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Stream-ripping Is 'Fastest Growing' Music Piracy (bbc.com)

Stream-ripping is now the fastest-growing form of music piracy in the UK, new research has suggested. From a report: Several sites and apps allow users to turn Spotify songs, YouTube videos and other streaming content into permanent files to store on phones and computers. Record labels claim that "tens, or even hundreds of millions of tracks are illegally copied and distributed by stream-ripping services each month." One service alone is thought to have more than 60 million monthly users. According to research by the Intellectual Property Office and PRS For Music, 15 percent of adults in the UK regularly use these services, with 33 percent of them coming from the 16-24 age bracket. Overall usage of stream-ripping sites increased by 141.3 percent between 2014 and 2016, overshadowing all other illegal music services.

5 of 254 comments (clear)

  1. Re:But why? The quality MUST suck... by petes_PoV · · Score: 4, Insightful

    do people just not care (or even know about) sound fidelity anymore...?

    if you checked out the quality of the average ear-buds that people use with their phones, you would have the answer to that question.

    --
    politicians are like babies' nappies: they should both be changed regularly and for the same reasons
  2. Not illegal where allowed by K.+S.+Kyosuke · · Score: 5, Insightful

    Technically, it's not "piracy" even in the idiotic sense in those jurisdictions where recording is allowed.

    --
    Ezekiel 23:20
  3. Ever heard of time shifting by drew_kime · · Score: 5, Insightful

    Several sites and apps allow users to turn Spotify songs, YouTube videos and other streaming content into permanent files to store on phones and computers.

    You mean "time shifting". This has been litigated already.

    Overall usage of stream-ripping sites increased by 141.3 percent between 2014 and 2016, overshadowing all other illegal music services.

    Except that this isn't actually illegal. So now I wonder how many other apps services are incorrectly called "illegal" by this group.

    --
    Nope, no sig
  4. Re:But why? The quality MUST suck... by Oswald+McWeany · · Score: 5, Insightful

    People don't care about anything but 'FREE'. So who cares about paying for the product any longer.
    Then their favorite artist stops touring and producing music and they complain because "They were my favorite band".

    I don't pirate music- but I don't exactly think the music artists of large bands are really struggling for money. They tour because THAT's where they make most of their money.

    Smaller bands probably aren't going to be on most streaming sites anyway.

    In reality, stream ripping isn't really much different to copying to cassette from the radio like everyone was doing in the 80's.

    --
    "That's the way to do it" - Punch
  5. Re:But why? The quality MUST suck... by alvinrod · · Score: 5, Insightful

    If you think the earbuds are bad, some of the crap over-produced loudness wars inspired music they put through those headphones couldn't sound good even if gold-plated monster cables actually worked. Hell, Wikipedia even has a nice image of how more recent releases of old songs suffer the same problem: Waveforms for 3 releases of Black or White by Michael Jackson

    Look at classic rock songs before that era to get a good idea how much its changed and how much it affects music. Here's Stairway to Heaven which I'm sure most people are familiar with. That song would be practically impossible today since whatever dick weevil would be put in charge of mastering the album would have maxed it out immediately, removing any ability for the song to build-up musically as well as lyrically.

    Any song being crafted for mainstream radio play just isn't going to be as good of a listen (I'm not even talking about whether the song is good lyrically or musically) because the shit stain producers utterly rob it of expressivity in order to make it stand out more amidst all the other noise. There needs to be something like a Director's Cut for albums that give us something other than the radio mix.