Happy Public Domain Day: Works That Copyright Extension Stole From Us In 2015

Jennifer Jenkins, Director of Duke's Center for the Study of the Public Domain, points out what could have entered public domain in 2015 but won't and why we need to use the upcoming Public Domain Day to focus on the importance of copyright reform. She writes: "What could have been entering the public domain in the US on January 1, 2015? Under the law that existed until 1978 -- Works from 1958. The films Attack of the 50 Foot Woman, Cat on a Hot Tin Roof, and Gigi, the books Our Man in Havana, The Once and Future King, and Things Fall Apart, the songs All I Have to Do Is Dream and Yakety Yak, and more -- What is entering the public domain this January 1? Not a single published work."

Comments

i vote with my wallet

[FudRucker]

i refuse to buy books, movies and music anymore

And the creators still get screwed

[NotSoHeavyD3]

Which given the excuses for this stuff is really telling.(Since the whole "You're stealing from the creators" is one of the arguments you hear about this shit.) So these days you have shit like Hollywood accounting and things like the author of Forrest Gump literally not getting paid royalties for the movie.(Because it supposedly didn't make a profit.) Of course there's the whole thing screwing of musicians by record labels. Basically if you record an album don't expect to get any profits at all. If you make any money it will be off touring. Here's one, just to show how much of a bunch of scum bags they really are. https://www.techdirt.com/artic...

Re:revolutionary idea?

[swillden]

No corporation should own a copyright which outlives the creator(s) of the work plus a decade.

How does this work when there are hundreds of people working on a project, like a film? Does the copyright expire ten years after the first death, or the last? If the former, then pretty much any movie more than ten years old will be in the public domain. If the latter, I guess we're going to start seeing a few dozen babies somehow contributing to every new project, all of them selected from families who seem to live unusually long.

Also, what constitutes "death"? What happens if a member of the crew is cryogenically preserved and later brought back to life? Does copyright get reinstated? And what happens if people stop dying? It doesn't seem at all unlikely that within the next few decades we acquire the ability to keep a human body alive indefinitely (though I'm not sure if the brain is up to remaining useful for much longer)?

I think tying copyright to human lifespans is a bad idea. I prefer ever-increasing copyright maintenance fees. If Disney is willing to pay a billion dollars a year to keep Mickey, fine. But for most works, the copyright owners will eventually decide that it's better to release it into the public domain.