Slashdot Mirror


Ask Slashdot: Can Digital Music Replace Most Instrumental Musicians?

deviated_prevert writes "Most instrumental music used today in television commercials, background sounds and themes even on the majority of produced shows comes from completely digital composers who produce the product through digitized instrument samples. This has almost eliminated the need for real human instrumental musicians. For many listeners this makes no difference, as such music is essentially background in nature and does not need to have a true musical interaction with a listening audience at all. The same thing applies to the waves of digital music produced for things like raves. To quote one observer at the Globe and Mail 'So now we know why Deadmau5 and Daft Punk wear helmets when they perform. Everybody is digging the music, but no one is dancing. It is a sad development; the headgear of the maestros is there to mask their tears.' Will the live performance of instrumental musicians also become a thing of the past, or will there continue to be a real need for it? Purely instrumental groups like Booker T and the MGs, as well as solo performers like Herbie Hancock or John McLaughlin, seem not to take the spotlight as they once did. It is apparent that unless someone with a young fresh face is singing, today's producers will not attempt to seriously promote them. Regardless of how great today's instrumentalists are musically, there no longer seems to be a market for real musicianship. Even great performing classical musicians and ensembles are becoming scarcer due to faster and cheaper digital music production."

20 of 328 comments (clear)

  1. Automatons vs performers. by Anonymous Coward · · Score: 1, Insightful

    You aren't going to replace a jazz player with a sampler. Getting rid of concert performers for media production is just economics.

    1. Re:Automatons vs performers. by Inflammatory+Fallacy · · Score: 5, Insightful

      You're underestimating a synthesizer. Take a look at a Moog sometime. There's a lot of knobs and dials, and they all do something (and most of them do something that was nearly impossible with any other instrument invented). A saxophone can't gradually alter its entire timber mid-phrase, the closest wind instruments have are the various kinds of mute, each limited in its ability in a way a synthesizer isn't. The electric guitar is the closest, because using different digital and analog pedals one can achieve a massive range of effects, in much the same way a synthesizer does. And, may I ask you to remember what the common reaction was to the invention of the electric guitar? Much the same as the modern reaction of so-called 'purists' to the popularization of sampling, synthesizing, and digital production via software. The fact of the matter is, they are no longer able to be looked at as more or less than each other. They are simply different ways of making art, and each is capable of truly amazing things.

    2. Re:Automatons vs performers. by ApplePy · · Score: 2, Insightful

      You're underestimating a synthesizer.

      I have yet to meet the synthesizer that can even remotely duplicate the dulcet noises of the old-fashioned dead trees and metal strings of my grand piano. Or the delightfully analog feel. Or dynamic range. Or imposing presence in the living room. As well the synthesizer completely fails at those little weird harmonics only found in acoustic pianos but which add rich character to the sound.

      No thank you sir, you may keep your electro-wizardry, your programmable gewgaws, your artificial noises. I do not wish to play on a computer; working on one is enough. Nay, sir, the music comes from the soul, through the fingers, and sings or roars out from the harmonious combination of iron, steel, copper, and spruce. The pure pitch and harmonic perfection of your electronically generated waveforms only takes away from the music; it adds nothing. Computerized precision has no soul, sir.

      --
      That I'm right, and you don't like it, doesn't mean I'm a troll.
    3. Re:Automatons vs performers. by rioki · · Score: 3, Insightful

      I think you people are talking two different things.

      From the summary:

      Most instrumental music used today in television commercials, background sounds and themes [...]. For many listeners this makes no difference, as such music is essentially background in nature and does not need to have a true musical interaction with a listening audience at all

      Can Digital Music Replace Most Instrumental Musicians?

      Betteridge's law of headlines says: NO.

      You are both right and wrong. Current synthesizer technology is incredibly advanced and can produce a large number of music. Especially music that used in contexts that few people care. The dulcet [sweet and soothing (often used ironically).] noises of you grand piano will be lost in the recording for a Mc Donald's commercial. Will someone put a synthesizer in his living room to show how sophisticated he is? (Somebody probably will.) There is a reason why live classical performances exists and it will remain. Even with perfect reproduction people will want to see live performance, singing the queen of night is an achievement, hitting the play button is not.

    4. Re:Automatons vs performers. by spongman · · Score: 3, Insightful

      i have yet to meet a piano that can sound like a violin.

      yet, it's still a musical instrument.

      just because one machine can't make the same sound as another machine, doesn't mean that it's not an instrument.

      no, you're a luddite snob.

      that is all.

