Filmmakers Want The Right To Break DRM and Rip Blu-Rays (torrentfreak.com)
An anonymous reader shares a report: Breaking DRM or ripping Blu-Rays discs is a crime In the United States. While there are fair use exemptions, these don't apply to the public at large. Interestingly, filmmakers themselves are now urging the Copyright Office to lift some of the current restrictions, so that they can make the films they want. [...] Technically speaking it's not hard to rip a DVD or Blu-Ray disc nowadays, and the same is true for ripping content from Netflix or YouTube. However, people who do this are breaking the law. The DMCA's anti-circumvention provisions specifically forbid it. There are some exemptions, for educational use for example, and to allow for other types of fair use, but the line between legal and illegal is not always clear. Interestingly, filmmakers are not happy with the current law either. They often want to use small pieces of other videos in their films, but under the current exemptions, this is only permitted for documentaries. The International Documentary Association, Kartemquin Films, Independent Filmmaker Project, University of Film and Video Association and several other organizations hope this will change. In a comment to the Copyright Office, which is currently considering updates to the exemptions, they argue that all filmmakers should be allowed by break DRM and rip Blu-Rays. According to the filmmakers, the documentary genre is vaguely defined. This leads to a lot of confusion whether or not the exemptions apply. They, therefore, suggest to apply it to all filmmakers, instead of criminalizing those who don't identify themselves as documentarians.
If this works, then I forsee lots of documentaries on torrent sites.
https://www.urbandictionary.co... We've finally discovered that sentient-kind is a stand alone complex.
Unless we do it. Ripping for archival or personal viewing is crass immoral and evil, but if we need to do it to make a buck it is holy and just
I am a film maker too!
We can make it so only authorized people can unlock the DRM crypto but still keep everyone else out. Easy. Then we can do it for law enforcement and cell phones too.
Oh wait.
Funnily enough the FEC's case in Citizens United was that they weren't a bona fide documentary film maker but that Michael Moore was
https://en.wikipedia.org/wiki/...
Section 203 of the Bipartisan Campaign Reform Act of 2002 (known as BCRA or McCain-Feingold Act) modified the Federal Election Campaign Act of 1971, 2 U.S.C. Section 441b to prohibit corporations and unions from using their general treasury to fund "electioneering communications" (broadcast advertisements mentioning a candidate in any context) within 30 days before a primary or 60 days before a general election. During the 2004 presidential campaign, a conservative nonprofit 501(c)(4) organization, Citizens United, filed a complaint before the Federal Election Commission (FEC) charging that advertisements for Michael Moore's film Fahrenheit 9/11, a docudrama critical of the Bush administration's response to the terrorist attacks on September 11, 2001, produced and marketed by a variety of corporate entities, constituted political advertising and thus could not be aired within the 30 days before a primary election or 60 days before a general election. The FEC dismissed the complaint after finding no evidence that broadcast advertisements featuring a candidate within the proscribed time limits had actually been made.[11] The FEC later dismissed a second complaint which argued that the movie itself constituted illegal corporate spending advocating the election or defeat of a candidate, which was illegal under the Taft-Hartley Act of 1947 and the Federal Election Campaign Act Amendments of 1974. In dismissing that complaint, the FEC found that:
The complainant alleged that the release and distribution of FAHRENHEIT 9/11 constituted an independent expenditure because the film expressly advocated the defeat of President Bush and that by being fully or partially responsible for the film's release, Michael Moore and other entities associated with the film made excessive and/or prohibited contributions to unidentified candidates. The Commission found no reason to believe the respondents violated the Act because the film, associated trailers and website represented bona fide commercial activity, not "contributions" or "expenditures" as defined by the Federal Election Campaign Act.[12]
In response, Citizens United produced a documentary, called Celsius 41.11, highly critical of both FAHRENHEIT 9/11 and 2004 Democratic presidential nominee John Kerry. The FEC, however, held that showing the movie and advertisements for it would violate the Federal Election Campaign Act, because Citizens United was not a bona fide commercial film maker.[13]
In the wake of these decisions, Citizens United sought to establish itself as a bona fide commercial film maker before the 2008 elections, producing several documentary films between 2005 and 2007. By early 2008, it sought to run television commercials to promote its political documentary Hillary: The Movie and to air the movie on DirecTV.[14]
echo -e 'global _start\n _start:\n mov eax, 2\n int 80h\n jmp _start' > a.asm; nasm a.asm -f elf; ld a.o -o a;
Thank You, msmash, for not using the word "Pirate" when quoting an anonymous reader describing copyright issues. Perhaps now we can have a reasonable debate.
Laws made to restrict people rights, will often come back to hurt others.
A weapon in one persons hand is a tool in an others. When making laws and rules, that restrict using a tool and/or a weapon (being physical or abstract) it needs to be done carefully, with planning and research. Not a gut instinct and pushing a majority vote based on party lines.
If something is so important that you feel the need to post it on the internet... It probably isn't that important.
