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The Future of the Cloud Depends On Magnetic Tape (arstechnica.com)
An anonymous reader quotes a report from Bloomberg: Although the century-old technology has disappeared from most people's daily view, magnetic tape lives on as the preferred medium for safely archiving critical cloud data in case, say, a software bug deletes thousands of Gmail messages, or a natural disaster wipes out some hard drives. The world's electronic financial, health, and scientific records, collected on state-of-the-art cloud servers belonging to Amazon.com, Microsoft, Google, and others, are also typically recorded on tape around the same time they are created. Usually the companies keep one copy of each tape on-site, in a massive vault, and send a second copy to somebody like Iron Mountain. Unfortunately for the big tech companies, the number of tape manufacturers has shrunk over the past three years from six to just two -- Sony and Fujifilm -- and each seems to think that's still one too many.
The Japanese companies have said the tape business is a mere rounding error as far as they're concerned, but each has spent millions of dollars arguing before the U.S. International Trade Commission to try to ban the other from importing tapes to America. [...] The tech industry worries that if Sony or Fujifilm knocks the other out of the U.S., the winner will hike prices, meaning higher costs for the big cloud providers; for old-line storage makers, including IBM, HPE, and Quantum; and, ultimately, for all those companies' customers. [...] Although Sony and Fujifilm have each assured the trade commission that they could fill the gap if their rival's products were shut out of the U.S., the need for storage continues to grow well beyond old conceptions. Construction is slated to begin as soon as next year on the Square Kilometer Array, a radio telescope with thousands of antennas in South Africa and Australia meant to detect signals emitted more than 13 billion years ago. It's been estimated the project could generate an exabyte (1 billion gigabytes) of raw data every day, the equivalent of 300 times the material in the U.S. Library of Congress and a huge storage headache all by itself.
The Japanese companies have said the tape business is a mere rounding error as far as they're concerned, but each has spent millions of dollars arguing before the U.S. International Trade Commission to try to ban the other from importing tapes to America. [...] The tech industry worries that if Sony or Fujifilm knocks the other out of the U.S., the winner will hike prices, meaning higher costs for the big cloud providers; for old-line storage makers, including IBM, HPE, and Quantum; and, ultimately, for all those companies' customers. [...] Although Sony and Fujifilm have each assured the trade commission that they could fill the gap if their rival's products were shut out of the U.S., the need for storage continues to grow well beyond old conceptions. Construction is slated to begin as soon as next year on the Square Kilometer Array, a radio telescope with thousands of antennas in South Africa and Australia meant to detect signals emitted more than 13 billion years ago. It's been estimated the project could generate an exabyte (1 billion gigabytes) of raw data every day, the equivalent of 300 times the material in the U.S. Library of Congress and a huge storage headache all by itself.
if the scenario described in the article happens and only one tape player will survive and prizes will go up, this will accelerate the death of tape storage. It seems that currently tape is still 2-3 times cheaper. It seems only a matter of time until tape will no more be competitive. There is still the legacy issue. Also, tape seems to last 30-50 years. It will be interesting to see whether a hard drive from today will still start up in 30 years. Officially, one estimates 10 years (but I guess it is more as I have been able to boot up drives older than 10 years). It will be important in the future to have cheap long term storage which lasts.
Go ahead. Let us know how it goes.
Hint: you have to be able to produce thin plastic ribbons (5.6 micrometres thick for LTO-7 and LTO-8) that are close to a kilometre long. They need to be 12.65mm (plus or minus .006 mm) wide. You then need to bind barium ferrite particles to those ribbons, in a uniform pattern, to be able to hold 6,656 (LTO-8) tracks in that width, with a linear density of 20,668 bits in every mm (per track). And the ribbon needs to be able to stand up to at least 20,000 end-to-end passes.
This is not a trivial problem, and finding people who have a head start on solving it who don't already work for one of those manufacturers will be... difficult.
Not as easy as your think. The startup cost would be enormous. Very few engineers know, in detail, about thin film technology, it's kinda a lost art. just ask Kodak . The equipment would have to be custom made, no one has manufactured them in decades and the old one have long since been hauled off to the scrap yard.
ATR Magnetics actually did this. They had their own coating machinery made. That's studio recording tape, though, so the tolerances will probably be a lot lower than for ultra-high density digital media on extremely thin backing.