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$7.4 Million Blurred Lines Verdict Likely To Alter Music Business
HughPickens.com writes The Washington Post reports that the $7.4 million verdict that Pharrell Williams and Robin Thicke copied Marvin Gaye's music to create their hit song "Blurred Lines" could ripple across the music industry, potentially changing how artists work and opening the door to new copyright claims. Howard King, lead attorney for Thicke and Williams, said in closing arguments that a verdict for the Gaye family would have a chilling effect on musicians trying to evoke an era or create an homage to the sound of earlier artists. Williams contended during the trial that he was only trying to mimic the "feel" of Gaye's late 1970s music but insisted he did not use elements of his idol's work. "Today's successful verdict, with the odds more than stacked against the Marvin Gaye estate, could redefine what copyright infringement means for recording artists," says Glen Rothstein, an intellectual property attorney. King says record labels are going to become more reluctant to release music that's similar to other works — an assertion disputed by Richard Busch, the lead attorney for the Gaye family. "While Mr. Williams' lawyer suggested in his closing argument that the world would come to an end, and music would cease to exist if they were found liable, I still see the sun shining," says Busch. "The music industry will go on."
Music copyright trials are rare, but allegations that a song copies another artist's work are common. Singers Sam Smith and Tom Petty recently reached an agreement that conferred songwriting credit to Petty on Smith's song, "Stay With Me," which resembled Petty's hit "I Won't Back Down." Other music copyright cases include Former Beatle George Harrison's 1970 solo song "My Sweet Lord" which had a melody heavy with echoes of "He's So Fine," the 1962 hit from The Chiffons. The copyright owner sued Harrison. A judge said that while the tunes were nearly identical, Harrison was guilty only of "subconscious plagiarism." Harrison would eventually pay out $587,000. Probably the most bizarre case of musical infringement was when John Fogerty was accused of stealing from John Fogerty. The Creedence Clearwater Revival frontman was sued for his 1985 solo song "The Old Man Down the Road" because his former label thought it sounded too much like the 1970 Fogerty-penned "Run Through the Jungle," a song it owned the rights to.
Music copyright trials are rare, but allegations that a song copies another artist's work are common. Singers Sam Smith and Tom Petty recently reached an agreement that conferred songwriting credit to Petty on Smith's song, "Stay With Me," which resembled Petty's hit "I Won't Back Down." Other music copyright cases include Former Beatle George Harrison's 1970 solo song "My Sweet Lord" which had a melody heavy with echoes of "He's So Fine," the 1962 hit from The Chiffons. The copyright owner sued Harrison. A judge said that while the tunes were nearly identical, Harrison was guilty only of "subconscious plagiarism." Harrison would eventually pay out $587,000. Probably the most bizarre case of musical infringement was when John Fogerty was accused of stealing from John Fogerty. The Creedence Clearwater Revival frontman was sued for his 1985 solo song "The Old Man Down the Road" because his former label thought it sounded too much like the 1970 Fogerty-penned "Run Through the Jungle," a song it owned the rights to.
Neither would Blues, or pretty much any major iconic genre. Depending on how this case is construed it's basically going to kill homages and the like. FUN paying tribute to 99 luftballoons with a line in the lyrics? Better get that contractually approved.
A bullet may have your name on it but splash damage is addressed "To whom it may concern."
There is so much music, that it is almost impossible to be truly different than everything else. And should an artist be required/expected to test new work with all other previous music ever made? That would be impossible. And where do you draw the line? Four similar bars? Two similar notes in a sequence? A same text line in a refrain? Having the same theme (as there are millions of songs about love)? Having the same combination of instruments?
They stifle innovation and hold back our society. Let inventors and creators duke it out. Whoever has the best ideas with the best implementation sells more and makes the most money.
Music and movies are an art form, like painting or literature. All works should be free as in beer, and revenue should come from live performances and donations. Let the public decide what they want to hear and how.
Fuck you RIAA / MPAA.
...when releasing cheap music. "Blurred lines" was made within a few hours. The collision with an existing older music is likely (a lot of this kind of scores are similar on many aspects - let alone techno, rap, and dance musics). Similar complains and verdicts could happen a lot more. What makes any difference here are two important conditions: 1) Marvin Gaye was a top-star and his rich family keep a close watch [they've got nothing else to do] 2) Williams and Thicke made a ton of bucks with "blurred lines".
Besides, listened to both musics and the "collision" is much less obvious than many other two-musics I heard in the past ; the older song being probably less watched and a claim less profitable.
Slashdot, fix the reply notifications... You won't get away with it...
I'm no musicalologist, but I just don't see a massive resemblance. I carefully listened to both songs. The beats are substantially similar. For instance, the pattern of the cow bell (if that's the name of the instrument) is basically the same. However, Blurred Lines layers a bass line and melody on top of it that are completely different. There's also some similarity in the high singing voice.
So, if stealing a percussion pattern is copyright infringement, this is going to cause all sorts of trouble, because artists rip off melodies and guitar riffs all the time.
Here's a story that I wish had served SF's goal "not to predict the future, but to prevent it":
Melancholy Elephants, by Spider Robinson
...but then again, if a significant percentage of politicians read Spider Robinson (or a significant percentage of Robinson fans went into politics), the world would be a very different place.
And the great irony is that, although the whole purpose of IP is to give inventors and artists their due, Marvin Gaye gets no benefit whatever from this decision. Instead of living off the talents of others, his kids need to go out and get jobs.
Jefferson on intellectual property:
It has been pretended by some, (and in England especially,) that inventors have a natural and exclusive right to their inventions, and not merely for their own lives, but inheritable to their heirs. But while it is a moot question whether the origin of any kind of property is derived from nature at all, it would be singular to admit a natural and even an hereditary right to inventors. . .If nature has made any one thing less susceptible than all others of exclusive property, it is the action of the thinking power called an idea, which an individual may exclusively possess as long as he keeps it to himself; but the moment it is divulged, it forces itself into the possession of every one, and the receiver cannot dispossess himself of it.
I highly recommend reading the entire letter; if nothing else Jefferson was an excellent writer. Then if you would oblige us with a counter-argument, I am sure it would be gratifying.
Those who advocate genocide deserve every protection afforded by law, and none afforded by common human decency.