Lawsuit Claims Buck Rogers Is In the Public Domain
An anonymous reader writes: As reported in the Pittsburgh Post-Gazette, a court will decide whether Buck Rogers is in the public domain. The Buck Rogers comic strip first appeared in 1929. Team Angry Filmmakers claim that Buck Rogers entered the public domain in the mid-1950s, and they want to make a Buck Rogers movie called Armageddon 2419 A.D. They filed a federal suit this year in Los Angeles against the trust claiming ownership of the name, and the trial has been moved to Pittsburgh.
Doesn't the current mouse protection rule set the clock to death of creator plus 70 years for copyright?
Shouldn't that be not only enough for anyone but utterly overboard?
PS - Just to tweak the /. crowd, guess which party they've bought?
The (D) stands for "Disney".
Or perhaps Duck Dodgers in the 24th and a Half Century!
Don't blame me, I voted for Kodos
1) Hollywood producers want to make new Buck Rogers movie based on his very first book appearance. Announce it at Comic Con.
2) Trust that says it owns the character threatens to sue producers.
3) Producers try to reach deal. Trust apparently refuses to reach a deal. They simply don't want the film made.
4) Producers are now going to try an argument that Buck Rogers is actually already in the public domain, so screw the trust as they don't need their permission anyway.
"Estate of 'Buck Rogers 2017' movie producer claims copyright protection to stop holographic remake scheduled for 2092."
Pretending this is my office full of bitter coworkers..
The two original stories are in the public domain in the US. Here are Project Gutenberg links.
Armageddonâ"2419 A.D.
https://www.gutenberg.org/eboo...
and
The Airlords of Han
https://www.gutenberg.org/eboo...
Of course no where in the stories was the name Buck Rogers used. That name didn't start until the comic strip.
The expiry of 70 years after the end of the calendar year in which the last surviving author died applies in Europe. It also applies in the United States to works of individual authorship first published in 1978 or later. But Buck Rogers was first published before 1978, and U.S. copyright in pre-1978 works follows the rule for works made for hire, expiring 95 years after the end of the calendar year in which the work was first published.
Here's a summary of the U.S. copyright term:
Disney might lose the copyright of the Mickey Mouse character, but they would still have a trademark restricting others from marketing said character.
A U.S. trademark cannot be used as an ersatz copyright. Dastar v. Fox.
I know most people here hate the "Disney extension" of the copyright term, but what is the "community" losing, besides the ability to get Warner Bros. and Disney plush toys for practically free?
Economics answers this by referring to the effects of monopolies in general. Copyright is a government-granted monopoly. Insofar as Disney is able to function as a monopoly they increase their profits. That implies that there will be a shift of goods and services to Disney and away from their customers. Monopolists accomplish the increase in profits by reducing supply. That means that there will be fewer monopoly-associated goods and services produced than there would have been had there been no monopoly.
The point that hardly anybody remembers who Buck Rogers was, cuts both ways. Why can't the makers of this movie come up with a different name and tweak things a little bit? It's not like that would be a violation of precedent. Is their movie going to be so lame that they need this tie-in to prop up the box office?
Characters can be incremental, just like inventions can. Perhaps I want a can opener with a bottle opener on the other end. Perhaps you want to read about a character who's trying to do good, but who had a tortured past.
~Loyal
I aim to misbehave.
The moment Disney's (Or anyone else's) copyrights are due to expire they'll bribe some congrescritters to extend them again.
The Supreme Court in Eldred v. Ashcroft was careful to distinguish harmonization to the copyright term of another established major market from the possibility of "perpetual copyright on the installment plan". It allowed the Copyright Term Extension Act of 1998 because its express purpose was to harmonize to the European Union. In fact, harmonization is the only excuse that the Supreme Court has ever accepted for multiple successive extensions: 1978 harmonized to the Berne Convention, and 1998 harmonized to Europe. So to what established major market would an extension between now and 2025 harmonize?
Doesn't this give all creators a perverse incentive to have an infant contribute to the work, just to ensure maximum copyright duration? I mean, if the main author is in her 30s at the time of creation, and life-expectancy is mid-late-70s, she's losing some 30 years of copyright duration, whereas if she simply has an infant fart on the cover, she gets it back.
Hell, keep that "anchor-baby" on life-support as long as possible in old age, just to keep the dream of everlasting copyright alive!
Protecting the right of the son or grand-son to sell it to some corporation to pay for their coke habit, who in turn owns the works forever, never dies, and actively lobbies for copyright extension using profits until the eventual heat death of the universe.
It doesn't technically move to the richest entity.
It moves to the entity with the largest lobby group.