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Science Fiction Writer Harlan Ellison Dies At 84 (variety.com)
Slashdot readers chill and mrflash818 have shared the news of Harlan Ellison's passing. Variety reports: Speculative-fiction writer Harlan Ellison, who penned short stories, novellas and criticism, contributed to TV series including "The Outer Limits," "Star Trek" and "Babylon 5" and won a notable copyright infringement suit against ABC and Paramount and a settlement in a similar suit over "The Terminator," has died. He was 84. Christine Valada tweeted that Ellison's wife, Susan, had asked her to announce that he died in his sleep Thursday.
Dying at 84 in your sleep seems like an absolute win in my book. Now one can only hope that his life was a happy one.
RIP
Goodnight sweet prince. A true visionary.
One of the first sci-fi books I ever read as a kid was his collection Paingod, And Other Delusions. This included the title story as well as "'Repent, Harlequin!' Said the Ticktockman". I also had the issue of IF magazine containing the first publication of "I Have No Mouth, And I Must Scream".
And it would be a crime not to mention "The City On The Edge of Forever", which was quite possibly the very best Star Trek episode, ever.
Il n'y a pas de Planet B.
EOM
So, what happens to the legendary box with the stories? The one he'd been sitting on since 1973? The stories for the collection where a significant portion of the contributors had died of old age waiting for it to come out?
I guess we'll never see it.
Harlan Williams is still alive.
Still relevant, in many ways.
Ellison was a curmudgeon and often acted like a class 1 ass and a jerk. I loved everything he wrote. Rest in peace.
My grandpa smoked, drank, and put butter on everything (including in his soup.) Never had a heart problem until the one that killed him at 88.
Genetics matter more than diet.
"Harlan Ellison's The City on the Edge of Forever: The Original Teleplay that Became the Classic Star Trek Episode" (https://www.amazon.com/HARLAN-ELLISONS-CITY-EDGE-FOREVER/dp/B001MT932O).
If you liked Ellison's work, make sure you DON'T read this book.
He was one angry dude when he wrote it and I don't believe it was justified. His anger is centred on Roddenberry's temerity in changing what was submitted AND his (irrational) belief that he should get a acknowledgement/royalty of all time-travelling stories (including "The Terminator"). Included in the book is the script he originally submitted and, I think to his chagrin, what ended up being broadcast was superior. If you find a copy of the book, definitely read the original script but skip over everything else, he comes across as unreasonably bitter and entitled.
Ellison had quite an interesting life, produced some excellent science fiction and viciously attacked those he felt denigrated or didn't appreciate this genius - this book is a great example of the latter.
Mimetics Inc. Twitter
A great writer, but not a great human being. He sued the creators of The Terminator for copyright infringement, claiming that they stole the idea from his Outer Limits episode The Terminator.
I recently saw The Soldier, and it's absolutely not The Terminator. The only similarities are there's two soldiers that come back in time from the future, and continue the war here. All other details are completely different. One of them is NOT a robot, the come back accidentally, they don't want to change the future, there's no AI in the future ruling humanity, they don't even speak english, there's no female character they're trying to save/kill. Most of the plot isn't even the trying to kill each other, it's about trying to convert one of the soldiers into a non-soldier.
But yeah, Harlan sued over it, and won an undisclosed amount of money out of court, and a mention in the credits.
He's an interesting guy, not all good. There's a good documentary about him that at least used to be on Netflix:
https://en.wikipedia.org/wiki/Dreams_with_Sharp_Teeth
Look up the Star lost "Cordwainer Bird"
What a hacket job done by the media for a great writer. I've followed Harlan for some time and he was a great writer, as well as a creative individual. The media and Hollywood fake writers dislike him because their jealous of his talent, as well as he wouldn't role over and let others steal his work which nearly every writer in the world has had their work stolen, every one, but they were to afraid to stand up against the established corporations.
The world would have been a much more boring place without Harlan. R.I.P. for a change. :)
Another TV series he was involved with was "Scooby-Doo: Mystery Incorporated", in which he voiced himself. It's a pretty amusing series with quite a bit targeting adults rather than kids.
So, my wife and are geeks. Well, I'm a geek; she's a nerd. When she was pregnant and we confirmed it was a boy, thus began the question of what to name him. We were both interested in something a little archaic, or possibly iconic. An online baby name generator suggested "Steele Rod." We weren't going to name him after Isaac Asmiov, as my wife thought Isaac Haas would be a tad too close to Isaac Hayes. Meanwhile, my daughter asked if we could name him Cudahy. (A real Milwaukee joke: "That way we know he'd be musical... he'd have a lot of bars.") One night, after ticking off a list of science fiction authors, I suggested Ellison. My wife remembered Lt. Col. Ellison Onizuka, the mission specialist who died on the Space Shuttle Challenger's last mission in 1986. A few days later, our science fiction baby was born with Spock ears and bearing the name of a curmudgeonly writer and an astronaut. I hope it's a fitting name for a bright, thoughtful, and as yet un-curmudgeonly boy.
-- haaz.
but I must scream.
His anger is centred on Roddenberry's temerity in changing what was submitted AND his (irrational) belief that he should get a acknowledgement/royalty of all time-travelling stories (including "The Terminator").
I'm sure if he could have gone back in time and sued H.G. Wells for "The Time Machine" that he would have. He was one pissed off cat.
"90% of all science fiction is shit. But 90% of everything is shit." - Harlan Ellison
Remember kids, if you're not paying for the service, YOU ARE THE PRODUCT THAT IS BEING SOLD.
