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Public Domain Day 2014

An anonymous reader writes "What could have been entering the public domain in the US on January 1, 2014? Under the law that existed until 1978.... Works from 1957. The books On The Road, Atlas Shrugged, Empire of the Atom, and The Cat in the Hat, the films The Incredible Shrinking Man, The Bridge on the River Kwai, and 12 Angry Men, the article "Theory of Superconductivity," the songs "All Shook Up" and "Great Balls of Fire," and more.... What is entering the public domain this January 1? Not a single published work."

5 of 225 comments (clear)

  1. So who's got a torrent? by mrchaotica · · Score: 5, Interesting

    It may still be illegal to download these things, but it's now much more difficult to argue that it's unethical to do so. Distributing these works should be considered an act of civil disobedience.

    --

    "[Regarding the 'cloud,'] ownership was what made America different than Russia." -- Woz

    1. Re:So who's got a torrent? by DoofusOfDeath · · Score: 4, Interesting

      At least for Christians, it may be unethical to ignore bad copyright rules. In the Christian New Testament, St. Peter's first letter contains this passage:

      "Be subject for the Lord's sake to every human institution, whether it be to the emperor as supreme, or to governors as sent by him to punish those who do evil and to praise those who do good. For this is the will of God, that by doing good you should put to silence the ignorance of foolish people. Live as people who are free, not using your freedom as a cover-up for evil, but living as servants of God. Honor everyone. Love the brotherhood. Fear God. Honor the emperor."

      A noteworthy thing here is that the letter carves out no exception regarding stupidly justified laws. (There are plenty of other places in the Bible that make it clear that it's okay for followers of God to disobey evil laws, however.)

  2. They Should Lose Public Protection by maverickgunn · · Score: 5, Interesting

    The entire purpose of copyright was to serve as an incentive for creators to add to the public wealth of knowledge and art. It was mutually beneficial: they get public protection for their work, and the public receives high quality art.

    The corruption of copyright by the likes of Disney and other mega-conglomerates has polluted that purpose. Now, copyright is a legal bludgeon used to deprive the public of its culture while perpetually forcing them to pay to get it back.

    If they want perpetual ownership of their work, they should lose any public or legal protections of it: it's quid pro quo, and if they are unwilling to hold up their end, they should be required to hold up both.

    1. Re:They Should Lose Public Protection by jiriw · · Score: 4, Interesting

      Are you "deprived" of food, because you have to pay for it?

      (3) If the person who has an abundance of it is unwilling to provide* at any reasonable price, yes.
      (4) If the food is purposely made** to spoil fast, sometimes even before you were able to take a bite from it.
      (5) If you have to pay the producer of your piece of food over and over again*** in full, if you want it to last or if you want to eat it in another venue than you originally intended.

      (* publishers that let works go 'out of print' but still prosecute 'alternative means of distribution'. It is called artificial scarcity and is something very common when dealing with monopolies.)
      (** certain DRM mechanisms come to mind.)
      (*** LP, Cassette, CD. Celluloid film, Video cassette, Laser disk, DVD, Blu-ray. Digital distribution with various restrictions. Multiple devices for playback, or the inability to be able to.)

  3. Re:it keeps us safe by Anonymous Coward · · Score: 5, Interesting

    I have found that those most critical of Ayn Rand, and Atlas Shrugged in particular, have typically never read it. While it's a mildly interesting dystopian future novel, I've never fully understood either the praise or criticism it receives. For example you call it "unreadable", but I found it quite readable. It needed a better editor to trim out the fat, but you could say that about any James Michener novel as well. Her characters are one dimensional, especially the antagonists of the novel. That is probably my biggest gripe. Meanwhile some people seem to treat it like the Bible or similar. I read it once, and that was enough for me. I don't take my political ideology from novelists. I certainly don't pick and choose my reading material based on the ravings of left wing and right wing lunatics. So I can't understand how it is so influential, unless those who criticize it fear what it represents, and those who praise it can't think for themselves.