EU Copyright Reform: Your Input Is Needed!
An anonymous reader writes "The European Commission has finally (as of last month) opened its public consultation on copyright reform. This is the first time the general public can influence EU copyright policy since fifteen years back, and it is likely at least as much time will pass until next time. In order to help you fill out the (English-only, legalese-heavy) questionnaire, some friendly hackers spent some time during the 30c3 to put together a site to help you. Anyone, EU citizen or not, organization or company, is invited to respond (deadline fifth of February). Pirate MEP Amelia Andersdotter has a more in-depth look at the consultation."
No, seriously. Copyright does more harm than good. Just get rid of the whole damn thing.
Obligatory reading.
Circumcision is child abuse.
So suggest that the EU should harmonize their nations' laws by using the 50 year TRIPS limit. The EU can do with without renegotiating any external treaties. Few works over 50 years old generate significant revenues, and longer terms just keep many works orphaned and forgotten, rather than in the public domain.
This is an OK suggestion, with the caveat that the TRIPS limit should be a limit cap, not the actual limit, since the effect of setting it to the TRIPS limit would be immediate and incessant lobbying to raise the TRIPS limit. This is a likely outcome of setting the TRIPS limit as a cap as well, but then there would be no obligation on the part of the EU to raise their limit, should such lobbying be successful.
Assuming this is done, there should also be a proviso that, should the TRIPS limit be lowered, that the EU limits are also automatically lowered, while any raises in the limit should require explicit EU legislation to match. So if the EU "harmonizes" to 50 years to equal the TRIPS limit, then the TRIPS limit goes down to 40 years, the EU automatically goes down to 40 years, and if the TRIPS limit is then jacked back up to 50 years or higher, the EU remains at 40 years, low watermarking the EU limit.
This would set a de-facto worldwide standard of 50 years. The US, with its much longer terms, would then be the major exception, and would be under pressure to reduce its copyright term.
This is highly unlikely; the two California Senators with the most power in regard to U.S. Copyright law are strongly incentivized through campaign contributions from the movie industry bodies (MPAA, et. al.), and, to a lesser extent, since it is less localized to California, the music industry.
In other words, there would be about as much pressure on the U.S. to lower its limits as there is for Disney to put Mickey Mouse in the public domain, and about as much as there is on the current WIPO to lower the TRIPS limits -- which is to say "effectively none".
Please add these provisos:
(1) If a work is explicitly placed into the public domain, then it receives indemnity protection equivalent to that provided by the BSD two clause license, so that authors are not *required* to keep a work out of the public domain and place a license on it in order to obtain a legal "hold harmless". Most BSD licensed software, for example, would have been placed in the public domain, rather than licensed at all, if it were not for the need for the author to disclaim legal liability.
(2) If a work is placed in the public domain, it shall not be legal to place it under other terms; it remains in the public domain in perpetuity. You can't just take a public domain work and slap a license or DRM on it; for example, a book placed in the public domain can not be converted to a DRM protected eBook format which would prevent further dissemination of the work (e.g. no grabbing Joseph Conrad from Project Gutenberg and making it non-redistributable).
http://www.washingtonpost.com/blogs/the-switch/wp/2013/07/31/why-does-amazon-have-more-books-from-the-1880s-than-the-1980s-blame-copyright/ claims there is a SIGNIFICANT drop off of books on amazon after about 20 years. So it appears that something in the range of 25 years (at least for books) is a fine length of time. I don't see why that wouldn't work for any other medium.
Any period of time that is longer than the average lifetime of a human, isn't really limited.
Your numbers sound reasonable, but to me they suggest something more like an upper bound on how long protection should last, not necessarily a target.
I believe copyright is best treated as a purely economic tool; it may have some desirable side-effects like giving credit to artists or maintaining confidentiality, but these are usually better treated as separate issues IMHO. On that basis, the job of copyright is to provide sufficient economic support to allow reasonable financial returns to be generated from creating and distributing useful works.
So, if a AAA console game has made 90% of the revenues it will ever generate today after the first few weeks, or a Hollywood blockbuster makes 90% of its revenues within a couple of years because that's when cinema showings, DVD releases and first runs on broadcast TV happen, then a period of perhaps five years from first public performance might be sufficient.
On the other hand, something like a school textbook can be very labour intensive to produce in good quality, but might bring in substantial revenues over several years if it can be adapted to produce slightly modified editions suitable for different national markets, not all of them necessarily available immediately in the first year of publication. A period as short as five years might cause a sharp reduction in returns in this case, potentially meaning it's no longer worth putting in the effort to produce a good textbook and corners get cut instead. This clearly isn't a desirable outcome if our goal is to promote the creation and distribution of good quality works, so maybe longer protection is needed in such cases to maintain sufficient incentive.
If you disagree, post your argument. (-1, Overrated) isn't your personal censorship tool for views you don't like.