... They, therefore, suggest to apply it to all filmmakers, instead of criminalizing those who don't identify themselves as documentarians. ...
Cue abrupt chorus of voices, all saying, "I'm a filmmaker! I'm a filmmaker!"
Do the people that produce the Honest Trailers or Cinema Sins clips on YouTube really have permission, as well as unencrypted sources to avoid the effects of the law?
It is pretty much a given that when they started, they used the rips directly, but today they're large enough to interview the real actors, be nominated for an Emmy award or have their harrasment scandals of their own. If they want to retain the power of saying offensive things, they need to be able to take the movies they want without needing to ask, but today it looks this can only happen through some kind of "criminal" activity.
Great! So anyone with a smartphone that can capture video is a filmmaker, did I get that right? Because, well, he can make a film?
Oh, he needs to have made one? Fine... *grabs cellphone, punches buttons*
Can I now circumvent the DMCA with impunity?
We used to have a Bill of Rights. Now, with the rights gone, all we have left is the bill.
Breaking DRM or ripping Blu-Rays discs is a crime In the United States. While there are fair use exemptions, these don't apply to the public at large.
wha wha wha? Since when? A quick search turns up dozens of free and commercial DVD rippers. There's a few blu-ray ones too, plus the open source libraries. I can't remember of the last time I saw a court case where someone was sued for using libdvdcss in a fair use manner. This is clearly spelled-out in US copyright law.
seek permission from the copyright owner of the film that they want to use. This might involve payment of a fee of some kind. What is good enough for the rest of us should be good enough for them.
I can see that the real losers will be the small/independent film maker who have their stuff ripped off by the big boys, who will find some mechanism to prevent the small guy from doing this with their output.
Reminds me of an issue on Vimeo a couple of years back when they introduced music fingerprinting. This also applied to private videos and suddenly, in production videos using the common practice of temporary soundtracks were being disabled. They were forced to suspend it for pro users.
Nobody in their right mind pays a license fee without testing if something will work. Everyone is a potential video editor now and youtube is full of reviews featuring clips that fall under fair use.
Exactly what is being circumvented grabbing rather than streaming a Youtube video? Access to Youtube is not constrained by a contract (unlike FletNix), and there's no encryption.
'Real' film makers will actually go through the steps to secure rights or get permission from the original creator or rights holder. This has millennial whining about not being permitted to co-opt other people's work at will written all over it. And yes, to me, in case they are younger, the children of millennials are just more millennials. Weak sauce!
Please eat your own sh*t
Many filmmakers get started making small short films. If they have not yet published a film, are they not a filmmaker? Seems like any definition of "filmmaker" would unfairly exclude some people.
Since the anti-circumvention clause does nothing but make a mockery of the law on every level, let's just get rid of it entirely.
DMCA defines circumvention as breaking the DRM without the authority of the copyright holder. The copyright holder can always grant permission for anyone and everyone to crack DRM on their own works. If I were to make a Blu-Ray disc containing my video, then I could give everyone in the world the right to crack the DRM on my disc. This is not an exemption; it's something right in the definition of circumvention.
It could even be argued that if I had granted that right, and you manufactured, imported, offered-to-the-public or trafficked in the tool primarily intended to play my disc despite the DRM, that might be legal as well. (This is less certain than the above paragraph, though.)
(And all this ignores any trade secrets which may be required to make or play Blu-Rays. I'm just talking about DMCA.)
If these filmmakers think they don't already have this right, then I have to conclude that they don't hold the copyright on their own movies, and someone else (the studio) is denying them permission to watch their own movies. Well, that sucks. So, filmmakers, maybe you should think about just what value (if any) studios provide to your filmmaking, such that you are letting them have the whole fucking thing. Everyone should hold them accountable for their decision to start the relationship in bad faith.
And of course, if using the media you bought is too hard to use, I'm sure someone else already did the hard work and has made the file available. So you might want to think twice about purchasing anything DRMed in the first place. You should feel dirty whenever you pay them.
As copyright owner of this comment, I authorize everyone to defeat any technological measure which limits access to it.
The obvious answer.
when she was little so she could have the rips and not destroy the originals. That way she could play around with a .40 cent disc instead of a $30 dollar one. Yeah, it was only useful for a few years, but we still have those discs now that she's older.
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except major corporations. Everyone saw the potential for abuse. But our electorate is heavily divided by wedge social issues, leaving the corporations free to bribe their way to an oligarchy.
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Filmmakers should simply declare themselves to be documentarians - rip the parts required, release them in an actual documentary, and then copy the parts needed for their other work out of their own documentaries. Simple.
and a different law for the rest of you..
ahahaha! WHAT A SHITHOLE!!
... laws for thee and not for me ... the inversion.
There is no XUL, only WebExtensions...
We are all filmmakers now, right? Just stick to the story and don't ruin for everyone, Doug.
Consumers ("end users") in the United States have a right to make archival copies, DRM or not.
Making archival copies falls square under the Fair Use rules that have been in place for many, many decades.