, you are saying "you aren't allowed to use this plant without my permission, or in ways I don't approve of". It clearly doesn't have the same strength as physical property, and I can't take it as obviously something a creator is entitled to.

Re:U.S., cough, international pressure much?

[green1]

I believe the authors should get exactly the same type of protection I do on their livelihood. I get paid hourly, once I have completed an hour of work I will never be paid for that same hour again. Why should it be different for someone who makes something copyrighted? I am not able to obtain any future royalties on the ethernet cables I install today, and the end customer gets full control of them to do whatever they want. They will never have to compensate me further if they want to move them, re-terminate them, sell them, or put data signals accross them. Once I've installed them, and they've paid me, we're done and I no longer have any say whatsoever in what they do.
Authors created work for thousands of years before copyright was invented. I don't see them stopping even if copyright were to vanish altogether.

Re:U.S., cough, international pressure much?

[Miamicanes]

> But why should someone who creates something not be able to control how it's used?

Because there's a blurry line that, once crossed, transforms a creative work from a mere commercial expression into part of society's cultural tapestry. Once that happens, you could argue that the creators should still have the right to profit from it for a term, but that the original creators themselves no longer truly "own" it in any moral or cultural sense. It has become bigger than they are.

Some examples:

* Disney's "Victory through Air Power" and "Song of the South". Walt Disney himself sought to personally destroy every copy of VtAP after World War II. He failed only because a lost copy was sitting in a Department of Defense warehouse. The film, viewed today, is positively horrifying... a thousand times more when it sinks in that it's a *DISNEY* film showing yellow planes with slanted eyes divebombing American ships. It's definitely not a cartoon to show little kids for entertainment. BUT, it's one of the most potent records we have today for understanding the cultural background of America's involvement in World War II. It vividly illustrates it in ways that are chillingly real because it's so over the top. The era's newsreels are so sanitized, they almost qualify as comedy. But a *DISNEY* film playing to blatant racial stereotypes? Whoah. That's big. It makes it really sink in how totally Americans were into World War II locally.

Under Berne-inspired copyright law, Disney (as the film's creator) has the absolute right to destroy it. ***SHOULD*** they?

* Disney's "Song of the South". This has always been a problematic film for Disney. It was controversial when it opened in theaters because it talked about one of America's most culturally-taboo topics at the time. No, I don't mean race relations... I'm talking about (*shudder*) /divorce/. Yep, that's right. For anybody who's never actually seen the original movie from start to finish, it's about a kid from Atlanta who gets sent to live with his grandparents on their farm in the rural south while his parents go through a messy divorce out of sight. Everything else was subplot. Complicating things even MORE for Disney, some of their most popular and enduring characters, memes, and marketable songs came from that very movie. Hell, half of Frontierland's characters and rides were inspired by it.

Under Berne-inspired copyright law, Disney has the absolute right to destroy it, or at least prevent anybody from watching it commercially. ***SHOULD*** they? ESPECIALLY when you consider that even the original high-ranking NAACP members who complained about it later admitted that they'd never actually WATCHED it prior to issuing their condemnation, and conceded that while they weren't really *happy* with it, their original gut reactions were a bit overblown.

* Star Wars. The holiest of holy films that defined the childhoods of Generation X... and George Lucas' determination to screw with it to wring a few more bucks out of the original (or at least, the current copy re-edited and re-assembled from original footage). Nobody will argue that Lucas shouldn't have the right to make "improvements" with each new release... but should he ALSO have the right to suppress distribution (even when he's compensated fairly) of the original version? Remember, we aren't just talking about a mere movie. Star Wars (oops, "Episode IV: A New Hope") practically DEFINED the childhoods of millions of American (and eventually, European, Asian, and other) kids. If the Earth were about to be hit by a planet-killing asteroid, a rocket ship were about to leave earth with a few dozen survivors to keep the human race alive, and they had to choose between a copy of Star Wars (the original) and the bible, I put the odds at at least 40-50% that the rocket would be taking off with a copy of Star Wars on board.

Under Berne-inspired copyright law, George Lucas has the absolute right (assuming he hasn't sold it to Disney) to refuse to ever license the origina

Re:Lobbying lawyers are also citizens...

[Gaygirlie]

It would be really surprising if there are no "eastereggs" written by lobbying lawyers in there...

The proposal in its entirety is fully-accessible online and can be read by anyone. Also, it's not editable by everyone, it's not a wiki -- lobbyists can't just pop in there and add or edit stuff as they please.

The article and summary a bit misleading

[DMNT]

The political process is not as straightforward as the article suggests: It will first be passed on to a committee which will listen for various experts and interested parties, including copyright holders' associations. The committee will then be free to make amendments and changes to the proposal, even though the proposal is already written in a form of law text. After the committee it will probably be subjected to other various committees for review, for example the constitutional committee to check if it is in alignment with the constitution. At the end of this long committee process is the public vote in the Parliament, which is most often just a formality.

Therefore it is not guaranteed at all that the intended changes will pass even if the law will be changed in the parliament.

Re:Power to the People

[Anonymous Coward]

A Finn here.

There is absolutely no chance that this results in changes in Finnish copyright laws. They'll have to vote on it, and they'll vote not to do anything just out of pure spinelessness.