    5. Re:Automatons vs performers. by Anonymous Coward · · Score: 5, Insightful

      I have yet to meet the synthesizer that can even remotely duplicate the dulcet noises of the old-fashioned dead trees and metal strings of my grand piano. Or the delightfully analog feel. Or dynamic range. Or imposing presence in the living room. As well the synthesizer completely fails at those little weird harmonics only found in acoustic pianos but which add rich character to the sound.

      Just because you are ignorant, doesn't mean it's not doable (it might just not be easy to do it real-time with current processing abilities). Waveguide synthesis can replicate all of that, and in a way that's perfectly undistinguishable by a human (with its limited frequency range) from the real thing, given appropriate sampling rates... it's just not very computationally cheap.

      Besides, if what you want is "the delightfully analog feel" (whatever you mean by that), there are analog synths out there, you know (e.g. a theremin)?

      Nay, sir, the music comes from the soul, through the fingers, and sings or roars out from the harmonious combination of iron, steel, copper, and spruce.

      So, whatever comes out of an electric guitar cannot be classified as music, right?

      Protip: "music" is just structured sound, which can be obtained from a wide range of means; redefining "music" to mean "sounds that come out of $choose_arbitrary_instrument" is not insightful.

      The pure pitch and harmonic perfection of your electronically generated waveforms only takes away from the music; it adds nothing.

      Yes, because it's impossible to add noise or otherwise detune oscillators. Also, try to figure out how "pure" the pitch of the common analog synth is (protip: not very pure).

      Computerized precision has no soul, sir.

      The difference between a computer and a piano is that, with a computer, you can choose to be as precise or imprecise as you want; with a piano, you have no choice.

      The funniest thing is that, for sure, you have already heard renditions of piano that you thought were "real" (i.e. were recorded from a physical piano), but actually weren't (i.e. were recorded from a waveguide model of a piano).

      A computer might not have a soul, but if you can't distinguish between the sound that a soulful piano makes vs. the sound a soulless computer makes, maybe that distinction is purely arbitrary autism?

      TL;DR: You need to polish your "no true scotsman" fallacy, brah.

  2. No dancing? by Fwipp · · Score: 4, Insightful

    "So now we know why Deadmau5 and Daft Punk wear helmets when they perform. Everybody is digging the music, but no one is dancing."
    Have you seen those concerts? Maybe it ain't the Charleston, but those kids are certainly groovin to the beat.

    "It is a sad development; the headgear of the maestros is there to mask their tears."
    Somehow, I think they have no trouble sleeping on their large piles of money each night.

  3. Uhh... No one is dancing?? by urbanriot · · Score: 3, Insightful

    I'm guessing he's never been to one of the aforementioned performer's party since he's talking out of his ass.

  4. Laugh tracks by Tony+Isaac · · Score: 3, Insightful

    Comedy shows on TV have used canned laughter for decades, but nobody would say that it beats the experience of sitting in an auditorium live, with a great comedian on stage. The better TV shows will continue to have real music played by real musicians, and we'll all continue to get a better musical experience by going to the local concert hall, church, or bar.

    This is really about Big Music losing its stranglehold on deciding who the big stars will be.

    1. Re:Laugh tracks by sumdumass · · Score: 3, Insightful

      This.....

      There are few musicians/bands i will pay to see in concert any more. But i love going to festivals and watching performers. I love hitting bars to watch local talent. I don't even care if the sound is imperfect or the acustics reminds you of dogs barking at cats having screaming loud sex. Its the ecperience of seeing people give it their best and having a hell of a good time in the process.

      The last major concert i went to, it seemed like my $80 for tickets bothered the band or something. It was almost like they had something better to do. I know i have something better to do. Long live the garage bands and festivals. Even the has been headliners stuck doing county fairs are better then most headliners in my opinion.

  5. Shaping notes by Tablizer · · Score: 5, Insightful

    An article by a digital musician I read recently claimed that although digital synthesis can approach the quality of a real orchestra, it's extremely time-consuming to shape every note to fit the mood and context of that note.

    If you factor in the time and effort to "carve" the note to sufficient quality, it's not economical compared to a smaller orchestra, because experienced musicians do the same in real time, with 1 practice and 2 takes on average. The performing group gets it done in about an hour, while diddling a synth rendering can take weeks. Even though it's one dude or so, it's a LOT of one dude.

    Plus, you risk "ear burn-out" from so many replays such that you cannot recognize quality anymore. One has to switch between projects and styles to keep their ears fresh, delaying the finished product.

