Warner Music Files Copyright Claim on A Silent 'Star Wars' Video On YouTube (wired.com)
rgh02 writes:
Earlier this summer, popular YouTube channel Auralnauts received some unfortunate news: Warner/Chappell had filed a monetization claim on their "Star Wars Minus Williams" video through YouTube's Content ID System. More than anything, the Auralnauts were confused -- the video the music company was claiming rights over didn't have any music in it at all.
In fact, the video is almost entirely silent, augmented with a few awkward coughs as Han Solo and Luke Skywalker plod noiselessly toward Princess Leia in a two-minute scene where they're awarded ceremonial medallions. Wired's article describes it as "a tongue-in-cheek tribute" to John Williams' Star Wars score for the film's final scene, also reporting that it had been online for almost three years before Warner/Chappell music publishing claimed rights to all money the video would receive: When I tried to get Warner/Chappell's side of this story, the company offered no comment. But apparently my reporting helped bring the "Star Wars Minus Williams" copyright dispute to an unexpectedly speedy resolution. When Koonce told his YouTube partner manager that a journalist had interviewed him, YouTube stepped in and removed the copyright claim against the video.
YouTube has also created a "Fair Use Protection" program covering legal costs for channels they believe are unfairly targeted with video takedown notices. But the article points out that 95% of the time music companies just chose YouTube's "monetize" option to claim the ad revenue rather than asking that a video be blocked -- and that last year YouTube paid the music industry $1 billion. (Though the music industry insists that amount is still below what they're receiving from streaming music services.)
In fact, the video is almost entirely silent, augmented with a few awkward coughs as Han Solo and Luke Skywalker plod noiselessly toward Princess Leia in a two-minute scene where they're awarded ceremonial medallions. Wired's article describes it as "a tongue-in-cheek tribute" to John Williams' Star Wars score for the film's final scene, also reporting that it had been online for almost three years before Warner/Chappell music publishing claimed rights to all money the video would receive: When I tried to get Warner/Chappell's side of this story, the company offered no comment. But apparently my reporting helped bring the "Star Wars Minus Williams" copyright dispute to an unexpectedly speedy resolution. When Koonce told his YouTube partner manager that a journalist had interviewed him, YouTube stepped in and removed the copyright claim against the video.
YouTube has also created a "Fair Use Protection" program covering legal costs for channels they believe are unfairly targeted with video takedown notices. But the article points out that 95% of the time music companies just chose YouTube's "monetize" option to claim the ad revenue rather than asking that a video be blocked -- and that last year YouTube paid the music industry $1 billion. (Though the music industry insists that amount is still below what they're receiving from streaming music services.)
They removed the music but all the video is copyrighted.
I continue to receive fake claims on a video where the music is something I made in garage band. https://www.youtube.com/watch?...
It's sounds so awful that it's really a joke that someone would claim it. Sometimes multiple people/companies have claims of the same passage in the "music".
I once tried to find the music they claimed that I had "copied" and it sounded like someone had made a record of all the loops in Garageband to get as many hits as possible. It didn't even remotely sound like music.
I can understand why they have the ContentID system, but people who try to game the system, are given way to much power. I guess I should dispute it, even though it is a shitty video I made because I was bored, but is it worth getting another fake copyright strike?
Disney is extremely sue happy in general, but tyrannical when it comes to YouTube. They're the Micro$oft of the film world.
monetization claim: this is the most interesting part for me: prediction of the future.
The future is behind content identification, not behind content blocking. All content will be quickly identified and ISP will be paying content owners a fee from the money they collect from our ISP fees.
Pirate site and owner site - both will exist and compete in technology and convenience of content delivery (for example, a site might to choose to slap ads on the content, the other site might choose not to, the third site might choose that you pay an additional fee for content delivery, guess, who will be winning the users?) but the ISP will pay only content owners for our clicks.
Never mind this particular monetization claim is ridiculous. 2 min excerpt should be covered by Fair Use act, but in general, that's how it will work in the future.
Users will pay a fixed fee and get all the content on the Internet for the price of that fee. ISPs will take care of owners.
I do not believe in karma. "Funny"=-6. Do good and forbid evil. Yours, Oft-Offtopic Flamebaiting Troll.
The amount of time that you have been getting away with illegal behavior is utterly irrelevant.
And one billion dollars revenue. What is that, like 0.01% of their expected income. Yep, they should be grovelling at their knees...
Fuck this piece of shit article.
Anyone making fraudulent and criminal claims should have to pay the cost of their illegal claim, and should have to pay damages. For example, suspension of all payments for 1 year for each offence, and resumption of payments should be subject to the dismissal+prosecution of whoever was responsible for engaging in this type of fraud.
