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Ask Slashdot: Best Cross-Platform (Linux-Only) Audio Software?

blogologue writes "I have played the guitar for some years now, and these days I think it's good therapy to be creative with music, learning the piano and singing as well. So far I've been using Audacity as the tool to compose improvisations and demos. I haven't done much audio work before, but it is already becoming too limited for my needs. Being a Linux-fanboy since the mid-nineties, I'm now looking for a good audio processing/editing/enhancing setup that can run on different platforms, the most important being Linux. Are there any suggestions for Open Source or proprietary audio editing software that run on Linux?"

4 of 223 comments (clear)

  1. Wat by Anonymous Coward · · Score: 5, Insightful

    "Cross-Platform"

    "Linux-Only"

    Pick one.

  2. Get your priorities in order by Rob_Bryerton · · Score: 4, Insightful
    This is going to rub a lot of people the wrong way; just a bit of warning first. It's may sound mean, but I'm trying to help a fellow musician by snapping him out of his misguided fantasy land. Before you mod me down, think about it people: if you have access to professional tools, why would you not use them? You'd be a fool not too, correct?

    Being a Linux-fanboy since the mid-nineties...

    There's your first problem. Get over it; an OS is only a tool, a means to an end."I'm a Craftsman fanboy". "I'm a Snap-On fanboy." Sounds pretty silly, right? That's because it is silly. A tool is just that. It is either high-end and suitable, or it is junk and unsuitable for the task at hand.

    If you're serious at all about your music, you use OS X or Windows. That's where the action is. Full stop. That's where the the real music software will be found; nowhere else. Swallow your pride, choose one of those 2 OS's, and get on with making music. Honestly, this is like GiMP vs. PhotoShop, but on a whole other level. There is NO comparison. Get on with life, and leave Linux in the server room, where it belongs. ALL of the pro-level tools (and most of the toy stuff, too) is on OS X and Windows. Why are you restricting yourself? You're killing your potential and being held back by insisting on using third-rate tools. And for what? Because you're a "fanboy"? Good God, man, grow up!

    I say this as someone who makes their living as a Linux sysadmin. I use OS X at home, because I don't let a misguided sense pride get in the way of making music, among other things. You use the right tool for the job. PERIOD. Honestly, who intentionally sabotages themselves?

    Mod me down, boys...

  3. Nothing. In my Professional Opinion. by Schezar · · Score: 3, Insightful

    There is nothing. There is no good solution for you. That was the answer in 2005 when I first asked it, and that is the answer today.

    Even an ancient copy of Cool Edit Pro running on Widows XP is more usable, useful, and powerful than any audio software available natively on Linux. Your non-professional, non-Windows options all share many (if not all) of these problems:

    1. Limited basic functionality
    2. Extensible only through writing your own code
    3. Difficult (impossible) to configure
    4. Literally the worst UIs you will ever see in your entire life
    5. Often unable to work with digital mixers and audio interfaces

    In the time it would take you to get something useful and functional working in Linux, you could spend the cash you would have made working minimum wage on Windows and Audition (or just pirate a copy of Cool Edit Pro).

    --
    GeekNights!
    Late Night Radio for Geeks!
  4. Re:Ardour by IANAAC · · Score: 3, Insightful

    I think what he means is that it can't be Windows-only or Apple-only, but Linux-only is fine. I'm sure he doesn't mean "will work on any distro" by "cross-platform", he just wants it to work on his box.

    Both the headline and the summary are just laziness.

    Had the submitter taken 5 minutes and done a search, he would have found plenty of software available - and cross-platform at that - to do what he wants.

    Or maybe it was just an excuse to link to his soundcloud page?