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Mathematicians Devise Typefaces Based On Problems of Computational Geometry

KentuckyFC writes: "Typeface design is something of an art. For many centuries, this art has been constrained by the materials available to typographers, mainly lead and wood. More recently, typographers have been freed from this constraint with the advent of digital typesetting and the number of typefaces has mushroomed. Verdana, for example, is designed specifically for computer screens. Now a father and son team of mathematicians have devised a number of typefaces based on problems they have studied in computational geometry. For example, one typeface is inspired by the folds and valleys generated by computational origami designs. Another is based on the open problem of 'whether every disjoint set of unit disks (gears or wheels) in the plane can be visited by a single taut non-self-intersecting conveyor belt.' Interestingly, several of the new typefaces also serve as puzzles in which messages are the solutions."

7 of 60 comments (clear)

  1. Question answered by bws111 · · Score: 5, Insightful

    Well, at least now we know why typefaces are designed by artists and not mathematicians.

    1. Re:Question answered by bws111 · · Score: 4, Insightful

      True, but I would say that was created by Knuth in the role of artist, not mathematician.

  2. missing the point? by tverbeek · · Score: 4, Insightful

    Traditionally, typeface designers have considered legibility and aesthetics in their work (in addition to typesetting limitations). Apparently those factors are optional now as well.

    OK, these are interesting intellectual exercises. But don't try to sell them as examples of typeface design, because that's a creative discipline that goes beyond mathematical questions of "can it be done?"

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    1. Re:missing the point? by Anonymous Coward · · Score: 4, Funny

      Traditionally, typeface designers have considered legibility and aesthetics in their work (in addition to typesetting limitations). Apparently those factors are optional now as well.

      Since context, meaning, grammar, and style all seem to be actively discouraged in modern communication, why not use an illegible font as well?

  3. Re:only one version of the truth by SpankiMonki · · Score: 4, Funny

    digits have 0 physical value ever

    Dunno about you, but my digits come in pretty handy.

  4. Re:Useless bullshit by matria · · Score: 4, Insightful

    Oh really? I would find such a thing extremely useful in creating knitting and other needlework designs. There is a fairly standard set of images for creating pattern charts, but a font representing these stitches would be even better - no need for the usually Windows-only pattern creation software that uses these standardized images.

  5. Re:only one version of the truth by cusco · · Score: 5, Funny

    Considering your username, I think probably even handier than for most people . . .

    --
    "Think about how stupid the average person is. Now, realise that half of them are dumber than that." - George Carlin