A Year After Ban On Loud TV Commercials: Has It Worked?
netbuzz writes "It's been a year since the FCC implemented the CALM Act, a law that prohibits broadcasters from blasting TV commercials at volumes louder than the programming. Whether the ban has worked or not depends on who you ask. The FCC notes that formal complaints about overly loud commercials are on the decline in recent months, but those complaints have totaled more than 20,000 over the past year."
Now that I exclusively use online streaming services to watch television shows, I find the commercial volume issues there are far more irritating than I ever experienced on actual television. Spotify is the worst culprit, since it PAUSES the commercial if you lower your system volume. You cannot even avoid the obnoxiously loud commercials there.
Most /.'s I image don't put up with Ads.
I sure as hell haven't noticed ad volume - of course, I gave up broadcast TV with ads since I got my first TiVo in 2003. DVRs all they way, but nowadays I don't even watch TV that's not Netflix - only the kiddos have time to watch TV in our house (how else would I have time to post on /. ?)
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...it's the switch from national programming to regional or zip-code based advertising.
Program.
National commercial.
National commercial.
REGIONAL COMMERCIAL
Program.
My cable network screws this up regularly on Comedy Central. South Park goes into break, and then a BLARING LOUD commercial for a local product happens.
I skip most commercials that aren't on during live sports -- but I watch a lot of live sports, and they're guilty too.
I blame an idiot working in the Cox video operations center.
Oh, you're THAT GUY!!
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What I'm noticing lately is that they'll mix the commercial audio "creatively" to increase its effective volume. I'll be watching a show on cable with 5.1 audio (so, mostly dialogue out of the center speaker), then have a commercial come on and pipe all its audio through both front speakers, at the "maximum" volume. The levels are probably about the same, but it still gets that "attention jolt" from the perceived increase in volume.
The other annoying trend is the use of excessive "wub wub" (bass) in ad music. Result is the same, increased distraction without "excessive" volume.
One of these days, I'm going to cut you into little pieces.
I Don't Own a TV
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Nice conspiracy and you may be correct since we all know the sleaze in the ad business but at least for the wub-wub part, that is due to the current popularity amongst teens and young adults with dubstep music. A pic my daughter used to keep on her desktop said "Dubstep- my heart doesn't beat, it wobbles." For an old fuck like me, it is a truly horrendous musical genre that isn't welcome on my lawn. To imagine what it sounds like just envision what you might hear outside of a closed garage door that has 2 Transformers fucking inside. Good ol' Tranformer hate sex. This genre is popular amongst most of the nerd crowd so I dare not post this honest flame under my UID.
I'm an audio mixer for several of the national and regional networks. I deal almost exclusively in live sports, and I can tell you we are monitored to a ridiculous degree. We have averaging meters in our trucks (measured in LKFS), and the TOC monitors the show AND commercials (in DB on a 3s average). The TOC logs the averages with timecode and video thumbnails (for reference) and saves them, as they are the only defense they have against CALM complaints. The TOC is quick to notify us during the show if we're too loud or too quiet and the averaging is out of compliance.
The problem is, no one at home is smart enough to know the difference between a national spot, a local spot, and a spot that your cable provider inserts. So the complaint becomes "Fox Sports played a loud commercial!!1!!!1!!!one!!!" when the culprit is actually the Comcast head-end in Gary, Indiana.
Between the meters, the logging, and the constant monitoring, broadcast is jumping through a lot of hoops to be CALM compliant. But the networks don't have end-to-end control of their signal, and the end user is at the mercy of their local cable headend. Almost all of the problems you experience happen there. I can't tell you how many times we find a surround downmix where the announcers are almost inaudible, because a cable operator (and sometimes even a satellite provider) is doing an improper downmix, and the 4.1 channels are blowing out the center on the stereo feed. The networks try to QC as much as they can - most of the network offices have receivers for every cable and satellite (and FiOS, AT&T, etc) service they can get their hands on, and constantly monitor as many of them as they can - trying to find and fix the problems proactively rather than wait for the vague and usually inaccurate complaints to roll in from the FCC.
I just get the internet without TV.
The reason I gave up any sort of connection originally was because I'd wake up on a weekend, and then mindlessly flip channels never finding anything I wanted to watch, and feeling frustrated. I wasted a lot of beautiful days in this fashion. Kind of like how a heroin addict has to give it up completely, I decided I didn't want to waste my life watching stuff that was bad to begin with, and worse, interspersed with commercials.
So anyway, yes, I pay a little more for my internet but I only watch what I actually want to watch, and I watch it on my schedule. The few extra bucks are worth it to me because like any hardcore drug addict, if I had TV I'd watch it, hate it, waste time, feel frustrated, and not be able to stop. I'm simply not able to be a casual watcher -- even when I go to friends' places, if they have the TV on, I just get totally sucked in and mesmerized by it. For people who can use it reasonably, it makes a lot of sense to save a few bucks. For me though, that would be a disaster.
What changed under Obama? Nothing Good
A DVR?
What do I win?