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In France, Comic Books Are Serious Business (nytimes.com)
It's a big year for comic book anniversaries. Batman's 80th is this year, and Asterix is turning 60. But at the Angouleme International Comics Festival in France, which finished on Sunday, there was a sense that the form's best days may be yet to come -- in the French-speaking world, at least. From a report: "It's a kind of golden age," said Jean-Luc Fromental, a comic book author who also runs a graphic-novel imprint for the publisher Denoel. "There has never been so much talent. There have never been so many interesting books published."
There are now more comic books published annually in France and Belgium than ever before, according to the festival's artistic director, Stephane Beaujean. "The market has risen from 700 books per year in the 1990s to 5,000 this year," he said in an interview. "I don't know any cultural industry which has had that kind of increase." Research by the market research company GfK, released to coincide with the festival, showed that turnover in the comic book industry in those two countries alone reached 510 million euros, or around $580 million, in 2018.
The bumper year in France and Belgium contrasts with a mixed situation worldwide. Comichron, a website that reports on comic book sales in the United States, where the market is worth around $1 billion, says that sales there are declining. But in terms of respect and recognition, comics are on the way up.
There are now more comic books published annually in France and Belgium than ever before, according to the festival's artistic director, Stephane Beaujean. "The market has risen from 700 books per year in the 1990s to 5,000 this year," he said in an interview. "I don't know any cultural industry which has had that kind of increase." Research by the market research company GfK, released to coincide with the festival, showed that turnover in the comic book industry in those two countries alone reached 510 million euros, or around $580 million, in 2018.
The bumper year in France and Belgium contrasts with a mixed situation worldwide. Comichron, a website that reports on comic book sales in the United States, where the market is worth around $1 billion, says that sales there are declining. But in terms of respect and recognition, comics are on the way up.
The wrong comic can be deadly serious these days.
SJW: Someone who has run out of real oppression, and has to fake it.
I've been raised on Franco-Belgian comics (Belgium is a comics powerhouse, too — that’s where Tintin comes from, after all), and I can trace back the inspiration of many movies to those Franco-Belgian comics; Star Wars being the best known example (and the Star Wars designers admit having the whole Valérian comics collection)
French/Belgian comics "feel" different from American ones, and it's a whole different cultural thing. Manga for example is still growing in the US, even if traditional superhero comics are not, and I'd argue French/Belgian ones are more similar to manga. It's just a medium to communicate a story, whereas in the US "comics" are traditionally all about superheros (at least that's my knowledge of US comics).
Stand by for the new Superman comics, where Superman is a woman. As well, the next generation Supergirl will be a transgender furrie.
All joking aside, a lot of US comic readers are concerned that our comics are transitioning to Identity Politics, and losing the escapism fun.
The shepherds did so well protecting the flock that the sheep no longer believed that wolves existed.