The 2017 Hugo Awards (thehugoawards.org)

Dave Knott writes: The Hugo Awards, the most prestigious awards in science fiction, had their 2017 ceremony today, at WorldCon 75 in Helsinki, Finland.
The winners are:

Best Novel: The Obelisk Gate by N.K. Jemisin
Best Novella: "Every Heart a Doorway" by Seanan McGuire
Best Novelette: "The Tomato Thief" by Ursula Vernon
Best Short Story: "Seasons of Glass and Iron", by Amal El-Mohtar
Best Related Work: Words Are My Matter: Writings About Life and Books, 2000-2016 by Ursula K Le Guin
Best Graphic Story: Monstress, Volume 1: Awakening , written by Marjorie Liu, illustrated by Sana Takeda
Best Dramatic Presentation (Long Form): Arrival , screenplay by Eric Heisserer based on a short story by Ted Chiang, directed by Denis Villeneuve
Best Dramatic Presentation (Short Form): The Expanse: Leviathan Wakes , written by Mark Fergus and Hawk Ostby, directed by Terry McDonough
Best Series: The Vorkosigan Saga, by Lois McMaster Bujold (Baen)
John W Campbell Award for Best New Writer: Ada Palmer

This year's slate of nominees, unlike the drama surrounding the 2016 and 2015 Hugos, was less impacted by the ballot-stuffing tactics of the "Rabid Puppies", thanks to a change in the way nominees were voted for this year (including the fact no work could appear in more than one category) in an attempt to avoid tactical slate picks.

Comments

DNW

[arth1]

So, it's official - the Hugo Awards have become the Harlequin Awards, much like Rock'n Roll Hall of Fame has become Pop'n Roll Hall of Fame.

That's well and fine, but it's time to drop the pretense, and make room for an award that celebrates the original art form. This doesn't.

Re:DNW

[arth1]

Anyone who thinks the Hugo award for best novel is not based on merit hasn't actually read Jemisin's work.

Not for lack of trying.
It's just not the genre of book I can get through. Much like if I go to a rock concert, and the opening band is rap or country, I'm not going to stay for the performance. It may be great for those who like this kind of thing, but it's really not what I can like.

There are plenty of female authors that are good, even when they border on too much interpersonal stuff. C.J. Cherryh, Alice Sheldon (James Tiptree, Jr.)[*] and Andre Norton spring to mind. But they don't come off as just using the genre to either get a message across or to give romance a new veneer; they are universe builders. Their "what if"s are credible. Their work stands on its own without having to anchor it in a specific modern human culture and zeitgeist.
That's the kind of quality I expect from a Hugo winner.

[*]: "Brightness Falls from the Air" is one of the three most cherished novels in all of my book cases.

Re:DNW

[Normal_Deviate]

I used to rely on the Hugo, but I noticed it had stopped being useful before I noticed it was because it switched to, "Best sci-fi not written by the people who had written most of the good sci fi." For me personally, the Hugo going SJW was real loss. Maybe the Dragon Award can fill that role now.

Re:Haven't these awards been taken over?

[arth1]

A person does not have to be right-wing to be opposed to leftist politics.

Nor to equate short-sighted shallow politics with either right or left.
I'm a socialist and feminist (as in equal opportunities and gender blindness), but will call shit when I see it. What the social justice[*] side does here is harming their cause for a quick circle jerk orgasm, harming an artform that has been extremely liberal and forward thinking by forcing pre-digested well-censored crap down the auidences' throats. What good is it killing a genre that brought us so many masterpieces of unfettered thinking?

[*] Whenever anyone speaks of "justice", you can be certain that justice is the farthest thing from their mind. Baser instincts like revenge and egotism are invariably at play.

Re:Haven't these awards been taken over?

[arth1]

I remember the good old days, when only men, like James Tiptree, Jr., won Hugo awards.

Great writers like Alice Sheldon and Andre Norton won based on the quality of their work, not the quality of their feminism. When reading their works you didn't get the feeling that this could be written in any setting, and that Sci-Fi or Fantasy was just used as a prop. They didn't just write paint-by-number books with their political message popping up in all kinds of weird contexts where it didn't further their story. They wrote worlds.
Most of today's crowd of writers (to be polite) are narrow-minded formula writers who wouldn't know how to write a world or jump out of the preconceived notion of what they should write. It's as embarrassing as autotune singers.

bad solution to real problem

[globaljustin]

This whole Hugo Awards flap is so hilarious yet so sad. It's the perfect case of a bad solution to a real problem.

I agree the scifi status quo was sexist, puerile, over-dense, plotless garbage. Something needed to change.

-simultaneously-

I also agree that there has been an over-correction almost as extreme as the original problem!

Both are true.

The original problem was sexist garbage scifi but the solution is not to promote insipid non-scifi fluff.

Re:The Hugos Have Always Honored Fantasy

[arth1]

Your comment shows that you don't know much about the Hugo Awards. They have been awarded to works of science fiction and fantasy since their inception in 1953. Go read the WSFS Constitution (the rules for the awards). It makes this crystal clear.

Your comment shows a lack of reading comprehension. Read my post again and tell me where I say anything about fantasy.

It's formula dreck vetted for social acceptability that I object to, whether it's fantasy or science fiction. I want the radical stuff. The "out there" stuff. Ignoring borders. Going out there, because it's speculative fiction, not a party handbook in prose form.