'The Moon Is a Harsh Mistress' Coming To the Big Screen
HughPickens.com writes: According to the Hollywood Reporter, Twentieth Century Fox recently picked up the movie rights to The Moon is a Harsh Mistress, based on the classic sci-fi book by Robert A. Heinlein. It will retitled as Uprising. Heinlein's 1966 sci-fi novel centers on a lunar colony's revolt against rule from Earth, and the book popularized the acronym TANSTAAFL (There ain't no such thing as a free lunch), a central, libertarian theme. The novel was nominated for the 1966 Nebula award (honoring the best sci-fi and fantasy work in the U.S.) and won the Hugo Award for best science fiction novel in 1967. An adaptation has been attempted twice before — by DreamWorks, which had a script by Ted Elliott and Terry Rossio, and by Phoenix Pictures, with Harry Potter producer David Heyman attached — but both languished and the rights reverted to Heinlein's estate. Brian Singer, who previously directed X-Men: Days of Future Past, will adapt the screenplay and reportedly direct. Several of Heinlein's works have been adapted for the big and small screen, including the 1953 film Project Moonbase, the 1994 TV miniseries Red Planet, the 1994 film The Puppet Masters, the 2014 film Predestination, and — very loosely — the 1997 film Starship Troopers.
Predestination was a "decent' attempt at "All you Zombies" and was very watchable.
All the other attempts kind of sucked out loud with a bamboo umbrella.
When I was in high school. I didn't think of them as being polemics; nobody is going to confuse Heinlein with Ayn Rand when it comes to message versus storytelling. With him, it was mostly about the storytelling and the adventure, not spouting off.
I suspect I'm much more likely to go and watch a film called "The Moon is a Harsh Mistress" than one called "Uprising".
I should use this sig to advertise my book ISBN-13 : 978-1501515132.
If they do this right it could be an awesome movie, but I'm afraid they will do all the stupid things Hollywood always does when they "adapt" a book for a movie. Like dumb it down, oversimplify the plot and leave out key plot elements, throw in lots of action scenes that weren't originally in the story and then tack on a fake happy ending for Mike,
None of them can see the clouds; The polished wings don't care.
...only surpassed when I read Ender's Game.
In the movie, the instructor throws a knife through the recruit's hand, and says, "Hard to push a button now, eh?"
I get that the movie is satire. I even get that there's a lot in the book that can be fairly satirized. The problem is, the movie is lazy, unfair, incompetent satire.
PHEM - party like it's 1997-2003!
Seriously, this is great. When we look at all the great SF books and stories that turned into movies like:
I robot
Starship troopers
We Can Remember It for You Wholesale
Minority Report
and the greatest of all
I am legend
Seriously, what could go wrong?
Don't fight for your country, if your country does not fight for you.
Let's see, just how badly could they mess this up . . . Well, I still have the paperback with the reversed artwork, showing Mannie with the WRONG ARM being cybernetic, so messing up a book has a long and storied history.
The obvious problem is that the story takes place over a multi-month or year-long period, which never comes across well in a movie. This would need a miniseries to do it justice.
the book was an homage to non-commissioned officers. The movie pretty much misses that aspect of the story.
The USA is only 4X older than me...perspective
The Moon Is A Harsh Mistress is an interesting, thoughtful story.
Hollywood doesn't do interesting and thoughtful.
QED
I'd be much more confident if this was being done in England or Scandinavia (cf Real Humans).
...laura
10-20 years ago Libertarians were smiled at and politely dismissed with a shrug. These days Statists on /. and elsewhere assault us with their comments, signatures, and mod-points. And Heinlein — whether or not he was a Libertarian himself — did push many people into Libertarianism.
It certainly is not popular among the lunch-recipients...
He is right up there with Azimov and Clark with numerous Hugo and other awards to his name (including a Hugo for this novel). But unlike those two, he was "violently" anti-Collectivism (perhaps in atonement for his Socialist youth of the 1930-ies). And he hated the Commies and the USSR with passion — which I, an escapee from the evil empire especially appreciate.
In addition to science fiction, where he extolled virtues of the Individual while dissing the Collective, he also published a number of opinion-pieces mocking the things dear to "progressive" Illiberal minds advocating for strong military (against USSR), mocking schools and colleges, and asking tough questions (along with unpleasant answers) about race-relationships.
Could this be coloring your perspective, AC? Just a little?
In Soviet Washington the swamp drains you.
The fascism was largely a creation of the movie's director, Verhoeven. He had his own agenda that he thought the movie would be a good vehicle for. He even admits not reading the book.
As you point out the book is quite different. I would like to emphasize that the book is quite clear that federal service is not necessarily military service. That the federal service required hardship and a risk of severe bodily injury or death, for example construction in harsh environments (asteroids, space, etc). In fascism the military and combat is held above all else, mere laborers even doing hazardous construction would never be considered to have equivalent service.
Heinlein also used the basic income model in many of his stories. Its not all libertarian, its a balance between a social safety net and libertarian capitalism.
Not all libertarians are against a safety net and basic services like police, fire/rescue and the military. Its more about keeping gov't to an absolute minimum. To match, limit and scale gov't to a clear definable needs, not to have gov't engage in "well meaning" wants.
The accusation of fascism wasn't just Verhoeven, though - many others have made the same complaint (again, I think it's unfair, but it is a widespread view). Heinlein was clearly bothered enough by some of the reactions to his book that he wrote an entire essay defending himself and clarifying what he meant (I think it's in the collection Expanded Universe). One of the key points was that fascism tends to involve universal conscription - his "federal service" was absolutely voluntary.
Good for Heinlein and Pohl (Gateway-wasnt that going to be on TV?) and Andy Weir (The Martian). Too bad there is nothing on the radar for the more lengthy series like Ringworld or Asimov's Foundation.
Be careful what you wish for.
Oliver's law of assumed responsibility: If you're seen fixing it, you will be blamed for breaking it.