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Paintings Reveal Signs of Alzheimer's and Parkinson's In Famous Artists (gizmodo.com)

Researchers from the University of Liverpool believe it is possible to detect cognitive decline in the paintings of famous artists by analyzing subtle changes in their brush strokes over time. The technique may one day be used to flag Alzheimer's and Parkinson's in artists before they're diagnosed. Gizmodo reports: A new study published in Neuropsychology shows that a mathematical technique known as "fractal analysis" can be used to detect signs of neurodegeneration in an artist's work. A research team led by Alex Forsythe from the University of Liverpool's School of Psychology made the discovery by examining 2,092 paintings from the careers of seven famous artists who experienced either normal aging or neurodegenerative disorders. Using fractal analysis, the researchers were able to identify complex geometric patterns in the brushstrokes of each artist. Fractals can reveal hidden and often self-repeating patterns in everyday objects and phenomena. These distinctive geometrical shapes are like fingerprints, allowing scientists to match an artist with his or her work. With this in mind, Forsythe's team sought to learn if variations in an artist's fractal fingerprint over time are a function of increasing age, or if neurological decline has something to do with it. For the study, the researchers examined paintings from four artists known to have suffered from either Parkinson's or Alzheimer's, namely Salvadore Dali, Norval Morrisseau, James Brooks, and Willem De Kooning. The researchers also studied the works of three artists who had no known neurodegenerative problems: Marc Chagall, Pablo Picasso, and Claude Monet. Fractal analysis demonstrated clear patterns of change among the artists who suffered neurological deterioration compared to those who aged normally. In all cases, the fractal fingerprints changed, but the fractal dimensions produced by the Parkinson's and Alzheimer's artists showed consistent patterns that were distinguishable from the healthy group.

6 of 24 comments (clear)

  1. this is too broad, and useless, data analysis by sittingnut · · Score: 4, Insightful

    in the first place, this is too general, and group too many conditions together (derived from too few clues) to be precise and informative .

    second, what is the point?
    either we know the artist had these conditions or not already. if we don't, we can't do a correct diagnosis based on this limited method anyway.
    nor do this say anything valuable about the creation or creative process, since even if artist had some condition that can be diagnosed, that is just one factor at the time, his emotional and mental states and his relationships, probably had more to do with his creations. nor does a person's physical state remain constant even with a condition; whether he slept, was drugged up, what he ate, etc, are probably more relevant.

    third, technologically, this is just another hyped up application of data analysis.

    1. Re:this is too broad, and useless, data analysis by No+Longer+an+AC · · Score: 2

      in the first place, this is too general, and group too many conditions together (derived from too few clues) to be precise and informative .

      I agree with you there. I wonder if there isn't some confirmation bias going on. The first article says they "examined paintings from four artists know to have suffered from either Parkinson's or Alzheimer's". I think it's too easy to pick out things and say "See? I told you he had Alzheimer's".

      second, what is the point?

      If you could actually detect things like that based on a person's life work, be it painting or accounting or software development it might be a very valuable tool.

      I'm wondering what it could tell from the software I've written over the years. Of course the early code was written by a young energetic idealistic naif and in recent years it's been written by a crotchety guy set in his ways but who thinks he's still open-minded.

      Could that be an early sign of Alzheimer's or am I just getting older? (I console myself by saying I'm wiser now, but to be honest I just don't care as much - maybe that is wiser?).

      If you could combine the wisdom and experience I have now with the youthful energy and idealism of my earlier years....I might even be good at what I do.

  2. eyesight problems? by gravewax · · Score: 2

    So how did they differentiate the severe eyesight problems from cataracts and other degenerative disaorders that massively changed painters styles (like Monet) to effects caused by Parkinsons or alzheimers?

  3. 6 samples? by Anonymous Coward · · Score: 2, Insightful

    They had only six people in their sample study and they want to draw conclusions from that??

    1. Re:6 samples? by RDW · · Score: 2

      ... and no independent test set to determine if their method can detect neurodegeneration in samples where the algorithm does not already know the neural status of the artists?

  4. Did they get better by SpaghettiPattern · · Score: 2

    Would the paintings -contrary to what we'd instinctively believe- actually got better with in spite of the deterioration of the body?

    --

    I hadn't the slightest objection to his spending his time planning massacres for the bourgeoisie... (P.G. Wodehouse)