"Ellison was fiercely protective of his work and was not shy about going after those he believed had stolen or tampered with it. He instructed his fifth wife, Susan, to destroy all his notes and unfinished works after his death to avoid having them completed by some "literary grave-robber."
When a publisher broke a contract by allowing a cigarette ad in one of Ellison's books, the writer mailed him dozens of bricks and, finally, a ripe, dead gopher."
Source : https://phys.org/news/2018-06-harlan-ellison-science-fiction-master.html
My first taste of Harlan's work was an Outer Limits episode -- Demon with a Glass Hand. I had no idea he'd written it (at that age, only a faint notion of authorship) ... no idea how it'd hold up now, but at the time it amazed me. He left behind an amazing body of work of his own, and he was a promoter of work not his own as well (Theodore Sturgeon, for example). I was sad to see he'd passed; glad it was peaceful.
"Goodbye, little f*ck."
Just google it.
I have always thought "I Have No Mouth, But I Must Scream" would make a great movie.
Harlan was such an incandescent talent. It's difficult to adequately communicate the impact he had on science fiction in the late 1960's and early 1970's. As a writer, he was a true enfante terrible, who made his mark with groundbreaking stories like I Have No Mouth and I Must Scream, but it was as an editor that he truly changed the genre.
His breakthrough anthology Dangerous Visions was stuffed with original stories commissioned by him specifically for the volume from a phalanx of top-drawer authors. His charge to them was a simple one: don't just push the boundaries, go as far beyond them as you can. And they responded with alacrity, from Theodore Sturgeon's exploration of the social effects of mandatory incest If All Men Were Brothers, Would You Let One Marry Your Sister? to Philip Jose Farmer's hallucinatory conjuration of a future without jobs in Riders of the Purple Wage.
It was a seismic event in SF. Today's fans have no idea what an impact it made on the field.
The public Harlan was kind of a jerk. I witnessed him tear a teenage girl to tatters at a party at St. Louiscon for the unforgivable sin of asking him - very politely - for his autograph. She ran away in tears from the little man in the natty sports coat she so obviously idolized, while he seemed completely unaffected by the damage he'd inflicted on her.
I despised him for years afterward - until I learned that he had given a destitute and mortally ill Ted Sturgeon a place to live out his final days, and paid for his medical care, as well.
A great writer, a complex and often infuriating human being, and a man who left the world of science fiction a better and richer place for his having been a part of it. He will be missed ...
Check out my novel.
If that were literally the case, all wills would be meaningless.
But the thing is, there are ways to set up corporations and partnerships that survive a death with obligations intact.
Not saying he did, or his wife can't get around them, but then, does she want to do so?
https://www.facebook.com/offic...
...and the story "The Gang" which was autobiographical, not fictional. Ellison joined a juvenile street gang in the 1950's (think West Side Story) just to get background for writing about them. The initiation involved a knife-fight. Keep in mind Ellison was 5'2".
He got a 7-inch height upgrade being played by a 24-year-old James Caan in the 1964 "Alfred Hitchcock Hour" teleplay he wrote himself. With the gang leader played by none other than Walter Koenig. Both men appeared in B5 over thirty years later.
If that were literally the case, all wills would be meaningless.
No, you can say who inherits something, but not what they must do with what they inherit. Most countries laws not allow "Dead Hand" control.
Vladimir Nabokov and Franz Kafka are good examples of where the author's express wills were disregarded for moolah. Some would say Robert A. Heinlein too.
Your words: the US, people lose all control over their possessions when they die,
That, as a literal statement, is false by your own statements. Thus it is necessary to make allowances for your lack of precision which leads to the consideration that you perhaps don't know that there are ways to have things extend past or beyond an individual life.
Which covers the subject of mechanisms such as a trust, which is a means to how control can be retained according to prior direction. Those don't give control of themselves except insofar as allowed, though there have been wrangles around some of them such as over the Stanley Cup.
All of this is merely passing academic interest, of course, since the specifics of his estate have not been brought up.
At a Star Trek convention in my youth some 40 years ago, I wanted to sound as snarky as Mr. Snark himself. So I asked him, "Why do you hate everything?" to which he replied, without skipping a beat, "I don't hate everything. I just hate Star Trek fans."
While many SF works have affected me significantly (1984, Stranger in a Strange Land, Fahrenheit 451, etc), no single story has had the impact of Harlan's "Deathbird". It is a strange story that starts with the note that the chapters may be read in any order. While this may be generally true, the last chapter must be the last chapter and is really not true at all as the ordering of often almost unrelated vignettes is not random. It just seems that way. It is not a happy story as it tells about the end of the world.. a bleak, if merciful one.
Rest in peace.
Kevin Oberman, Network Engineer, Retired
The importance of the man was not whether he was a nice guy. Often he was not. (I knew him from the I-CON conventions where he was a frequent guest; I served on four con-coms.) But he produced an enduring body of literature. Who among us will do better? What does he deserve besides our applause?
The pace is horribly slow, the woman is a stereotype and the final denouement is rather ordinary by the standards of today. Which I guess goes to show that we expect far better these days, but we could only have got there because of the efforts of the likes of Harlan... But thank you for the link, it was kinda fun.
In "Number of the Beast" Heinlein says of a character "It's never safe to get a little man too mad at you"
I've wondered if that is in reference to the alleged torching of a Paramount minor executive over a rewrite of "City on the edge of forever"
And I wonder if it even happened
Even more, I wonder about that interaction between Ellison and Heinlein (and his double depth security system)