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'Record Store Day' Creates Vinyl Logjam (newyorker.com)
An anonymous reader writes: Today is Record Store Day, an event which includes exclusive vinyl releases distributed only through record stores. But besides complaints about scalpers hoarding the limited-edition releases, musicians and labels say the event monopolizes all of the available production capacity for pressing vinyl records, creating delays as long as six months and inflating vinyl record prices as high as $30. "The bottleneck persists even though plants work around the clock for months to accommodate the surge in orders leading up to Record Store Day," writes the New Yorker, noting that the demand for vinyl records has now increased six-fold over the last eight years.
Part of the problem appears to be big labels. (One insisted on printing 2,100 copies of their 1974 novelty hit "Kung Fu Fighting" for the independent record store event, the New Yorker notes, "meaning that an up-and-coming band's new album could, in theory, be delayed.") Meanwhile, with current techniques, one production plant still has to scrap up to 20% of the records it presses due to quality issues -- although in the last four months, two companies have introduced new faster technologies for pressing vinyl records.
This year's records include a Dr. Who track called "Genesis of the Daleks" and a track from the "Star Wars: The Force Awakens" soundtrack on a vinyl picture disc, as well as releases from Anthrax, David Bowie, Johnny Cash, Miles Davis, the Flaming Lips, and even Devo members Mark Mothersbaugh and Gerald Casale. Metallica -- this year's "ambassador" for the event -- plans to stream a live performance at Rasputin Records in Berkeley California.)
Part of the problem appears to be big labels. (One insisted on printing 2,100 copies of their 1974 novelty hit "Kung Fu Fighting" for the independent record store event, the New Yorker notes, "meaning that an up-and-coming band's new album could, in theory, be delayed.") Meanwhile, with current techniques, one production plant still has to scrap up to 20% of the records it presses due to quality issues -- although in the last four months, two companies have introduced new faster technologies for pressing vinyl records.
This year's records include a Dr. Who track called "Genesis of the Daleks" and a track from the "Star Wars: The Force Awakens" soundtrack on a vinyl picture disc, as well as releases from Anthrax, David Bowie, Johnny Cash, Miles Davis, the Flaming Lips, and even Devo members Mark Mothersbaugh and Gerald Casale. Metallica -- this year's "ambassador" for the event -- plans to stream a live performance at Rasputin Records in Berkeley California.)
The fetishization of vinyl is for posers. The same kind of posers who fetishize $10,000 audio ethernet cables.
What matters most is mastering. A poorly mastered vinyl release will sound like shit compared to a quality mastering on CD or even an MP3. And then there is degradation and convenience, digital never degrades and is easily copied, shared, backed-up and stored. Given an identical mastering, the only reason to prefer vinyl is if you care about something other than audio quality.
As a sell-proclaimed audiophile I can appreciate the point of the article- limited production capacity, high demand, and large budget production runs leave little capacity and long delays for small vinyl releases- but I can't see this really being much of a tragedy. If you're wanting the music itself, a digital copy with superior quality is just a few clicks away. If you're in it for the novelty of vinyl, well you clearly enjoy ritual, waiting, and inconvenience. It would probably make actually receiving the plate all the more rewarding. Vinyl demand has shot up fairly aggressively in recent years. Production capacity will meet demand eventually. When it does. the only thing that will maintain the novelty of vinyl will probably be artificial scarcity and inflated prices.