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Computer Created A 'New Rembrandt' After Analyzing Paintings (bbc.com)
TechnoidNash quotes a report from Techie News: Rembrandt van Rijn was one of the most influential classical painters, and the world lost his amazing talent when he died nearly four centuries ago. And yet his newest masterpiece was unveiled only yesterday. How? By scanning and analyzing Rembrandt's works, a computer was able to create a new painting in near-perfect mimicry of Rembrandt's style. It has been named, appropriately, "The Next Rembrandt."
The computer used machine-learning algorithms to create the portrait, which was then 3D-printed to give it the same texture as an oil painting. "The Next Rembrant," was a collaboration between Microsoft, ING, Delft University of Technology and two Dutch art museums -- Mauritshuis and Rembrandthuis.
Yes, but technique is only part of being an artist. There are plenty of artists out there who can create incredible knock-offs of famous paintings, but that can't create an original work of their own that anyone has any interest in; you can be technically talented, but have no talent for creation.
Are YOU using the TOOL, or is the TOOL using YOU? Think about it!
It's funny. This research spent a great deal of effort to identify the artist's "typical" approaches to individual and compound features; it then averages them to produce a work that feels like a Rembrandt.
But the only reason that it feels like a Rembrandt at all is because it is the centroid of all of his stylistic approaches -- a perfect average.
As in most cases, an "average" of many details is precisely not what an artist does. An artist's real work is in the details that defy their own averages and typical approaches. Listen to any artist analysis, and you'll hear words like "unlike in his other works...", "for the first time at that point..", "never before...", "...and yet in this painting...".
This work is very impressive, a perfect way to fool viewers and a perfect way to pay respect to Rembrandt's approach. That said, however, it is precisely the definition of not a Rembrandt. It is not the work of an artists. It is the work of a business -- which has always been the ability to reproduce copies of something (product or service) in a replicatable and bulk manner.
...felt like a throwback to the days when people actually built "sites" with Flash...
It's not nearly as bad as that.
* browser navigation keys work (doesn't get stuck in a separate mode)
* Text can be selected and copied
* No proprietary player brimming with exploits
Agree, it doesn't cater to the ADHD set - you actually have to play the video, or at least skip through to the end like I did - to test your art connoisseur quotient, or scope the tech out for counterfeiting potential, or whatever your immediate goal is. You have to admit, it's a slick html5 demo, and not without taste.
It also breaks the internet in various ways just like flash, for example, no deep links, you can only bookmark the top level site. The only way in is through the art show. I sure don't want the internet to end up like that, a video internet just isn't for me. But for announcing an art research project? OK, fine. At least it's not flash.
When all you have is a hammer, every problem starts to look like a thumb.
Something I often wonder is why we don't hear about 'new' geniuses in art. It's always the same guys from the 1700 and 1800s (once in a while an author from the 1900s sneaks in).
Uh, well, you might want to have a look here, where there are links to probably a couple hundred painters of the 20th century who are regarded as significant. There are many people in the art world who consider a lot of them to be "geniuses."
Now, your objection might be: "Hey, most of that stuff looks like crap compared to Rembrandt. Where's the good stuff like what he did?" Certainly many people feel that way about various artistic movements of the past century or so.
And for that, you'd have to blame German Romanticism of the 19th century, and "the cult of the genius." It's interesting that you use that word "genius," but artists weren't always seen that way -- Rembrandt wouldn't have been referred to that way in his lifetime. Artists used to be viewed a craftsmen, with particular skills -- some more talented than others. Centuries ago, being a painter meant learning the latest skills -- paint and materials weren't as good as they are today, so you needed to exploit the technology they had. Knowledge of perspective or the ability to manipulate and represent light and shadow took time for artists to figure out -- and so there was a gradual evolution toward the ability to create more realistic representations. The best painters were the ones who had incorporated this new knowledge to hone their craft.
That all started to change with the "cult of the genius" and the "Aesthetik" movement that began in late 18th-century Germany and spread during the 19th century. The emphasis went away from craftsmen participating in guilds or groups of people with knowledge, and more emphasis was put on the individual creator ("genius") who was supposed to demonstrate individual expression.
All of this is to say that there are hundreds of artists that could easily paint a Rembrandt-style painting today, probably as good as this computer did if not better. And there are probably thousands with the talent to learn how to do it easily, but they have no desire to.
Why? Because that would just be "derivative." It has already been done. The mastery of skill and technique is considered only what one does in school -- to become an "artist" today requires innovation. Painting a realistic expressive scene with interesting chiaroscuro like Rembrandt is a great "exercise," but the "geniuses" of the 20th and 21st century wouldn't be caught dead doing that as their own output -- unless they were doing it ironically or something.
TL;DR -- Rembrandt wasn't a "genius," since that whole concept of artist as "genius" hadn't yet been invented in his lifetime. And there are plenty of modern folks people call "artistic geniuses" -- but usually because of their unique innovations or individual ideas of expression, which are often quite different from the goals of someone like Rembrandt.