    Maybe the editing software eventually will get better and the computer can assist with more natural "guesses" to get closer to expectations to reduce customization, but at this stage if you want quality performances, synthesis is not fully competitive.

    1. Re:Shaping notes by quax · · Score: 2, Insightful

      Only a real orchestra offers massive parallel musicality, and they scale pretty well under a competent conductor.

  6. I'm guessing you never attend live performances by Anonymous Coward · · Score: 1, Insightful

    Seriously, a good band playing out on thr edge of their comfort zone and creating something magical, or the power of a full orchestra with the complexity of the sound reverbarating around a concert hall.... is going to be replaced with some samples?

    And art galleries have died because you can see digital photos on the net?

    No doubt it has and will be tried again and again, but this is like saying you won't ever need to have sex again because off the pron on the internet.

  7. Can Digital Music Replace Most Musicians? by cold+fjord · · Score: 3, Insightful

    Depends on the purpose. For just listening to background music, or the radio, probably. Session musicians? Maybe, but live is better. For events in which live musicians add to the prestige, no. And in between?

    If I'm gong to pay money to see the The Typewriter, Prokofiev's Romeo and Juliet, or Tchaikovsky's 1812 Overture, I want a real symphony orchestra (and preferably real canons for the 1812). No digital music will replace someone like Victor Borge (RIP).

    Marching bands can't really be replaced with digital music. Certainly the British and Russians would never do it for their parades. (Are bagpipes even compatible with digital music? ;) . )

    There is no replacing a cappella music, such as this, or a barbershop quartets. Many other forms of music would suffer, maybe even be pointless, if they were done without live performers. They are often much of the fun.

    Digital is handy for composing though even if you will perform live later.

    --
    much of left-wing thought is a kind of playing with fire by people who don't even know that fire is hot - George Orwell
    1. Re:Can Digital Music Replace Most Musicians? by spongman · · Score: 3, Insightful

      i think you're missing the point. digital musicians aren't attempting to reproduce what's been done before. they're creating new stuff - called music - digitally.

  8. Kids these days.... by ripler · · Score: 4, Insightful

    Ironic that Herbie Hancock was used as an example. It wasn't so long ago that Mr Hancock would have been the poster's point made with synths vs real piano players. Musicians make the music. The instruments are just tools. There has always been, and will always be crappy mass produced pablum. Likewise, there will always be musicians who rise above the rest. The tools they use influence the sound, but the artist creates the experience.

    Now, get off my lawn!

  9. Re:Rodrigo y Gabriela by TranquilVoid · · Score: 2, Insightful

    Read the fine title :) That's why the it refers to most music. People like singing because it's an extension of talking, our primary mode of communication. We can differentiate between 1000s of voices in the same accent and therefore singing has more 'personality' than a guitar or piano tone.

    Rodrigo y Gabriela belong to the sphere of virtuostic rock music where the personality of the instrument (and playing) is much more pronounced. This makes them an exception. Most of the songs on X-Factor/Idol could be played back instrumentally, using synthesised instruments, and most of the audience couldn't tell.

    I do think the need for live instrumental musicians will never disappear. This is the whole point of a concert, to get worse sound quality in exchange for direct communication with the artist*. If the artist is just pushing the play button that disappears. Further, many people enjoy the expression of playing an instrument themselves, and they will always want to hear others do the same.

    * Or the hype of a crowd, so maybe DJs will prove me to be wrong.

  10. Re:Imagine a prolonged sigh in place of this subje by Godwin+O'Hitler · · Score: 2, Insightful

    Jeeeezus how many times have I heard this. Go and listen to a piano-violin duo playing Souvenir d'un Lieu Cher then come back and tell me someone with a pair of turntables messing around with SOMEONE ELSE'S MUSIC is a musician. I'm sure they'd like to think they are but until they pick up an instrument, electronic or otherwise, that is actually capable of creating notes they are not.

    The stuff you are talking about is fine for people who don't really want musicianship. And good luck to them. Each to his own.

    --
    No, your children are not the special ones. Nor are your pets.
  11. Translating the headline... by Zaatxe · · Score: 4, Insightful

    "Ask Slashdot: Can mass production replace most atisanal handicrafters?"

    --
    So say we all
  12. Car analogy by StripedCow · · Score: 4, Insightful

    Is a car ever going to replace a running athlete?

    There. That's how silly this question really is.

    --
    If Pandora's box is destined to be opened, *I* want to be the one to open it.