Warner Music collected royalties for a song that was public domain for years. Now they collect royalties for silence too. Everybody pay up, some idiot executive needs a 6th Porche.
... for someone to make a video about ways to prepare corn only for Monsanto to file a copyright claim.
If it costs them less to file the claim than the claim than they will get back on the average, they'll do it. There are only two ways to stop them - [1] make it illegal (and then they will only stop some of the time) or [2] make it unprofitable.
Right now the way the system is set up, for very little effort they can file a claim and siphon off the ad revenue. It's a "click here for free money" button. Who in their right mind wouldn't press the button? Right now the ONLY negative side-effect is bad press. And just look what happened here. "You discussed our abuse of the system with a journalist?!" *DING* ((claim dropped)) Imagine that!
It's not that they don't know what they're doing is wrong - it's that they simply don't care. It's just free money until it attracts bad press. I don't blame them, I blame the rules. If I were in their position, I'd probably be doing the same thing. The problem is the "click here for free money" button. The only way to fix the problem is to fix the rules.
I work for the Department of Redundancy Department.
... priceless!
For any claims which do not meet expectations, the claimant should pay a fine 5X what they would have been able to claim from the monetary gain of the claim.
What's this if not Williams, then?
https://www.youtube.com/watch?...
Fair use, probably, but why is anybody with three brains cells to rub together surprised an algorithm matched on this?
My God, it's Full of Source!
OUTSIDE_IP=$(dig +short my.ip @outsideip.net)
I've had my videos targeted, even though I used Youtube's own free music selection in the YouTube video editor!
Totally broken system.
and that last year YouTube paid the music industry $1 billion. (Though the music industry insists that amount is still below what they're receiving from streaming music services.)
Holy... you could give these people the contents of Fort Knox and they'd complain they'd rather have greenbacks. Just wow.
What's this if not Williams, then?
https://www.youtube.com/watch?...
Fair use, probably, but why is anybody with three brains cells to rub together surprised an algorithm matched on this?
Problem is this wasn't an algorithm match. It was a manual takedown that didn't even identify the clip you've tagged. The three second audio you mentioned there is the Ending Theme.
...in the case of "Star Wars Minus Williams," someone at Warner/Chappell took the rare step of manually filing a claim against the Auralnauts video. Warner/Chappell has been notably enthusiastic in manually flagging multiple Auralnauts videos, according to Koonce....
...the Warner/Chappell claim incorrectly identified the "Star Wars Main Title" track as being present in the Auralnauts video.
So just make it so that if your video is determined to have been unfairly monetized by someone else, that their monetization money for that same period of time is given to you as retribution. e.g. Warner Music monetizes Auralnauts' video for 48 hours before YouTube decides their claim is wrong, then all the money Warner Music gets from YouTube for 48 hours goes to Auralnauts instead. Yeah Warner makes a lot more money in that time than these guys would, but that means they could've afforded to hire someone to check carefully that this was an actual violation before filing the monetization claim.
Reminds me of the "Happy Birthday" song scam Warner/Chappell Music pulled on so many artists who included that song in their work, collecting royalties from them based on a fraudulent copyright ownership claim that was later deemed invalid in court (the music and lyrics of "Good Morning and Happy Birthday" were published without a copyright notice which was required at the time so the song was already in the public domain). Jennifer Nelson sued based on her research showing the copyright claim was invalid. She paid $1500 in royalties and wanted her money back and monies returned to those who paid. Warner/Chappell had been earning $2M/year on licensing this song and ended up agreeing to pay back $14M to licensees since 2009 (which was quite generous to Warner/Chappell since Warner/Chappell had been collecting royalties well before 2009. She won and liberated the Happy Birthday song that Warner/Chappell Music never should have been able to collect any money from in the first place.
This is a good example of why people shouldn't be so quick to take a corporation's word for what they own and what the public owes them. Also another example why a 'business first' orientation to looking at situations (as is commonplace and entirely unquestioned on /. as well as the corporate media /. repeats and points to) is costly and dangerous to one's civil liberties.
Digital Citizen
If you agree with ContentID when it flags something as yours and either have it blocked or monetized, you are asserting copyright of the flagged content (Youtube also notifies whoever uploaded the content that someone else asserted copyright over it). If you do not actually hold such a copyright, then it is a fraudulent claim. If you do not even bother reviewing the content to ensure your claim is accurate and are just going by what Google's algorithm says (which is well-known for giving false positives), then you are also being negligent.
The video does include music by Williams. It also includes a portion where the music has been removed.
https://www.youtube.com/watch?v=Tj-GZJhfBmI
Why is the video not removed, and why do they get money, it's not even their work. You can bitch at the big companies, but these channels are getting money by showing other people's work with only a few alterations they made themselves.